Ying Zheng was born to rule the world. Yet there were rumours he was not the son of the king but the child of a secret affair between a royal concubine and an ambitious minister. Crowned king of Qin - China's westernmost kingdom - six rival kings stood between him and victory. He invaded Qi, the land of the devout, looking for a mythical magical device that could bring down the power of the gods. Surviving an assassination attempt by a childhood friend, the Red Prince, he retaliated by destroying the Prince's kingdom. This new book by Jonathan Clements is the first outside Asia to tell the full story of the life, legends and laws of the first emperor. It exposes the intrigues and scandals of his family - his mother's plot to overthrow him, a revolt led by his stepfather, and the suspicious death of his half-brother - explores the immigration crisis that threatened to destroy his kingdom, and provides a terrifying glimpse of daily life in a land under absolute rule.

    Peopling the pages are nobles, peasants, women, students, writers, and rebels--all offering their own distinct and colorful perspective. Illuminating the many ways in which Chinese society has been influenced by foreign cultures, The Open Empire depicts China as a country with a dynamic, open history.

    Other stories in this book by the same author deal with Shanghai in the 1930s and the harsh realities of rural life then and in the base areas during the war against Japan.

    Now the authors have returned to Chen Village to bring the village's tumultuous story up to the nineties. Chen Village Under Mao and Deng includes not only the bulk of the original text of Chen Village, but also three new chapters on village life under Deng: gripping descriptions of the village leader's purge, the rapid industrialization of the district, an alienated "lost generation" of young peasants, and the new village officials' legal and illegal efforts at self-enrichment. Readers who enjoyed Chen Village will be doubly fascinated by the ironic twists and turns of recent events among the Chens.

    So it is that through the telling of one Chinese peasant woman's life, a vivid vision of Chinese history and culture is illuminated. Over the course of two years, Ida Pruitt—a bicultural social worker, writer, and contributor to Sino-American understanding—visited with Ning Lao T'ai-ta'i, three times a week for breakfast. These meetings, originally intended to elucidate for Pruitt traditional Chinese family customs of which Lao T'ai-t'ai possessed some insight, became the foundation for an enduring friendship.As Lao T'ai-t'ai described the cultural customs of her family, and of the broader community of which they were a part, she invoked episodes from her own personal history to illustrate these customs, until eventually the whole of her life lay open before her new confidante. Pruitt documented this story, casting light not only onto Lao T'ai-t'ai's own biography, but onto the character of life for the common man of China, writ large. The final product is a portrayal of China that is "vividly and humanly revealed."

    For three years, Meyer rented a home in the rice-farming community of Wasteland, hometown to his wife’s family, and their personal saga mirrors the tremendous change most of rural China is undergoing, in the form of a privately held rice company that has built new roads, introduced organic farming, and constructed high-rise apartments into which farmers can move in exchange for their land rights. Once a commune, Wasteland is now a company town, a phenomenon happening across China that Meyer documents for the first time; indeed, not since Pearl Buck wrote The Good Earth has anyone brought rural China to life as Meyer has here.   Amplifying the story of family and Wasteland, Meyer takes us on a journey across Manchuria’s past, a history that explains much about contemporary China—from the fall of the last emperor to Japanese occupation and Communist victory. Through vivid local characters, Meyer illuminates the remnants of the imperial Willow Palisade, Russian and Japanese colonial cities and railways, and the POW camp into which a young American sergeant parachuted to free survivors of the Bataan Death March. In Manchuria is a rich and original chronicle of contemporary China and its people.

    The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history.Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women—those who could afford it—bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism—as a way to live as the poets imagined—ended up being an exercise in excess and folly.

    It was feared that sorcerers were roaming the land, clipping off the ends of men's queues (the braids worn by royal decree), and chanting magical incantations over them in order to steal the souls of their owners. In a fascinating chronicle of this epidemic of fear and the official prosecution of soulstealers that ensued, Philip Kuhn provides an intimate glimpse into the world of eighteenth-century China.Kuhn weaves his exploration of the sorcery cases with a survey of the social and economic history of the era. Drawing on a rich repository of documents found in the imperial archives, he presents in detail the harrowing interrogations of the accused--a ragtag assortment of vagabonds, beggars, and roving clergy--conducted under torture by provincial magistrates. In tracing the panic's spread from peasant hut to imperial court, Kuhn unmasks the political menace lurking behind the queue-clipping scare as well as the complex of folk beliefs that lay beneath popular fears of sorcery.Kuhn shows how the campaign against sorcery provides insight into the period's social structure and ethnic tensions, the relationship between monarch and bureaucrat, and the inner workings of the state. Whatever its intended purposes, the author argues, the campaign offered Hungli a splendid chance to force his provincial chiefs to crack down on local officials, to reinforce his personal supremacy over top bureaucrats, and to restate the norms of official behavior.This wide-ranging narrative depicts life in imperial China as it was actually lived, often in the participants' own words. Soulstealers offers a compelling portrait of the Chinese people--from peasant to emperor--and of the human condition.

