1845 edition of the New York Evening Mirror. It brought Edgar Allan Poe, then in his mid-thirties and a well-known poet, critic and short story writer, his first taste of celebrity on a grand scale. The Raven remains Poe's best-known work, yet it is only one of the dazzling series of poems and stories that won him an enduring place in world literature. This volume contains The Raven and 40 others of Edgar Allan Poe's most memorable poems.To ----("I saw thee on thy bridal day") --Dreams --Spirits of the dead --Evening star --A dream within a dream --Stanzas --A dream --The happiest day, the happiest hour --The lake : to ----Sonnet : to Science --Romance --To --("The bowers whereat, in dreams, I see") --To the River ----To --("I heed not that my earthly lot") --Fairy-land --To Helen ("Helen, thy beauty is to me") --Israfel --The city in the sea --The sleeper --Lenore --The valley of unrest --The Coliseum --To one in paradise --To F----Sonnet : to Zante --The haunted palace --Sonnet : silence --The conqueror worm --Dream-land --The raven --Eulalie : a song --To M.L. S----Ulalume --To ----("Not long ago, the writer of these lines") --To Helen ("I saw thee once, once only, years ago") --Eldorado --For Annie --To my mother --Annabel Lee --The bells --Alone.

    As one of the most exciting new voices in American poetry, Zachary Schomburg's previous books have enthralled thousands of readers with surreal landscapes populated by gorillas in people clothes, jaguars, plagues of hummingbirds, and even Abraham Lincoln. His poems have inspired art installations, shadow puppetry, rock albums, and string quartets. In FJORDS, Schomburg inhabits the icy landscape, walking among all his little deaths as he explores the narrow inlets between the transcendent and the mundane. These are poems to be read by torchlight or with no light at all. As Schomburg explains, There is so much blood in the trees. It will be easy to fall in love like this.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    This selection, made by a poet who shares Edward Thomas's deep but unsentimental feeling for and response to nature, reinforces Thomas's claim to centrality.

    LGBT Studies. Asian American Studies. In these poems, Leah Lakshmi Piepzna-Samarasinha explores how queer people of color resist and transform violence through love and desire. Remembering and testifying about the damage caused by the racial profiling of South Asian and Arab people post 9/11, border crossings and internal and external wars in Sri Lanka and the diaspora, LOVE CAKE also documents the persistence of survival and beauty--especially the dangerous beauty found in queer people of color loving and desiring. LOVE CAKE maps the joys and challenges of reclaiming the body and sexuality after violence, examining a family history of violence with compassion and celebrating the resilient, specific ways we create new families, take our bodies back, love, fight, and transform violence.

    This collection, born out of the tumultuous social and political landscape of the late sixties, is as intense, sensual, and compelling as Jim Morrison's persona was during the Doors' peak. His fast life and mysterious death remain controversial more than forty years later.

    Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

    'But I, being poor, have only my dreams; / I have spread my dreams under your feet...'By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.

    Unconventional in both style and content, it shattered the myths of small town American life. A collection of epitaphs of residents of a small town, a full understanding of Spoon River requires the reader to piece together narratives from fragments contained in individual poems."

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    Achingly lyrical, resonant and richly woven, and with a spark of defiance, these stories explore areas of tension–where women and men are ensnared by cultural and social mores and prescribed notions of “love,” where the place you are is not the place you want to be. Soueif draws her characters with infinite tenderness and compassion as they inhabit a world of lost opportunities, unfulfilled love, and remembrance of times past.

    He "received" a series of poems about which he did not speak for a long time - he considered them sacred, and different from anything else he ever had done and ever would do again. This poet saw the coming darkness of the century, and saw the struggle we would have in our relationship to the divine. The poet was Rainer Maria Rilke, and these love poems to God make up his Book of Hours.

    The story of a Palestinian woman's harrowing trek as she shadows illegal workers crossing into the town of Petah Tikva in Israel, this book encapsulates eighteen hours that contain countless moments of mortal danger.