Emotionally reeling, Monique Roffey went searching not just for lovers but to experience the furthest limits of her sexuality.

    Times are tough and, to support her sister, Daisy has to work hard as a dancer in a nightclub, getting home late and hardly seeing Mary-Jane. One night a fire starts and Mary-Jane is alone in the house. The night's events lead to the sisters being split up and Daisy May begins to fear that she will never see Mary-Jane again...

    Premiering at the Royal Court, NSFW is a sharp, biting, satirical new comedy that marks the breakthrough of one of the United Kingdom's most exciting playwrights.

    Adopting a sunny, genial tone, Dunthorne lures the reader to darker places, exploring death and dread, failure and regret - the 'lounge of our suffering'. Often, he catches us off-guard: a 'whiplash' effect where poems shift from laughter to slaughter in a moment. Impertinent owls, an immersive theatre troupe, ancient men from the Great War and idiot balloonists - such characters dramatise our human fancies and foibles, joining the protagonist in scenarios both humorously bizarre and all-too-familiar. These performances serve to probe and unpeel the layers of the self - all the way down to the raw.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.

    The superstitious townspeople resent their happiness and their subsequent meddling ends in violence and tragedy. This play was proclaimed a Broadway hit.

    It follows one couple's forty year journey from initial burst of romance to full bloom of love and through stages of smoking, drinking, affection and paranoia. The play follows their idealistic teenage years in the 1960s to their marriage and family and ultimate divorce, which dissolves their marriage but leaves them free from acrimony. Their children, however, bitterly rail against their parents' irresponsibility and their relaxed, laissez-faire attitude.This play by Olivier award-winning writer Mike Bartlett questions whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.

    Vocal selections from the uproarious Broadway production that won the Tony Award for Best Musical in 2005. Songs include: All for One * Always Look on the Bright Side of Life * Brave Sir Robin * Come with Me * Find Your Grail * Fisch Schlapping Dance * He Is Not Dead Yet * His Name Is Lancelot * I'm All Alone * King Arthur's Song * Knights of the Round Table * Laker Girls Cheer * Monks Chant * Run Away! * The Song That Goes Like This * Whatever Happened to My Part? * Where Are You? * You Won't Succeed on Broadway. Includes five pages of color photos.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Time to make your dreams come true.

    Not wanting to surrender the package to the Post Office Kate opens it with the good intention of finding its owner. Through her search she elicits the help of a young British visitor and together they embark on a search for a missing heir and a family fortune. Kate’s personal loss of her fiancé Evan and feelings of guilt for having survived prevents her from forming any attachment to the young man helping her. Through the letters in the package Kate and her co-conspirator discover the life of a Boer War Lieutenant and a WWII Captain. Together the lives of these two men lead Kate to their descendant, heir and fortune.

    What should have been a single encounter turned into several. There was something about Prime that magnetized her to him…Egotistical, vain, and pompous, but confident, beautiful, charming, and eccentric. Prime didn’t have to exert his dominance for her to know who he was. Her submission to his energy came naturally. He was what she needed. Prime was the perfect name for someone like him; it was truly befitting. He carried himself as if he was of main importance and considered himself to be the best in quality. And yes, he was at the most successful peak of his life, and he exuded great strength and maturity. Now it was time to settle and findeth a wife. Unable to change the mistakes of the past, he looked forward to another chance at love and family. He believed he found it in Dasani. She was divine and breathtaking. A chocolate goddess. A priceless piece of sculpted art. Dasani was quiet, hardworking, loving, nurturing, and a successful business owner. Prime admired her drive and passion, but he loathed the pain and hurt in her eyes. All he desired to do was be the man to remove her out of the darkness and place her in the light where she belonged. She was what he wanted. Sometimes, what we want, and need isn’t what’s best for us; nor is it best for the people in our lives that depend on us. After Prime learns that he and Dasani share a mutual loved one in their lives, Prime must make a choice: Dasani or the “loved” one. But Prime is used to having his way, and not having Dasani will be a problem. Will he be able to abandon the idea of love in order to salvage the broken relationship that stands in their way, or will he forfeit the opportunity to make amends and hold on to his Dasani?

    Wherein The Rez Sisters the focus was on seven Wasy women and the game of bingo, Dry Lips Oughta Move to Kapuskasing features seven Wasy men and the game of hockey. It is a fast-paced story of tragedy, comedy, and hope.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography