As the acclaimed translator Edith Grossman writes in her introduction, “My intention is to stimulate a new consideration of an area of literature that is too often ignored, misunderstood, or misrepresented.”For Grossman, translation has a transcendent importance: “Translation not only plays its important traditional role as the means that allows us access to literature originally written in one of the countless languages we cannot read, but it also represents a concrete literary presence with the crucial capacity to ease and make more meaningful our relationships to those with whom we may not have had a connection before. Translation always helps us to know, to see from a different angle, to attribute new value to what once may have been unfamiliar. As nations and as individuals, we have a critical need for that kind of understanding and insight. The alternative is unthinkable.”Throughout the four chapters of this bracing volume, Grossman’s belief in the crucial significance of the translator’s work, as well as her rare ability to explain the intellectual sphere that she inhabits as interpreter of the original text, inspires and provokes the reader to engage with translation in an entirely new way.

    In this lively book, Eric Maisel gives writers the guidance they need to take a literal or figurative soul-renewing sojourn to San Francisco. Maisel, one of America’s foremost creativity coaches, explores the how and why of making an artistic pilgrimage to the city, including the pesky problem of finding the perfect pied-a-terre for writing that elusive masterpiece. Thirty individual essays profile the best sections of the city for pumping up the juices (“The View from Bernal Hill,” “South of Market”), noted literati of the past (“Mark Twain and the Onion”), how to find the perfect landlord, dealing with those inspiration-inhibiting earthquake fears, and much more.

    Brimming with amusing anecdotes and absorbing trivia, this captivating collection is a treasure trove of curiosities.With tales from the kitchen, the bedroom, and every room in between, these pages expose how napkins got their start as lumps of dough in ancient Greece, why forks were once seen as immoral tools of the devil, and how Plato devised one of the earliest alarm clocks using rocks and water—plus so much more.• A charming gift for anyone who loves history, design, or décor• Readers discover tales from every nook and cranny of a home. • Entries feature historical details from locations all over the world, including Europe, Asia, North America, and Africa. As a design historian and former managing editor of Design*Sponge, author Amy Azzarito has crafted an engaging, whimsical history of the household objects you've never thought twice about. The result is a fascinating book filled with tidbits from a wide range of cultures and places about the history of domestic luxury.• Filled with lovely illustrations by Alice Pattullo• Perfect as a housewarming or wedding gift, or for anyone who adores interior design, trivia, history, and unique facts• Great for those who enjoyed The Greatest Stories Never Told: 100 Tales from History to Astonish, Bewilder, and Stupefy by Rick Beyer, An Uncommon History of Common Things by Bethanne Patrick and John Thompson, Encyclopedia of the Exquisite: An Anecdotal History of Elegant Delights by Jessica Kerwin JenkinsSome of the books included in The Elements of a Home Bibliography BathtubDalby, Andrew. Empire of Pleasure: Luxury and Indulgence in the Roman World. London: Routledge, 2000. de Bonneville, Francoise. The Book of the Bath. New York: Rizzoli, 1998. Billiard TableBaird, Sarah. “The Life and Death of the American Pool Hall.” Punch, January 23, 2015. Accessed July 11, 2017. http://punchdrink.com/articles/the-life- and-death-of-the-american-pool-hall. Levron, Jacques. Daily Life in Versailles in the Seven-teenth and Eighteenth Centuries. New York: The Macmillan Company, 1968. BookshelfMari, Francesca. “Shelf Conscious.” Paris Review, December 27, 2012. https://www.theparis review.org/blog/2012/12/27/shelf-cons....Petroski, Henry. The Book on the Bookshelf. New York: Vintage Books, 2000. CandleBremer-David, Charissa, ed. Paris: Life and Luxury in the Eighteenth Century.Los Angeles: J. Paul Getty Trust, 2011. Dillon, Maureen. Artificial Sunshine: A Social History of Domestic Lighting. London: The National Trust, 2002. Canopy BedBard Graduate Center. History of Design: Decorative Arts and Material Culture, 1400–2000. New York: Bard Graduate Center, 2013. Carlano, Anne, and Bobbie Sumberg. Sleeping Around: The Bed from Antiquity to Now. Seattle, WA: University of Wash-ington Press, 2006. Chaise Longuede Dampierre, Florence. Chairs: A History. New York: Harry N. Abrams, 2006. DeJean, Joan. The Age of Comfort: When Paris Discovered Casual and the Modern Home Began. New York: Bloomsbury Press, 2013.Chess SetBrown, Nancy Marie. Ivory Vikings: The Mystery of the Most Famous Chess-men in the World and the Woman Who Made Them.Prince