    The extraordinary story of the First Emperor, founder of the dynasty, is told in the Historical Records of Sima Qian, the Grand Historiographer and the most famous Chinese historian. He describes the Emperor's birth and the assassination attempt on his life, as well as the political and often brutal events that led to the founding of the dynasty and its aftermath. Sima Qian recounts the building of the Great Wall, the "burning of the books", and the construction of the First Emperor's magnificent tomb, a tomb now world famous since the discovery of the terracotta warriors in 1974. Sima Qian's love of anecdote ensures that his history is never dull, and Raymond Dawson's fluent translation captures his lively and vivid style.

    He begins with a look at China's prehistory--the early dynasties, the origins of the Chinese state, and the roots of Chinese culture in the teachings of Confucius. He looks at particular periods and themes that are being revaluated by historians now such as The Renaissance of the Song with its brilliant scientific discoveries. He offers a revaluation of the Qing Empire in the 18th century, just before the European impact, a time when China's rich and diverse culture was at its height. Wood takes a new look at the encounter with the West, the Opium Wars, clashes with the British and the extraordinarily rich debates in the late 19th century as to which path China should take to move forward into modernity.Finally, he brings the story up to today by giving readers a clear, current account of China post 1949 complete with a more balanced view of Mao based on newly-opened archives. In the final chapter, Wood considers the provocative question of when, if ever, China will rule the world. Michael Wood's The Story of China answers that question and is the indispensable book about the most intriguing and powerful country amassing power on the world stage today.

    No one has depicted that world - the dazzlingly modern, obdurately traditional Crown Colony of Hong Kong - more faithfully, shrewdly, or affectionately than Jan Morris, who in this contemporary classic of travel writing celebrates the city's charm and squalor, unravels the tangle of its history, and gives us an informed glimpse into its future. Combining firsthand reportage with exemplary research, Morris takes us from Hong Kong's clamorous back alleys to the luxurious Happy Valley racecourse, where taipans place their bets between sips of champagne and bird's nest soup. Morris chronicles the exploits of opium traders and pirates, colonists and financiers, and shows how their descendants view the prospect of reunification with the Chinese mainland. What emerges is an epic tableau, vastly informed and pungently evocative.

    Mao Zedong threw his country into a frenzy with the Great Leap Forward, an attempt to catch up and overtake Britain in less than 15 years. The experiment ended in the greatest catastrophe the country had ever known, destroying tens of millions of lives. Access to Communist Party archives has long been denied to all but the most loyal historians, but now a new law has opened up thousands of central and provincial documents that fundamentally change the way one can study the Maoist era. Frank Dikotter's astonishing, riveting and magnificently detailed book chronicles an era in Chinese history much speculated about but never before fully documented. Dikotter shows that instead of lifting the country among the world's superpowers and proving the power of communism, as Mao imagined, in reality the Great Leap Forward was a giant - and disastrous -- step in the opposite direction. He demonstrates, as nobody has before, that under this initiative the country became the site not only of one of the most deadly mass killings of human history (at least 45 million people were worked, starved or beaten to death) but also the greatest demolition of real estate - and catastrophe for the natural environment - in human history, as up to a third of all housing was turned to rubble and the land savaged in the maniacal pursuit of steel and other industrial accomplishments. Piecing together both the vicious machinations in the corridors of power and the everyday experiences of ordinary people, Dikotter at last gives voice to the dead and disenfranchised. Exhaustively researched and brilliantly written, this magisterial, groundbreaking account definitively recasts the history of the People's Republic of China.

    Volume 2: From the Great Qing Empire through the People's Republic of China (1644—2009).

    Drawing heavily on Chinese sources including Chiang's diaries, this book tells the story of this 'man of war' who led the most ancient and populous country in the world for a quarter century of endless and bloody revolutions, civil conflict, and wars of resistance against Japanese aggression.

    Its mission was "to proceed all the way to the ends of the earth to collect tribute from the barbarians beyond the seas" & unite the whole world in Confucian harmony. When it returned in 10/1423, the emperor had fallen, leaving China in political & economic chaos. The great ships were left to rot at their moorings. Most records of their journeys were destroyed. Lost in China's long, self-imposed isolation that followed was the knowledge that Chinese ships had reached America 70 years before Columbus & had circumnavigated the globe a century before Magellan. Also concealed was how the Chinese colonized America before the Europeans & transplanted in America & other countries the principal economic crops that have fed & clothed the world.Unveiling incontrovertible evidence of these astonishing voyages, "1421" rewrites our understanding of history. Our knowledge of world exploration as it's been commonly accepted for centuries must now be reconceived due to this landmark work of historical investigation.