In a deconsecrated church, a young woman is found dead, her mutilated body displayed on the altar for all to see. Captain Alexei Korolev, finally beginning to enjoy the benefits of his success with the Criminal Investigation Division of the Moscow Militia, is asked to investigate. But when he discovers that the victim is an American citizen, the NKVD—the most feared organization in Russia—becomes involved. Soon, Korolev’s every step is under close scrutiny and one false move will mean exile to The Zone, where enemies of the Soviet State, both real and imagined, meet their fate in the frozen camps of the far north.Committed to uncovering the truth behind the gruesome murder, Korolev enters the realm of the Thieves, rulers of Moscow’s underworld. As more bodies are discovered and pressure from above builds, Korolev begins to question who he can trust and who, in a Russia where fear, uncertainty and hunger prevail, are the real criminals. Soon, Korolev will find not only his moral and political ideals threatened, but also his life.William Ryan’s remarkable debut will storm into ten countries in what is sure to be an international publishing event. With Captain Alexei Korolev, William Ryan has given us one of the most compelling detectives in modern literature, a man dogged and humble, a man who will lead us through a fear-choked Russia to find the only thing that can save him or any of us— the truth.

    Twenty-six-year-old Nicholai Hel has spent the last three years in solitary confinement at the hands of the Americans. Hel is a master of hoda korosu, or "naked kill," is fluent in seven languages, and has honed extraordinary "proximity sense"-an extra-awareness of the presence of danger. He has the skills to be the world's most fearsome assassin and now the CIA needs him.The Americans offer Hel freedom, money, and a neutral passport in exchange for one small service: to go to Beijing and kill the Soviet Union's commissioner to China. It's almost certainly a suicide mission, but Hel accepts. Now he must survive chaos, violence, suspicion, and betrayal while trying to achieve his ultimate goal of satori-the possibility of true understanding and harmony with the world.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    For Shella is nothing less than a tour of evil's spawning ground, conducted by one of its natural predators.He is called "Ghost" because he is so nondescript as to be invisible and because he slays with such reflexive ease that he might be one of the dead. Once he traveled with a woman who was called "Shella" -- because those who had treated her as a horrendously ill-used child had tried to make her come out of her shell. Now Shella has vanished in a wilderness of strip clubs and peep shows, and Ghost is looking for her, guided by a killer's instinct and the recognition that can only exist between two people who have been damaged past the point of no return. The result is Andrew Vachss's most compelling work to date, the thriller reimagined as a bleak romance of the damned.

    Here are two dark and dazzling classic tales of passion and peril by the incomparable mistress of romantic suspense, #1 New York Times bestselling authorNora RobertsHer voice was like hot whiskey, smooth and potent, but it was her contradictions that fascinated Detective Boyd Fletcher - the vulnerability beneath her self-sufficient facade. Radio announcer Cilla O'Roarke was being threatened, and it was Boyd's job to protect her. But though she protested his intrusion into her life, an undeniable attraction sizzled between them...and anything could happen on the Night Shift.He walked the night, a shadow among shadows. They called him Nemesis and he was everywhere. But the night he saved Deborah O'Roarke from an attacker he rediscovered the sweet ache of longing. As Gage Guthrie he could woo her. But the idealistic prosecutor abhorred his vigilante approach to crime fighting. So how could he reveal he was the phantom who lurked in the Night Shadow?

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    The hardscrabble streets of Oakland offer crime aplenty...Thompson and Muller have taken such pains to choose stories highlighting Oakland's diversity and history that the result is a volume rich in local culture as well as crime."-- Kirkus Reviews "The legendarily tough California city of Oakland finally gets an entry in the Akashic noir series."-- Publishers Weekly Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller (the "Czar of Noir"), this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.From the introduction:Jerry Thompson: Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk . . .Eddie Muller: These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun, because it’s become the fashionable way to get published. You know, “gritty violence” and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference, and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    When the local police fail to take the arson seriously, Harper takes the reins and discovers her husband was investigating some mysterious deaths at a cacao plantation on the Ivory Coast. Now she’s convinced he was targeted in a corporate conspiracy to silence him.Aided by her former mafioso grandfather and well-connected financier brother, Harper embarks on a global manhunt, flying first to Africa, then Zurich to expose a high-level cover-up inside a powerful chocolate conglomerate.But Harper has a few secrets of her own—starting with her lethal martial arts skills—and she’s not afraid to take on any hired guns or guerrillas standing in her way. In trying to cover their tracks, the conspirators made one fatal miscalculation: they didn’t count on Harper McDaniel coming for them.

    Blow-out sales and shady deals are his life. When a stockroom boy hooked on speed metal and the fast life disappears, Nick has to help find him.

    And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip‑flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford’s world was yesterday, and Bronson’s is today. And in the stalking midnight of this book, one of America’s top writers, Harlan Ellison, invades the shadows of both!

    Evolved from lucha libre, the family gimmick is sacred, and the mask is the sole expression of one’s identity. Now, Hood prostitutes are turning-up murdered and worse, unmasked, and the ‘Skin’ establishment is as much help as a paid-off ref. Enter X, former luchadora with a bruised past, a bum knee and no time to play Santo. She’s no hero, but there’s nobody else to tag-in, as her hunt for a killer uncovers a conspiracy that could take down all of maskedkind. Like Casablanca with wrestling masks, Hoodtown is vintage pulp noir with a lucha libre pop culture twist.

    Contains the Writers of the Future Award-winning story "The Vampire Shortstop" and 11 other tales of magic, romance, and the supernatural, including the Makers series in which children control the essential forces of the world. Includes "The Boy Who Saw Fire," "In The Heart of November," and "Invisible Friend."Nicholson is the author of 12 novels, including The Red Church, Drummer Boy, Disintegration, and The Skull Ring. With J.R. Rain, he wrote the urban fantasy Cursed! Look for his other story collections THE FIRST, MURDERMOUTH: ZOMBIE BITS, CURTAINS: MYSTERY STORIES, and ASHES. As L.C. Glazebrook, he writes the paranormal romance series OCTOBER GIRLS.

    So, Grant Fargo argues to his grandfather Lincoln, it's perfectly all right that he's desperately in love with his first cousin, Bella—she's the only source of intelligent conversation for miles, and in a town like Verdon, it would be hard not to end up with a relative of one kind or another.Before it all plays out, men will be murdered, jailed, tarred and feathered or worse, and while everyone in the Fargo clan would kill for the family deeds, God might just end up with them instead. In Heed the Thunder, one of Thompson's earlier works, Thompson's signature style collides with a sweeping picaresque of the American prairie, in a multigenerational saga that's one part Steinbeck, two parts Dostoyevsky, and all Jim Thompson.

    Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.