Here a man is drawn into a gritty postmodern subculture and a secret kingdom of otherworldly beings to find what he lost long ago: a reason to live.Kit Nouveau figured he'd already come to the end of the world. An Iraqi war veteran, expatriate, and part owner of Pirate Mary's, the best Irish bar in Tokyo, Kit had settled down to await the inevitable with barely a whimper. It wasn't exactly how Kit thought he'd end up, and he was right.It's going to end up a lot worse.A teenage runaway with fifteen million dollars in stolen cash and a taste for cosplay is about to save Kit's life in a lethal swirl of scarlet and bridal lace. Lady Neku, a.k.a. Countess of High Strange, has her own dangerous destiny to fulfill and it's mysteriously connected to Kit's ravaged past. Now Kit's only hope for redemption is to save an ex-girlfriend he tragically failed once before. But everyone says it's already too late. And she's left behind only one ominous clue: her suicide note.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    Lewis's ill-informed and terrified victim who leaves Earth much against his will and who, in the first book of the trilogy, Out of the Silent Planet, published by the Bodley Head in 1938, encounters the imaginary and delightful world of Macalandra. In the second book, Perelandra (1943), Ransom is transported to a world of sweet smells and delicious tastes, a new Garden of Eden in which is enacted, with a difference, the story of Temptation. That Hideous Strength (1945) completes the trilogy and finds Dr Ransom returned from his travels in space and living in an English university town - where the Senior Common Room is given a mysterious depth, a more than earthly dimension which such things, in the author's view, always have in life.C.S. Lewis believed that popular science was the new mythology of his age, and in The Cosmic Trilogy he ransacks the uncharted territory of space and makes that mythology the medium of his spiritual imagination.

    They mourn, and Cormac sends a beautifully written eulogy back to Earth. The word from ground control is unequivocal: no matter what happens, the mission must continue.But as the body count begins to rise, Cormac finds himself alone and spiralling towards his own inevitable death … unless he can do something to stop it.

    To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly & forever The Prince Who Was a Thousand. But neither of these superhuman warriors is prepared for the strange & harrowing world of mortal life. The Thing That Cries in the Night may well destroy not only their worlds, but all humankind. As Zelazny did with the Hindu pantheon in the legendary, groundbreaking classic Lord of Light, the master storyteller here breathes new life into the Egyptian gods with another dazzling tale of mythology and imagination.

    In love with a beautiful woman, Rush journeys far and learns much. Taken into the society of Dr. Boots's List, attached to the old mysteries, Rush grows closer to a sainthood he could never have imagined.

    The ugly, the flawed, the misfit, the deformed, they are the unwanted, flung to the farthest corners of the galaxy to investigate hostile planets and strange, vicious creatures. Out there, there are a thousand different -- and terrible -- ways to die. Festina Ramos belongs to the well-trained, always-dwindling ranks of ECMs (Expendable Crew Members). Now she and her partner, Yarrun Derigha, have been ordered to escort the unstable Admiral Chee to Melaquin -- the feared "Planet of No Return"-- which has swallowed up countless Explorers before them without a trace.Obviously, this is meant to be the last mission for Ramos and Derigha. But it won't be, if Festina can help it.

    A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more.Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work has lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money.Before Theo has time to fully appreciate the pointlessness of his own miserable existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died.By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself.This is the tale of a man who had nothing and gave it all up to find his destiny -- and a doughnut.

    A few human beings were left on the deserted earth along with countless robots. The human beings--including a small tribe of American Indians--made do. The Indians returned to ancient tribal ways, the others stubbornly tried to rebuild technology. The robots--some stayed with the humans performing their service functions, some went off to create a religiously-based society of their own. Millennia later, a star-traveler returns from the center of the universe. The people of earth had been found and were planning to return. But something else had been found, too--the central intelligence of the universe!

