Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    Check in for the night with New York Times bestselling author Lisa Unger.Eve has a fake ID, a .38, and a violent lover receding in the rearview mirror. He’ll never find her at the isolated motel, and its kindly manager is happy to ease her fears. But if Eve is the only guest, whom does she keep hearing on the other side of the wall? Eve won’t get a good night’s rest until she finds out.Lisa Unger’s The Sleep Tight Motel is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    But every wish has a consequence, and the White family finds they are completely unprepared for what comes next. The Monkey’s Paw is a classic horror tale that gives new meaning to the phrase “be careful what you wish for.”The Monkey’s Paw has become a classic horror story and has been adapted numerous times, including into episodes of such popular television series as The X-Files, The Twilight Zone, Buffy the Vampire Slayer, The Simpsons: Treehouse of Horror, Are You Afraid of the Dark?, and Tales from the Crypt.HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    P. Lovecraft written in June 1917 and first published in the March 1922 issue of The Vagrant. It is the first work of fiction that Lovecraft wrote as an adult."The Tomb" tells of Jervas Dudley, a self-confessed day-dreamer. While still a child, he discovers the entrance to a mausoleum, belonging to the family Hyde, whose nearby family mansion had burnt down many years previously. The entrance to the mausoleum is padlocked and slightly ajar. Jervas attempts to break the padlock, but is unable. Dispirited, he takes to sleeping beside the tomb. Eventually, inspired by reading Plutarch's Lives, Dudley decides to patiently wait until it is his time to gain entrance to the tomb.One night, several years later, Jervas falls asleep once more beside the mausoleum. He awakes suddenly in the late afternoon, and believes that a light has been latterly extinguished from inside the tomb. Taking leave, he returns to his home, where he goes directly to the attic, to a rotten chest, and therein finds the key to the tomb.Once inside the mausoleum, Jervas discovers an empty coffin with the name of Jervas Hyde upon the plate. He begins, so he believes, to sleep in the empty coffin each night as its name matches his. He also develops a fear of thunder, and is aware that he is being spied upon, under his father's orders.One night, against his own better judgement, Jervas sets out for the tomb on an overcast night, a night threatening to storm. As he approaches the tomb, he sees the Hyde mansion restored to its former state there is a party in progress, to which he joins, abandoning his former quietude for blasphemous hedonism.During the party, lightning strikes the mansion, and it burns. Jervas loses consciousness, having imagined himself being burnt to ashes in the blaze.He is awoken, screaming and struggling, to find himself being held by two men, his father in attendance. A small antique box is discovered, having been unearthed by the recent storm. Inside is a porcelain miniature of a man, with the initials J.H. Jervas fancies its face to be the mirror image of his own.He begins jabbering that he has been sleeping inside the tomb. His father, saddened by his son's mental instability, tells him that he has been watched for some time and has never gone inside the tomb, and indeed, the padlock is rusted with age. Jervas is removed to a room with barred windows, presumed mad.He then asks his servant Hiram, who has remained faithful to him despite his current state, to explore the tomb a request which Hiram fulfils. After breaking the padlock and descending with a lantern into the murky depths, Hiram return to his master and informs him that there is, indeed, a coffin with a plate which reads 'Jervas' on it. Jervas then states that he has been promised to be buried in that vault and coffin when he dies and thus ends the previous narration.

    Here are tales of suspense and the supernatural that will chill, amuse, and exhilarate.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    Palahniuk channels both Stephen King and John Cheever in this singularly sinister and hilarious short story, straight from the passive-aggressive front lines of modern marriage, where a wife's frustration, along with the family cat, become weapons of mass destruction.Rachel married Ted because he was uncomplicated and loyal. But he was also devoted to his wretched house (done up in black granite, black appliances, even black dishware) and his first love, an old, flatulent cat named Belinda Carlisle. Once Rachel becomes pregnant, Ted reluctantly agrees to move and give up the cat. But the house doesn't sell, and Belinda Carlisle still haunts their home: every day the creature becomes fatter and more malodorous. When the house burns to the ground in a freak conflagration and the couple's daughter, April, is born blind soon thereafter, the marriage is never the same again. Only on a business trip three years later does Rachel begin to reckon with the damage.In an Orlando motel room far from Ted and April, Rachel wonders: Is her simple-minded husband more vindictive and manipulative than even Rachel could have imagined? How far will she go to keep the upper hand—a bit of emotional and physical torture, perhaps? Will she win the battle, only to lose so much else?If all is fair in love and war, there are few contemporary writers better equipped than Palahniuk to travel the extremes, right to the chilling intersection of "I do" and "I'm damned."

    He and many other wealthy nobles, hold a masquerade ball using seven rooms in the abbey, each decorated with a different color. The last one is velvet black.In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. The story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease.Librarian's note: this entry relates to the story "The Masque of the Red Death." Collections of short stories by the author can be found elsewhere on Goodreads.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.