Look no further than the twelve disciples whose many weaknesses are forever preserved throughout the pages of the New Testament. Jesus chose ordinary men - fisherman, tax collectors, political zealots - and turned their weakness into strength, producing greatness from utter uselessness. MacArthur draws principles from Christ's careful, hands-on training of the original twelve disciples for today's modern disciple - you.

    So prepare yourself for such not-ready-for-prime-time heroes as Bee Man (Batman, but with bees), the Clown (circus-themed crimebuster), the Eye (a giant, floating eyeball; just accept it), and many other oddballs and oddities. Drawing on the entire history of the medium, The League of Regrettable Superheroes will appeal to die-hard comics fans, casual comics readers, and anyone who enjoys peering into the stranger corners of pop culture.

    But the further he studied the Bible, the more he found himself confronted by questions that could neither be answered within the rigid framework of his religious instruction or accepted among the conservative evangelical community.Rejecting the increasingly complicated intellectual games used by conservative Christians to “protect” the Bible, Enns was conflicted. Is this what God really requires? How could God’s plan for divine inspiration mean ignoring what is really written in the Bible? These questions eventually cost Enns his job—but they also opened a new spiritual path for him to follow.The Bible Tells Me So chronicles Enns’s spiritual odyssey, how he came to see beyond restrictive doctrine and learned to embrace God’s Word as it is actually written. As he explores questions progressive evangelical readers of Scripture commonly face yet fear voicing, Enns reveals that they are the very questions that God wants us to consider—the essence of our spiritual study.

    They fought their enslavers throughout the Americas. And then they were erased from history.Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.Using in-depth archival research and a measured use of historical imagination, Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. The story of both a personal and national legacy, it is a powerful reminder that while the past is gone, we still live in its wake.

    What’s keeping his memory from being obliterated is not the law. It is the grit and guts of his mother, who refuses to surrender her son to fate, and the tenacity of his brother, a blogger, who fuses tradition and technology to explore and explode the void in which Mehdi has vanished. Zahra’s Paradise weaves together fiction and real people and events. As the world witnessed the aftermath of Iran’s fraudulent elections, through YouTube videos, on Twitter, and in blogs, this story came into being. The global response to this gripping tale has been passionate—an echo of the global outcry during the political upheaval of the summer of 2009.   Zahra’s Paradise is a first on the internet, a first for graphic novels, and a first in the history of political dissidence. Zahra’s Paradise is being serialized online at zahrasparadise.com.   Zahra’s Paradise is a Publishers Weekly Best Comics title for 2011.

    Readers follow Lanzac’s fictionalized self, Arthur Vlaminck, a speechwriter for the French Foreign Minister. As part of a team of flamboyant ministerial advisors, he has been tasked with drafting France’s response to the growing international crisis in the Middle East, which is then delivered before the United Nations Security Council. A graphic milestone of diplomacy, Weapons of Mass Diplomacy—a bestseller in Europe—pro­vides a revelatory account of a period that saw French fries become “freedom fries” and an alternative perspective on the decisions leading up to the U.S.-led invasion of Iraq.

    Can we trust the Bible completely? Is it sufficient for our complicated lives? Can we really know what it teaches? And isn't it more important to focus on Jesus instead of the Bible?With his characteristic wit and clarity, Kevin DeYoung has written an accessible introduction to the Bible that answers important questions raised by Christians and non-Christians alike. This book will help readers understand what the Bible says about itself and the key characteristics that contribute to its lasting significance. Avoiding technical jargon, this winsome volume will encourage men and women to read and believe the Bible--confident that it truly is God's word.Free Study Guide by Pat Quinn.

    

    In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.

    Published in its entirety for the first time in 1996, this New Testament is itself a classic of another kind — the words of the Gospel and the apostles presented for the modern reader in fresh English by a writer without pretensions as a biblical scholar, who was an authority on the Greek language in which these texts have come down to us. The New York Times hailed the first volume as "an achievement that places us more deeply in Lattimore's debt than any other in a long and diligent career."Lattimore's aim was to provide a simple, literal rendering in which the syntax and order of the Greek dictate the character of the English style. He lets the words of the apostles and early disciples speak for themselves with an accuracy and fidelity to the original language that is a gift to today's reader.

    . . but He refuses to leave you that way. Why? Because our ultimate goal should be a life that is just like Jesus. And with determination, faith and God's help, we can all change for the better, no matter how long the bad habits have settled in. The reputation and recognition of the bestseller is sure to make this new edition an instant favorite.

    But most of us don't focus 27 percent of our personal Bible study on prophecy. Why? We're confused. Or intimidated. Or both. This book takes away a lot of the mystery—and "all" of the intimidation. From the creators of the Left Behind series—Tim LaHaye and Jerry Jenkins—comes a truly astonishing book. User-friendly for the layperson. Remarkably complete for the scholar.

    When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Xianity, & which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. Far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas is presented as a role model for all those who wish to be disciples of Jesus. He's the one apostle who truly understands Jesus. This volume is the 1st publication of the remarkable gospel since it was condemned as heresy by early Church leaders, most notably by Irenaeus, in 180. Hidden away in a cavern in Middle Egypt, the codex containing the gospel was discovered by farmers in the 1970s. In the intervening years the papyrus codex was bought & sold by antiquities traders, hidden away & carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble & restore it. The Gospel of Judas has been translated from its original Coptic into clear prose. It's accompanied by commentary that explains its history in the context of the early Church, offering a new way of understanding the message of Jesus.

    But what if that first fevered, dreamlike writing about this moment of profound historical upheaval were to be resurrected itself, brought back to life in a haunting and exhilarating bedtime fable for our modern age?In The Harrowing of Hell, Evan Dahm draws upon a wide array of texts both ancient and modern, religious and historical, to create a brand new window into the life and death of Christ, a vision of a dying man’s revolutionary drive and fervent belief in humanity’s salvation from all manner of jailers. Discarding the heroic, demon-smiting Christ that has taken hold in the popular imagination, this story gives us a peaceable and contemplative Christ, defiantly at odds with the ancient and modern desires of His flock.A richly symbolic, densely illustrated allegorical tale that echoes back to us from ancient times, The Harrowing of Hell is a fascinating reinterpretation of one of the most important religious figures in history, before He was the god of the wealthy and powerful, before He was recast as the warrior worshipers preferred.