But God longs for you to experience the depth of His love, and every moment is a chance to remind yourself of His truth.This beautiful book from artist and writer Ruth Chou Simons offers 58 specially selected scriptures, each accompanied by hand-painted artwork and a short, heartfelt truth to direct your thoughts to your Savior. You will find reminders of God's character and presence in each entry, encouraging you to trust in His Word.Experience beauty and nourishment from God's handiwork as each day becomes a reminder of our creator's unending grace and love.

    “We’re all improvisers,” says MaryAnn McKibben Dana, whether we realize it or not. In this book McKibben Dana blends personal stories, pop culture, and Scripture into a smart, funny, down-to-earth guide to the art of living. Offering concrete spiritual wisdom through seven improv principles, she helps readers become more awake, creative, resilient, and ready to play—even (especially) when life doesn’t go according to plan.

    In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders.  These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives.  The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk--the Cistercians--and other religious groups, monastic and nonmonastic, of the twelfth century.  The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest  an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression.  The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth- and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now--and perhaps has never been--dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians.  A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.

    While A Kingdom Called Desire will inspire you to see the practical display of Kingdom theology, it will also be deeply formational, allowing you to engage in your own personal journey and find healing and redemption in your unmet desires. A Kingdom Called Desire will unleash you from stale religious duty, as well as cynical social activism, bringing you into a dynamic love relationship with Jesus, motivated by the fulfillment of authentic desire.

    At Saint Barbara’s Church in Cairo, they found a painting in which the risen Jesus grasps the hands of other figures around him. Unlike the Western image of a solitary Jesus rising from an empty tomb that he viewed across Eastern Europe, Asia, and the Middle East, the Crossans saw images of the resurrection depicting a Jesus grasping the hands of figures around him, or lifting Adam and Eve to heaven from Hades or hell, or carrying the old and sick to the afterlife. They discovered that the standard image for the Resurrection in Eastern Christianity is communal and collective, something unique from the solitary depiction of the resurrection in Western Christianity.Fifteen years in the making, Resurrecting Easter reflects on this divide in how the Western and Eastern churches depict the resurrection and its implications. The Crossans argue that the West has gutted the heart of Christianity’s understanding of the resurrection by rejecting that once-common communal iconography in favor of an individualistic vision. As they examine the ubiquitous Eastern imagery of Jesus freeing Eve from Hades while ascending to heaven, the Crossans suggest that this iconography raises profound questions about Christian morality and forgiveness.A fundamentally different way of understand the story of Jesus’ rebirth illustrated with 130 images, Resurrecting Easter introduces an inclusive, traditional community-based ideal that offers renewed hope and possibilities for our fractured modern society.

    Complete Guide to Bible Journaling is your go-to guide to the latest lettering, drawing, painting, and crafting techniques for bringing God's Word to life. Learn all about the different types of tools that today's Bible journalers use to connect their faith with creativity. Discover wonderful ways to express your spirit by tracing, drawing, and patterning. Get tips on using stencils, colored pencils, watercolors, acrylic paints, rubber stamps, washi tape, and much more. Meet some of the world's leading Bible journaling artists who share the stories of their personal faith journeys. A colorful gallery offers inspiring examples of journaling both inside and outside the Bible. A bonus section--worth more than $50 retail--provides hundreds of exciting stickers, index tabs, vellum overlays, and illustrations to trace and color.

    When it fades, her palms are bleeding. Anthony Priest, the junkie sitting beside her, instinctively touches her when she cries out, but Gina flees in shock and pain. A prize-winning journalist before drugs destroyed his career, Anthony is flooded with a sense of well-being and knows he is cured of his addiction. Without understanding why, Anthony follows Gina home to find some answers. Together they search for an answer to this miraculous event and along the way they cross paths with a skeptical evangelical pastor, a gentle Catholic priest, a certifiable religious zealot, and an oversized transvestite drug dealer, all of whom lend their opinion. It's a quest for truth, sanity, and grace . and an unexpected love story.

    For centuries, religious establishments constructed decorated ossuaries and charnel houses that stand as masterpieces of art created from human bone. These unique structures have been pushed into the footnotes of history; they were part of a dialogue with death that is now silent.The sites in this specially photographed and brilliantly original study range from the Monastery of Santa Maria delle Grazie in Palermo, where the living would visit mummified or skeletal remains and lovingly dress them; to the Paris catacombs; to fantastic bone-encrusted creations in Austria, Cambodia, the Czech Republic, Ecuador, Egypt, Germany, Greece, Italy, Peru, Portugal, Serbia, Slovakia, Slovenia, Spain, Switzerland, and elsewhere.Paul Koudounaris photographed more than seventy sites for this book. He analyzes the role of these remarkable memorials within the cultures that created them, as well as the mythology and folklore that developed around them, and skillfully traces a remarkable human endeavor.

