It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture.

    Meant as a practical guide for the aspiring hippie, Steal This Book captures Hoffman's puckish tone and became a cult classic with over 200,000 copies sold. Outrageously illustrated by R. Crumb, it nevertheless conveys a serious message to all would-be revolutionaries: You don't have to take it anymore. "All Power to the Imagination was his credo. Abbie was the best." —Studs Terkel

    Challenging the reductionist division of people by race, religion, and class, Sen presents an inspiring vision of a world that can be made to move toward peace as firmly as it has spiraled in recent years toward brutality and war.

    Originally released as a series of magazines, then a collected edition which sold thousands before going out of print, ANSWER Me! has been blamed for a White House shooting and a triple suicide. It has been banned in several countries and put on trial for obscenity in the USA. Chock full of well-written rants, interviews, and articles on topics ranging from music and subcultures to sex, love, hate, murder, serial killers, and suicide, this fat, gorgeous anthology contains the legendary rant-zine's first three issues in their entirety. It also contains sixty new pages of wistful ANSWER Me! memories and tasty new articles written by philanthropist and humanitarian Jim Goad. There's a strong chance that this is the best book ever published. Only an idiot would refuse to buy it. ANSWER Me! was so wonderful because it reminded me of when my uncle Joey turned me on to National Lampoon when I was eight years old. After National Lampoon I was always looking for uglier forms of humor, and then comes along ANSWER Me! -- Shaun Partridge, Partridge Family Temple ANSWER Me! is a nasty little book ... more than worth its cover price for the jaw dropping serial killer and suicide guides. -- debased.com

     For decades, technology encouraged people to squander their time and intellect as passive consumers. Today, tech has finally caught up with human potential. In Cognitive Surplus, Internet guru Clay Shirky forecasts the thrilling changes we will all enjoy as new digital technology puts our untapped resources of talent and goodwill to use at last. Since we Americans were suburbanized and educated by the postwar boom, we've had a surfeit of intellect, energy, and time-what Shirky calls a cognitive surplus. But this abundance had little impact on the common good because television consumed the lion's share of it-and we consume TV passively, in isolation from one another. Now, for the first time, people are embracing new media that allow us to pool our efforts at vanishingly low cost. The results of this aggregated effort range from mind expanding-reference tools like Wikipedia-to lifesaving-such as Ushahidi.com, which has allowed Kenyans to sidestep government censorship and report on acts of violence in real time. Shirky argues persuasively that this cognitive surplus-rather than being some strange new departure from normal behavior-actually returns our society to forms of collaboration that were natural to us up through the early twentieth century. He also charts the vast effects that our cognitive surplus- aided by new technologies-will have on twenty-first-century society, and how we can best exploit those effects. Shirky envisions an era of lower creative quality on average but greater innovation, an increase in transparency in all areas of society, and a dramatic rise in productivity that will transform our civilization. The potential impact of cognitive surplus is enormous. As Shirky points out, Wikipedia was built out of roughly 1 percent of the man-hours that Americans spend watching TV every year. Wikipedia and other current products of cognitive surplus are only the iceberg's tip. Shirky shows how society and our daily lives will be improved dramatically as we learn to exploit our goodwill and free time like never before.

    One of the most important books on the social sciences since the Second World War, it is a searing insight into the ideas of this great thinker.

    In this fascinating and revealing study, Thomas Frank shows how the youthful revolutionaries were joined—and even anticipated —by such unlikely allies as the advertising industry and the men's clothing business."[Thomas Frank is] perhaps the most provocative young cultural critic of the moment."—Gerald Marzorati, New York Times Book Review"An indispensable survival guide for any modern consumer."—Publishers Weekly, starred review"Frank makes an ironclad case not only that the advertising industry cunningly turned the countercultural rhetoric of revolution into a rallying cry to buy more stuff, but that the process itself actually predated any actual counterculture to exploit."—Geoff Pevere, Toronto Globe and Mail"The Conquest of Cool helps us understand why, throughout the last third of the twentieth century, Americans have increasingly confused gentility with conformity, irony with protest, and an extended middle finger with a populist manifesto. . . . His voice is an exciting addition to the soporific public discourse of the late twentieth century."—T. J. Jackson Lears, In These Times"An invaluable argument for anyone who has ever scoffed at hand-me-down counterculture from the '60s. A spirited and exhaustive analysis of the era's advertising."—Brad Wieners, Wired Magazine"Tom Frank is . . . not only old-fashioned, he's anti-fashion, with a place in his heart for that ultimate social faux pas, leftist politics."—Roger Trilling, Details

    Through analysis of products, political campaigns and television programs of the 1950s, Packard shows how the insidious manipulation practices that have come to dominate today’s corporate-driven world began. Featuring an introduction by Mark Crispin Miller, The Hidden Persuaders has sold over one million copies, and forever changed the way we look at the world of advertising.Vance Packard (1914-1996) was an American journalist, social critic, and best-selling author. Among his other books were The Status Seekers, which described American social stratification and behavior, The Waste Makers, which criticizes planned obsolescence, and The Naked Society, about the threats to privacy posed by new technologies.

    He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have "Puritans as Democrats," "The Monarch's Revolution," "The Artist Prophet and Jester" -- show the recurrent role of great themes throughout the eras.The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the creative novelty that will burst forth -- tomorrow or the next day.Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.