    He sees it as an opportunity. Charlie has always thought his body could be better. Stronger. With built-in wi-fi. The next leg to go is no accident. Neither is the hand. No one understands his love of upgrades, except for prosthetics expert Lola Shanks. She's always admired a good artificial leg, and Charlie's on his way to being artificial everything. His employer, military contractor Better Future, sees potential in the bioaugmentations. Charlie, however, never wanted to be a weapon, so now he's locked in a mind-bending battle for control of his artificial body. Machine Man is a daring experiment in digital fiction that is funny, tender, and always surprising.

     Everybody's getting one. Val and Julie just want what's best for their kids, David and Sophie. So when teenage son David comes home one day asking for a Pilot, a new brain implant to help with school, they reluctantly agree. This is the future, after all.Soon, Julie feels mounting pressure at work to get a Pilot to keep pace with her colleagues, leaving Val and Sophie part of the shrinking minority of people without the device.Before long, the implications are clear, for the family and society: get a Pilot or get left behind. With government subsidies and no downside, why would anyone refuse? And how do you stop a technology once it's everywhere? Those are the questions Sophie and her anti-Pilot movement rise up to answer, even if it puts them up against the Pilot's powerful manufacturer and pits Sophie against the people she loves most.

    It destroys us.The Feed is everywhere. It can be accessed by anyone, at any time. Every interaction, every emotion, every image can be shared through it.Tom and Kate use The Feed, but they have resisted addiction to it. And this will serve them well when The Feed collapses.Until their six-year-old daughter, Bea, goes missing.Because how do you find someone in a world devoid of technology? And what happens when you can no longer trust that your loved ones are really who they claim to be?

    This would have worked out better for all involved if they hadn’t arrived after a mutated plague wiped out half the planet, turned the rest into shambling, near-unstoppable animals, and basically destroyed human civilization. You know—your standard apocalypse. The Krakau’s first impulse was to turn their ships around and go home. After all, it’s hard to establish diplomatic relations with mindless savages who eat your diplomats. Their second impulse was to try to fix us. A century later, human beings might not be what they once were, but at least they’re no longer trying to eat everyone. Mostly.Marion “Mops” Adamopoulos is surprisingly bright (for a human). As a Lieutenant on the Earth Mercenary Corps Ship Pufferfish, she’s in charge of the Shipboard Hygiene and Sanitation team. When a bioweapon attack by an alien race wipes out the Krakau command crew and reverts the rest of the humans to their feral state, only Mops and her team are left with their minds intact.Escaping the attacking aliens—not to mention her shambling crewmates—is only the beginning. Sure, Mops and her assortment of space janitors and plumbers can clean the ship, but flying the damn thing is another matter. As they struggle to keep the Pufferfish functioning and find a cure for their crew, they stumble onto a conspiracy that could threaten the entire alliance.A conspiracy born from the truth of what happened on Earth all those years ago…

    Fast forward to thirty-five years later: Felix Sayers is a culinary writer living in San Francisco of Universe A who spends his days lunching at Coconut Café and dreaming of penning an Agatha Christie-style mystery. But everything changes when his Aunt Henrietta dies, leaving Felix a photograph of his father and himself—dated ten days before Felix was born. It can only mean one thing: Felix has an “alter” in Universe B. Panicked that his mystery novel may have been written already, Felix crosses to San Francisco B and proceeds to flagrantly violate the rules of both worlds by snooping around his alter’s life. But when he narrowly escapes a hit-and-run, it becomes clear that someone knows he’s crossed over…and whoever it is isn’t happy about it. Now Felix must uncover the truth about his alter, the events of one Monday, and a wayward rubber duck before his time in both worlds runs out."Weaving together physics, philosophy, and wry humor, Maslakovic's inventive debut is a delight." - Booklist"The story unfolds at a sprightly pace...clever combination of mystery, science fiction and humor gives this title broad appeal." - School Library Journal"A witty and light ‘what if’ novel stuffed with an amusing and eclectic cast of characters.” - Publishers Weekly "Highly recommended." - Midwest Book Review