    Our prayers play a big part in helping them achieve that.                                                                         ~StormieBestselling author Stormie Omartian’s heart resonates for you as a mom who wants to lift up your children to the One who is a Father to all.Gathered in this charming little book are prayers in pairs: One for you, Mom, and a corresponding one for your children. Each set covers a topic dear to your mother’s heart—such as your children’s relationship with the Lord, their growth in faith, their health, family, and friends, and so much more. Also included are Scripture verses.Let this lovely keepsake be a powerful reminder of how God works through praying mothers, and how covering your children in prayer will give you peace for every aspect of their lives.

    Those roots are lodged in the Universal Church's and local church's Christ-imaging roles as a prophetic witness, a priestly witness, and a kingly witness. The authors, both PCA (Presbyterian Church in America) ordained pastors and long-time campus ministers, Brian Habig and Les Newsom, assert that when the Church, and local churches, again major on its primary roles, health will be restored and a shine will go froth that is impossible to ignore. Nothing is more important to Christ than his Bride, pure and spotless! This book is devoted to that end.The Authors:Brian Habig, Vanderbilt University. A graduate of Covenant Theological Seminary (Master of Divinity) and Mississippi State University, Brian Habig has served as an ordained minister of the PCA and a campus minister for Reformed University Fellowship for six year. He is a regular conference speaker in addition to this primary pastoral role as campus minister at Vanderbilt University. Habig is currently completing a Master of Theology at Reformed Theological Seminary.Les Newsom, University of Mississippi. A native of Memphis, Les Newsom received his Master of Divinity degree from Reformed Theological Seminary. He has served as an ordained minister in the Presbyterian Church in America for seven years. The first five years were spent as the campus minister for RUF at The University of Memphis. He now serves at The University of Mississippi. A regular conference speaker, Les has taught philosophy of ministry classes at Reformed Theological Seminary."The Enduring Community succinctly shows that Christians with a church-optional mindset are as vulerable as a chorister without a choir."Marvin OlaskyEditor, World magazineSenior Fellow, Acton Institute

    In Signs of the Spirit he articulates the substance of Edwards's arguments in a more understandable way. The point is not to dumb down Jonathan Edwards but to make his work accessible to a wider audience.This volume serves those both in and outside the academic realm as valuable preparation for, or as a companion guide to, a reading of Edwards's Religious Affections.

    We always seem to thirst for more. We think if we could only work harder or be better, we could be enough. But the truth is, we will never be enough. And thankfully, we don't have to be.In this 8-session study, Jennie Allen walks through key passages in the Book of John to demonstrate how only Jesus is enough. We don't have to prove anything because Jesus has already proven everything. Discover how our thirsty hearts can only be quenched by the living water.Features: Leader helps to guide questions and discussions within small groupsSeven weeks of personal study segments to complete between eight weeks of group sessionsFive days of study within each week of personal studyBenefits: Learn to take hold of what has already been given to you in ChristStop trying to prove yourself because Jesus has already proven everythingLook to Jesus for your satisfactionOverflow with Christ's abundance, and bring life to othersRemind yourself of who you are in Christ with ScriptureGrow in biblical literacy with this exploration of the Gospel of John

    It is the revelation of the presence of God. He is Glory! As air is to the atmosphere of the Earth, so glory is the atmosphere of Heaven. Praise...until the spirit of worship comes. Worship...until the glory comes. Then...stand in the glory. If you can capture the basic principles of Praise, Worship, and Glory which are outlined in this book--so simple that we miss them--you can have anything else you want in God.

    Noll examines writings about slavery and race from Americans both white and black, northern and southern, and includes commentary from Protestants and Catholics in Europe and Canada. Though the Christians on all sides agreed that the Bible was authoritative, their interpretations of slavery in Scripture led to a full-blown theological crisis.

    The quick brushstrokes of the Impressionists suited his temperament, as did his heavy use of impasto. This helpful volume shows many of van Gogh's best loved works, including the famous self-portrait with a Bandaged Ear, painted after he had cut off part of his ear in a fit of madness, Sunflowers, which were to him a symbol of power and beneficence, and The Starry Night, a painting which clearly expresses intensity and mental turbulence.