With the general elections due to conclude in May 2014, Modi’s campaign rallies have drawn unprecedented crowds. Yet, the man remains an enigma. His supporters regard him as the visionary, decisive leader India needs today. His detractors see him as a polarizing fi gure. Is Modi authoritative or authoritarian? Decisive or divisive? A team player or a loner?Andy Marino recorded interviews with Narendra Modi during more than half-a-dozen exclusive meetings – unprecedented access to a very private man. What emerged is this riveting, objective biography of a man who could be India’s prime minister. Not shying away from the controversies that have dogged Narendra Modi, including the Gujarat riots and questions about the Gujarat model of governance and development, this political biography provides an unbiased account of possibly the most important figure in Indian politics today. Marino records hour-by-hour details of the 2002 Gujarat riots, presenting a balanced analysis of that raw wound on India’s polity. It also reveals hitherto unpublished, authenticated documents, which makes this one of the most important books of 2014.The author analyses Narendra Modi’s values, the people who shaped his thinking and the sort of national leader he will make. Personal details of Modi’s early life, his wanderings in the Himalayas between the ages of seventeen and nineteen, his rise through the political ranks, his vision for India and his personal philosophy on religion and politics are revealed in a book that is lucid, fast-paced and readable. Narendra Modi: A Political Biography is an insightful, exhaustive and impeccably researched account of the ascent of a political leader.

    Psych 101 cuts out the boring details and statistics, and instead, gives you a lesson in psychology that keeps you engaged - and your synapses firing.From personality quizzes and the Rorschach Blot Test to B.F. Skinner and the stages of development, this primer for human behavior is packed with hundreds of entertaining psychology basics and quizzes you can't get anywhere else.So whether you're looking to unravel the intricacies of the mind, or just want to find out what makes your friends tick, Psych 101 has all the answers - even the ones you didn't know you were looking for.

    Yet their memory of India's partition has been shrouded in silence. Kavita Puri's father was twelve when he found himself one of the millions of Sikhs, Hindus and Muslims caught up in the devastating aftermath of a hastily drawn border. For seventy years he remained silent – like so many – about the horrors he had seen. When her father finally spoke out, opening up a forgotten part of Puri's family history, she was compelled to seek out the stories of South Asians who were once subjects of the British Raj, and are now British citizens. Determined to preserve these accounts – of the end of Empire and the difficult birth of two nations – here Puri records a series of remarkable first-hand testimonies, as well as those of their children and grandchildren whose lives are shaped by partition's legacy. With empathy, nuance and humanity, Puri weaves a breathtaking tapestry of human experience over a period of seven decades that trembles with life; an epic of ruptured families and friendships, extraordinary journeys and daring rescue missions that reverberates with pain, loss and compassion. The division of the Indian subcontinent happened far away, but it is also a very British story. Many of those affected by partition are now part of the fabric of British contemporary life, but their lives continue to be touched by this traumatic event. Partition Voices breaks the silence and confronts the difficult truths at the heart of Britain's shared history with South Asia.

    New Jersey Superior Court judge Nelson Johnson has been observing the underpinnings of the boardwalk scene for three decades, both as a professional and an amateur history buff. His scintillating new book traces the city's long, eventful path from birth to seaside resort to a scandal-ridden crime center and beyond. The Sopranos with salt-water taffy.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    However, his main criterion for selecting The Best American Essays 2016 was, in a word, risk. Whether the risks involved championing an unpopular opinion, the possibility of ruining a professional career, or irrevocably offending family, for Franzen, “the writer has to be like the firefighter, whose job, while everyone else is fleeing the flames, is to run straight into them.”The Best American Essays 2016 includes ALEXANDER CHEE, PAUL CRENSHAW, JAQUIRA DÍAZ, LAURA KIPNIS, AMITAVA KUMAR, SEBASTIAN JUNGER,JOYCE CAROL OATES, OLIVER SACKS, THOMAS CHATTERTON WILLIAMS and others JONATHAN FRANZEN, guest editor, is the author of five novels, most recently Purity, and five works of nonfiction and translation, including Farther Away and The Kraus Project. He is a member of the American Academy of Arts and Letters, the German Akademie der Künste, and the French Ordre des Arts et des Lettres. ROBERT ATWAN, the series editor of The Best American Essays since its inception in 1986, has published on a wide variety of subjects, from American advertising and early photography to ancient divination and Shakespeare. His criticism, essays, humor, poetry, and fiction have appeared in numerous periodicals nationwide.