    The expert on false flag ops--his first book exposed the "Red Brigades" as stooges of the P2 lodge and NATO stay-behind network--Tarpley again demolishes the government's conspiracy theory. His working model of a network of moles, patsies, paramilitary pros and corrupt media is the only coherent explanation ... Full description

    court case in which the jurors concluded that the CIA plotted the murder of President Kennedy, but there was always a missing piece: How did the CIA control cops and secret service agents on the ground in Dealey Plaza? How did federal authorities prevent the House Select Committee on Assassinations from discovering the truth about the complicity of the CIA? Now, "New York Times" best-selling author Mark Lane tells all in this explosive new book--with exclusive new interviews, sworn testimony, and meticulous new research (including interviews with Oliver Stone, Dallas Police deputy sheriffs, Robert K. Tanenbaum, and Abraham Bolden) Lane finds out first hand exactly what went on the day JFK was assassinated. Lane includes sworn statements given to the Warren Commission by a police officer who confronted a man who he thought was the assassin. The officer testified that he drew his gun and pointed it at the suspect who showed Secret Service ID. Yet, the Secret Service later reported that there were no Secret Service agents on foot in Dealey Plaza. "The Last Word" proves that the CIA, operating through a secret small group, prepared all credentials for Secret Service agents in Dallas for the two days that Kennedy was going to be there--conclusive evidence of the CIA's involvement in the assassination.

    The founder of Adbusters magazine, Lasn aims to stop the branding of America by changing the way information flows; the way institutions wield power; the way television stations are run; and the way the food, fashion, automobile, sports, music, and culture industries set agendas. With a courageous and compelling voice, Lasn deconstructs the advertising culture and our fixation on icons and brand names. And he shows how to organize resistance against the power trust that manages the brands by "uncooling" consumer items, by "dermarketing" fashions and celebrities, and by breaking the "media trance" of our TV-addicted age.A powerful manifesto by a leading media activist, Culture Jam lays the foundations for the most significant social movement of the early twenty-first century -- a movement that can change the world and the way we think and live.

    In particular, was his victory the result of Russian meddling in our political system? Up until now, the answer to that has been equivocal at best given how difficult it is to prove. Trump has vociferously denied it, as has Vladimir Putin himself. Even the famous intelligence reports establishing that the Russians interfered hold back from saying whether the interference tipped the scales in the outcome.In Cyberwar, however, the eminent scholar Kathleen Hall Jamieson, who sifted through a vast amount of polling and voting data, is able to conclude with a reasonable degree of certainty that Russian help was crucial in elevating Trump to the Oval Office. Put simply, by changing the behavior of key players and altering the focus and content of mainstream news, Russian hackers reshaped the 2016 electoral dynamic. At the same time, Russian trolls used social media to target voting groups indispensable to a Trump victory or Clinton defeat. There are of course many arguments on offer that push against the idea that the Russians handed Trump his victory. Russia's goal was fomenting division, not electing Trump. Most of the Russian ads reportedly did not reference either the election or a candidate. Nor did they differ much from U.S.-based messaging that was already in play. Russian intervention did not surgically target Trump in key states. Finally, if WikiLeaks' releases of stolen email had truly affected the vote, Clinton's perceived honesty would have dropped in October. Jamieson, drawing from her four decades of research on the role of media in American elections, dispenses with these arguments through a forensic tracing of both Russian hackers' impact on media coverage as well as the ebbs and flows of Trump's polling support over the course of the campaign. To be sure, it is impossible to prove with absolute certainty that the Russians handed the election to Trump because there is too much that we don't know. That said, the lessons of a half century of research on the role of media framing in elections strongly suggests that many voters' opinions were altered by Russia's wide-ranging and coordinated campaign-including at least seventy eight thousand votes in three key states. Combining scholarly rigor with a bracing argument, Cyberwar shows that we can now be reasonably confident that Russian efforts helped put Trump in the White House.

     But is that really true? In Hate Crime Hoax, Professor Wilfred Reilly examines over one hundred widely publicized incidents of so-called hate crimes that never actually happened. With a critical eye and attention to detail, Reilly debunks these fabricated incidents—many of them alleged to have happened on college campuses—and explores why so many Americans are driven to fake hate crimes. We're not experiencing an epidemic of hate crimes, Reilly concludes—but we might be experiencing an unprecented epidemic of hate crime hoaxes.

    In Wicked Messenger, acclaimed cultural-political commentator Mike Marqusee advances the new thesis that Dylan did not drop politics from his songs but changed the manner of his critique to address the changing political and cultural climate and, more importantly, his own evolving aesthetic. Wicked Messenger is also a riveting political history of the United States in the 1960s. Tracing the development of the decade’s political and cultural dissent movements, Marqusee shows how their twists and turns were anticipated in the poetic aesthetic—anarchic, unaccountable, contradictory, punk— of Dylan's mid-sixties albums, as well as in his recent artistic ventures in Chronicles, Vol. I and Masked and Anonymous.Dylan’s anguished, self-obsessed, prickly artistic evolution, Marqusee asserts, was a deeply creative response to a deeply disturbing situation. "He can no longer tell the story straight," Marqusee concludes, "because any story told straight is a false one."