Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town’s streets and walls. She remembers the day her childhood ended, when slave catchers came “whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear.” Sila remembers her masters, especially Oumiesies (“old Missus”), who in her will granted Sila her freedom, but Theron, Oumiesies’ vicious and mercenary son, destroys the will and with it Sila’s life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.

    We were colored girls in a white world that didn’t want us."  Born on the wrong side of a racial divide in apartheid-torn Cape Town, young sisters Ruby and Rose exist in a world where they are not welcome. As part of the Cape Colored community, they are considered socially inferior, yet even within their own social group the sisters live in the poor end of town. Their father was killed when they were very small, so when their mother dies after a protracted illness, Ruby and Rose’s fate falls into the hands of Aunt Olive. Ruby knows without being told that their aunt’s home will not be opened up to them – charity does not extend to the poor relations who would cast a smudge on such a respectable house. Aunt Olive condemns her nieces to the local orphanage, relieving her conscience with monthly invitations to Sunday lunch. In the orphanage the girls grow up sheltered from a divided world that they do not yet fully understand, but the day approaches when Ruby and Rose must forge their own paths in life and confront the lessons that apartheid enforces. Like the award-winning Dance with a Poor Man’s Daughter, this beautifully observed novel of sisterly love once again displays Pamela Jooste’s poignant understanding of human nature.

    Shares Tolstoy's three articles concerning the siege of Sebastopol and his observations of conditions and atrocities during the Crimean War

    Marshall’s thoughtful, illuminating account of how the spiritual beliefs of the Lakota people can help us all lead more meaningful, ethical lives.Rich with storytelling, history, and folklore, The Lakota Way expresses the heart of Native American philosophy and reveals the path to a fulfilling and meaningful life. Joseph Marshall is a member of the Sicunga Lakota Sioux and has dedicated his entire life to the wisdom he learned from his elders. Here he focuses on the twelve core qualities that are crucial to the Lakota way of life--bravery, fortitude, generosity, wisdom, respect, honor, perseverance, love, humility, sacrifice, truth, and compassion. Whether teaching a lesson on respect imparted by the mythical Deer Woman or the humility embodied by the legendary Lakota leader Crazy Horse, The Lakota Way offers a fresh outlook on spirituality and ethical living.

    It's the story of two women who meet in 1980, gray-haired Erma telling her life story to Annie, a young college student living in Charleston, West Virginia. The tale she tells is also of two women, and their adventures beginning in the coalfields of Red Ash, growing up near Thurmond, and eventually finding their way to Charleston in 1915. Strong mountain women, historical places, faith, and grief are themes explored in this account of a friendship that spans across decades. You will find yourself wishing to call on the fine folks of the Appalachian Mountains, relax for a spell, and stumble upon the angels who made West Virginia so gloriously wild and wonderful.

    Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Author André Carl van der Merwe transports the reader into this young man’s world with evocative realism - sometimes heart-rending, sometimes with humour, always with brush strokes of hope. This is a long overdue story about the emotional and physical suffering endured by countless young men."

    On the one hand she is a pious mother of four sons, but under the veil she is a daring, independent-minded woman with a sexuality, and a liking for risky behavior, that she keeps secret from those closest to her. We follow her story in two different time frames. As a woman in her forties, dealing with the tragic death of her son from AIDS, Abeeda is drawn into the world of casino gambling and quickly develops a gambling addiction, in which she convulsively wins and loses large amounts of money. In a serious of flash backs we also trace her life as a woman in her twenties, from the time when her husband left her, through a torrid affair with her younger sister's fiance (and then husband) Imran. The episodes in the casino are intense - the compulsive attraction and the nightmare of gambling are made vivid to the reader. On the other hand, Abeeda's involvement in her community, and her genuine spiritual seeking, are also very clear. Weaving together these captivating main story lines are numerous subplots involving her family, religion, friends and her life in the community.

    Mai Sunsaye, the hero of the story, is afflicted with the sokugo, wandering sickness.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'

    Inspired by the story, Justine van der Leun, an American writer living in South Africa, decided to introduce it to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled on another brutal crime committed on the same day, in the very same area. The story of Amy Biehl’s death, it turned out, was not the story hailed in the press as a powerful symbol of forgiveness, but was in fact more reflective of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four years investigating this strange, knotted tale of injustice, violence, forgiveness, and redemption. It is a gripping journey through the bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and the decades that followed provides an unsparing account of life in South Africa today. Like Katherine Boo and Tracy Kidder, van der Leun immerses herself in the lives of her subjects. With her stark, moving portrait of a township and its residents, she provides a lens through which we come to understand that the issues at the heart of her investigation—truth and reconciliation, loyalty, justice, race, and class—are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson just as relevant to America today as to a South Africa still struggling with the long shadow of its history.

    For Tansy, however, the choice was never hers. On the eve of her seventeenth birthday, Tansy is caught in a sizzling kiss with Christophe Desmarais. The next night, Tansy’s mother introduces her to the life she has been raised for: as a beautiful quadroon in Old New Orleans, Tansy is meant to be a rich white man’s mistress. She is as she should be, biddable, loyal and submissive. But is this all there is? As Tansy matures, she wearies of telling herself that her narrow life is enough, yet she is terrified to leave behind security and plenty to become a self-reliant, independent woman.Christophe Desmarais was, like Tansy, born to a mixed-race mother and a rich white father, but as a shrewd card-player, a talented violinist, and a respected teacher, he creates his own life. The attraction between him and Tansy has never abated, only been pushed down and unacknowledged. When he sees Tansy discovering there is more to her than being pretty and pleasing, he allows himself to hope that she will become her own woman. Maybe then the two of them will have a chance at a life together.Multiple award-winning author Gretchen Craig returns with an unconventional novel about loyalty, independence, and love.

    Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees "a fortune beyond counting" in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter - Annawadi's "most-everything girl" - will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a fifteen-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call "the full enjoy." But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi. With intelligence, humor, and deep insight into what connects human beings to one another in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the twenty-first century's hidden worlds, and into the lives of people impossible to forget.

    Ruth Wyatt grew up in an orphanage after she lost her parents in a stage coach robbery. The family had thought she had also died in that robbery until 16 years later, someone told her cousin that they had seen a girl who could be his sister. From there, the family tracked her down and sent her a train ticket to come home. But it wasn't as easy as that.

    Born at the end of the nineteenth century in a slum district of Manchester, he's blessed with a loving, hard-working mam and dad, but they don't have two ha'pennies to rub together. In addition to suffering poverty, the family is struck by tragedy not once but twice. But Tommy is a survivor. At school he quickly makes lots of friends, and together they plot money-making schemes, settle scores and play lots of football. Then, at last, it's time to leave the playground behind. Denied the chance of a promising career as an engineer, Tommy instead finds employment at Manchester's Smithfield market and works his way up, finally becoming a porter. He's turning into a man, and amongst the young women who catch his eye is Kate Lally, who may just be the love of his life...