As always, she is a poet of dark hilarity and telling social comment. Shifting between poetic and vulgar registers, the surreal imagery of her early work is re-deployed to venture into the badlands of the human psyche. Her poems hold their subjects in an unflinching grip, addressing faces behind the veneer, asking what it is that keeps us alive. These days of prohibition are days of intoxication and inebriation, rehab in a desert and adultery for atheists, until finally Bird edges us out of danger, ‘revving on a wish’.

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    He had been saving the pay he sweated so hard for, and he reckoned there was enough to set himself up with a spread of his own. He thought he might look into the Triple X Ranch, the one they called the Whiskey Brand. It had prime cattle land and was a bargain... or so it seemed.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice”"Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord"...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury ReviewGregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving."If to say it onceAnd once only, then stillTo say: Yes.And say it complete,Say it as if the wordFilled the whole momentWith its absolute saying.Later for “but,” Later for “if.”NowOnly the single syllableThat is the beloved.That is the world.Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

    Edited with a Critical Introduction, Complete Paraphrase of the Text, Annotations and Explainations, and Questions with Answers

    But when news of a horrifying murder shocks her sleepy fishing community, she’s compelled by a deep sense of justice to help track down the killer. And when an old friend offers her a chance to do it from behind a badge, she goes all in. Ellie’s investigation gets off to a rapid start, leading her into a hidden underworld of drugs, murder, and lies, where she quickly discovers that some of the locals may not have the cleanest of hands. Meanwhile, as deep pain continues to linger from the recent death of her father and a gaping hole left by a previous mission gone terribly wrong, Ellie discovers that it’s not so easy to outrun your past. SHALLOW BREEZE When a plane loaded with illegal drugs crashes into an iconic pier, the locals begin to wonder if any other secrets are about to fall out of the sky. After going to Tampa to search out a possible link between Hawkwing Enterprises and the dead body of a young boy, Ellie suddenly becomes entangled with an elusive drug lord and the former Navy SEAL working with him. On Pine Island, a local and beloved business owner is blackmailed into moving cargo that goes against everything he believes in, bringing his world crashing down around him as he begins to live a sinister lie. BITTER TIDE When local Matlacha artist Jean Oglesby confides to Ellie that her son may be in some trouble, Ellie steps in to help and is sent down a winding trail that leads her into deep and unexpected waters. A Category 4 hurricane has Pine Island in its crosshairs, and as the winds whip the mainland, it forces Ellie to make a choice: flee for safety or stay and hunt down the weapons smugglers that have kidnapped and tortured an innocent man. And when a friend from the past suddenly appears with unexpected news, she begins to wonder if the truth is even out there and if she will be forced to finally bend the rules. VACANT SHORE Ellie has encountered setback after setback, and this time is no different. When a former adversary comes back for revenge, Ellie discovers the crosshairs cover more than she ever could have imagined and locks her into a deadly battle that has already claimed far too many innocent lives. As she gets ever closer to unmasking the lies running rampant over her community, Ellie finds corruption at the highest levels of government, forcing her to reexamine everything she knew to be true. In this nail-biting conclusion to an investigation that began in Broken Stern, Ellie’s pursuit of justice takes her to the very threshold of death’s door, and what she finds leading up to it is nothing short of terrifying.

    A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.

    It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors who compete for Penelope's hand in marriage. In this Book you will also find 7 Bonus works for your enjoymentThe complete interactive table of content includes:THE ODYSSEYBonus book: THE ILIAD OF HOMERMore free Bonuses PARADISE LOST-by John MiltonTHE GOLDEN ASS-by Lucius Apuleius "Africanus"PLAYS OF SOPHOCLES•OEDIPUS THE KING • OEDIPUS AT COLONUS • ANTIGONETHE AENEID-by VirgilAll in one book elegantly formatted for ease of use and enjoyment on your Kindle device. Enjoy!

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    The resulting explosion leveled the four-year-old structure and resulted in a death toll of more than three hundred—most of them children. To this day, it is the worst school disaster in the history of the United States. The tragedy and its aftermath were the first big stories covered by Walter Cronkite, then a young wire service reporter stationed in Dallas. He would later say that no war story he ever covered—during World War II or Vietnam—was as heart-wrenching.In the weeks following the tragedy, a fact-finding committee sought to determine who was to blame. It soon became apparent that the New London school district had, along with almost all local businesses and residents, tapped into pipelines carrying unrefined gas from the plentiful oil fields of the area. It was technically illegal, but natural gas was in abundance in the “Oil Patch.” The jerry-rigged conduits leaked the odorless “green” gas that would destroy the school.A long-term effect of the disaster was the shared guilt experienced—for the rest of their lives—by most of the survivors. There is, perhaps, no better example than Bill Thompson, who was in his fifth grade English class and “in the mood to flirt” with Billie Sue Hall, who was sitting two seats away. Thompson asked another girl to trade seats with him. She agreed—and was killed in the explosion, while Thompson and Hall both survived and lived long lives, never quite coming to terms with their good fortune.My Boys and Girls Are in There: The 1937 New London School Explosion is a meticulous, candid account by veteran educator and experienced author Ron Rozelle. Unfolding with the narrative pace of a novel, the story woven by Rozelle—beginning with the title—combines the anguished words of eyewitnesses with telling details from the historical and legal record. Released to coincide with the seventy-fifth anniversary of the New London School disaster, My Boys and Girls Are in There paints an intensely human portrait of this horrific event.

    The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects—time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being—each poem explores a bright, crisp, singular moment of awareness or shock or revelation.  Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.From the Trade Paperback edition.

    the book is meant to be read straight through and takes you into the rabbit hole of falling in love.