    . . The collection is astonishingly diverse . . . Tyrewala’s anthology [offers] a sampling of brand-new authors and [a] superb introduction. It might provide a fictional contrast to Katherine Boo’s Behind the Beautiful Forevers."--Library Journal (Starred review)"Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety."-- Publishers Weekly “The fifteen contributors to Mumbai Noir . . . provide a cool composite narrative of a unique human-intensive metropolitan system, whose magnitude, complexity, diversity, and pace can hardly be captured in writing or, for that matter, any other medium. [Mumbai Noir is] rich and diverse in character and characterization.”-- Rain Taxi Review of Books Featuring brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.Bombay’s communal riots of 1992--in which Hindus were alleged to be the primary perpetrators—were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades. When the city was renamed Mumbai in 1995, it merely formalized the widespread perception that the Bombay everyone knew and remembered had been lost forever.Today Mumbai is like any other Asian city on the rise, with gigantic construction cranes winding atop upcoming skyscrapers and malls . . . Right-wing violence, failing electricity and water supplies, overcrowding, and the ever-looming threat of terrorist attacks—these are some of the gruesome ground realities that Mumbai’s middle and working classes must deal with every day, while the city’s super-rich . . . zip from roof to roof in their private choppers. Abandoned by its wealthy, mistreated by its politicians and administrators, Mumbai continues to thrive primarily because of the helpless resilience of its hardworking, upright citizens.The stories in Mumbai Noir depict the many ways in which the city’s ever-present shadowy aspects often force themselves onto the lives of ordinary people. . . . What emerges is the sense of a city that, despite its new name and triumphant tryst with capitalism, is yet to heal from the wounds of the early '90s, and from all the subsequent acts of havoc wreaked within its precincts by both local and outside forces.

    orig. pub. 1997. very controversial

    involvement with Afghanistan, media control, and the long-term implications of America's military attacks abroad. Informed by his deep understanding of the gravity of these issues and the global stakes, 9-11 demonstrates Chomsky's impeccable knowledge of U.S. foreign policy in the Middle East and South Asia, and sheds light on the rapidly shifting balance of world power. Speaking out against escalating violence, Chomsky critically examines the United States' own foreign policy record and considers what international institutions might be employed against underground networks and national states accused of terrorism. 9-11's analysis still stands as a measure of how well the media is able to serve its role of informing the citizenry, so crucial to our democracy in times of war.

    Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged.    Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi.   Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.

    The embattled establishment claims that these populist insurgencies seek to overthrow liberal democracy. The truth is no less alarming but is more complex: Western democracies are being torn apart by a new class war.In this controversial and groundbreaking new analysis, Michael Lind, one of America's leading thinkers, debunks the idea that the insurgencies are primarily the result of bigotry, traces how the breakdown of mid-century class compromises between business and labor led to the conflict, and reveals the real battle lines.On one side is the managerial overclass--the university-credentialed elite that clusters in high-income hubs and dominates government, the economy and the culture. On the other side is the working class of the low-density heartlands--mostly, but not exclusively, native and white.The two classes clash over immigration, trade, the environment, and social values, and the managerial class has had the upper hand. As a result of the half-century decline of the institutions that once empowered the working class, power has shifted to the institutions the overclass controls: corporations, executive and judicial branches, universities, and the media.The class war can resolve in one of three ways:- The triumph of the overclass, resulting in a high-tech caste system. - The empowerment of populist, resulting in no constructive reforms - A class compromise that provides the working class with real powerLind argues that Western democracies must incorporate working-class majorities of all races, ethnicities, and creeds into decision making in politics, the economy, and culture. Only this class compromise can avert a never-ending cycle of clashes between oligarchs and populists and save democracy.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    In it, she summarizes her view of philosophy and deals with a broad spectrum of topics. According to Ayn Rand, the choice we make is not whether to have a philosophy, but which one to have: rational, conscious, and therefore practical; or contradictory, unidentified, and ultimately lethal. Written with all the clarity and eloquence that have placed Ayn Rand's Objectivist philosophy in the mainstream of American thought, these essays range over such basic issues as education, morality, censorship, and inflation to prove that philosophy is the fundamental force in all our lives.

    Now, with the intellectual curiosity and emotional wisdom that make his columns among the most read in the nation, Brooks turns to the building blocks of human flourishing in a multilayered, profoundly illuminating work grounded in everyday life.This is the story of how success happens. It is told through the lives of one composite American couple, Harold and Erica—how they grow, push forward, are pulled back, fail, and succeed. Distilling a vast array of information into these two vividly realized characters, Brooks illustrates a fundamental new understanding of human nature. A scientific revolution has occurred—we have learned more about the human brain in the last thirty years than we had in the previous three thousand. The unconscious mind, it turns out, is most of the mind—not a dark, vestigial place but a creative and enchanted one, where most of the brain’s work gets done. This is the realm of emotions, intuitions, biases, longings, genetic predispositions, personality traits, and social norms: the realm where character is formed and where our most important life decisions are made. The natural habitat of The Social Animal. Drawing on a wealth of current research from numerous disciplines, Brooks takes Harold and Erica from infancy to school; from the “odyssey years” that have come to define young adulthood to the high walls of poverty; from the nature of attachment, love, and commitment, to the nature of effective leadership. He reveals the deeply social aspect of our very minds and exposes the bias in modern culture that overemphasizes rationalism, individualism, and IQ. Along the way, he demolishes conventional definitions of success while looking toward a culture based on trust and humility.The Social Animal is a moving and nuanced intellectual adventure, a story of achievement and a defense of progress. Impossible to put down, it is an essential book for our time, one that will have broad social impact and will change the way we see ourselves and the world.

    With never before published photos from her family's archives, The Perils of Being Moderately Famous takes us through some of the most poignant moments of Soha's life-from growing up as a modern-day princess and her days at Balliol College to life as a celebrity in the times of social media culture and finding love in the most unlikely of places-all with refreshing candour and wit.