Frederick, MD: Recorded Books, 2015. Dean, George, with Maxine Brady. Chess Master-pieces: One Thousand Years of Extraordinary Chess Sets. New York: Abrams Books, 2010. Chiavari Chairde Dampierre, Florence. Chairs: A History.New York: Harry N. Abrams, 2006.ChopsticksVisser, Margaret. The Rituals of Dinner: The Origins, Evolution, Eccentricities, and Meaning of Table Manners. New York: Pen-guin Books, 1992. Wang, Edward Q. Chopsticks: A Culture and Culinary History. Cambridge, UK: Cambridge University Press, 2015.ClockBremer-David, Charissa, ed. Paris: Life and Luxury in the Eighteenth Century. Los Angeles: J. Paul Getty Museum, 2011.Chevallier, Bernard, and Marc Walter. Empire Splendor: French Taste in the Age of Napoleon. New York: The Vendome Press, 2008.Cocktail Shaker Grimes, William. Straight Up or on the Rocks: The Story of the American Cocktail. New York: North Point Press, 2001.Lanza, Joseph. The Cocktail: The Influence of Spirits on the American Psyche. New York: St. Martin’s Press, 1995. Crystal ChandelierCooke, Lawrence S. Lighting in America: From Colonial Rushlights to Victorian Chandeliers. Pittstown, NJ: Main Street Press, 1984.Fioratti, Helen Costantino. Illuminating Their World: Three Hundred Years of Light. New York: L’Antiqu- aire and the Connoisseur, Inc., 2007. Curule Chair de Dampierre, Florence. Chairs: A History. New York: Harry N. Abrams, 2006.Miller, Judith. Furniture: World Styles from Classical to Contemporary. London: DK, 2011. Deck ChairRybczynski, Witold. Now I Sit Me Down: From Klismos to Plastic Chair: A Natural History. New York: Farrar, Straus and Giroux, 2016. DeskGoodman, Dena, and Kathryn Norberg. Furnishing the Eighteenth Century: What Furniture Can Tell Us about the European and American Past. New York: Routledge, 2011. DollhouseBroomhall, Susan, Jennifer Spinks, and Allyson M. Poska. Early Modern Women in the Low Coun- tries: Feminizing Sources and Interpretations of the Past. Farnham, UK: Taylor and Francis, 2016.Eaton, Faith. Classic Dolls’ Houses. London: Phoenix Illustrated, 1997.Door, Knocker, and KnobBerry, Nancy E. Architec- tural Hardware: Ideas, Inspiration and PracticalAdviceforAddingHandles,Hinges, Knobs and Pulls to YourHome.Gloucester,MA: Quarry Books, 2006.Jütte, Daniel. The Strait Gate: Thresholds and Power in Western History.New Haven, CT: Yale University Press, 2015.DuvetWorsley,Lucy.IfWallsCould Talk:AnIntimateHistoryof the Home.New York:WalkerandCo.,2012.Wright, Lawrence. Warm & Snug: The History of the Bed.Stroud, UK: Sutton,2004.FireplaceGowlett,J.A.J.“TheDiscov-eryofFirebyHumans:A Long and Convoluted Process.” Philosophical Transactions of the Royal Society B: Biological Sci- ences371, no. 1696 (May 2016): 1697-1700.Lind, Carla. Frank Lloyd Wright’s Fireplaces.San Francisco: Pomegranate, 1995.Flokati RugSebastian, Don. The CompleteHandbook of Flokati and Carpet Making.Athens: Nick Kokkinos, 1978.Floral CenterpieceBelden,LouiseConway.TheFestive Tradition: TableDecoration and Dessertsin America, 1650–1900.NewYork:W.W.Norton, 1983.Berrall, Julia. A History ofFlower Arrangement.Lon-don:ThamesandHudson,1953.ForkHeugel, Inès. Laying the Elegant Table: China, Faience, Porcelain, Majol- ica, Glassware, Flatware, Tureens, Platters, Trays, Centerpieces, Tea Sets.New York: Rizzoli, 2006.Lupton, Ellen, et al. Feed- ing Desire: Designandthe Toolsof the Table,1500–2005.NewYork:Assouline, 2006.Front PorchDonlon, Jocelyn Hazelwood. Swinging in Place: Porch Life in Southern Culture.Chapel Hill, NC: University of North Carolina Press, 2001.Goldstein,B.Colleen.TheEvo-lution and Significance of the FrontPorch in Amer- ican Culture.Master’s dissertation, University of Georgia,1998.Glass WindowJütte, Daniel. The Strait Gate:Thresholds and Power in WesternHistory.New Haven, CT: YaleUniversity Press, 2015.Melchoir-Bonnet, Sabine.The Mirror: A History.London:Routledge,2002.GlobeGoodman, Dena, and Kathryn Norberg. Furnishing the Eighteenth Century: What Furniture Can Tell Us about the European and American Past.New York: Routledge, 2011.Jaffee, David. A New Nation of Goods: The Material Culture of Early America.Philadelphia, PA: Univer-sity of Pennsylvania Press,2012.Ice BucketDunne, Patrick. The Epicu-rean Collector: Exploringthe World of Culinary Antiques.Boston: Little, Brown, 2002.Glanville,Philippa,andHilary Young.Elegant Eating: Four Hundred Yearsof DininginStyle.London:V &APublications,2002.IncenseAftel, Mandy. Fragrant: The SecretLifeofaScent.NewYork:Riverhead Books, 2014.Classen, Constance, David Howes,andAnthonySyn- nott. Aroma: The Cultural HistoryofSmell.NewYork:Routledge,1994.Jewelry BoxCurrie, Elizabeth. Inside theRenaissance House.Lon- don: V & A Publications, 2006.Linley, David. Extraordinary Furniture.London: Mitchell Beazley, 1996.Jib DoorBoyer, Marie-France, and François Halard. The Private Realm of Marie Antoinette.London: Thames & Hudson, 2008.Donato, Giuseppe, and Monique Seefried. The FragrantPast:PerfumesofCleopatraandJulius Caesar.Atlanta,GA:EmoryUniversity Museum of Art andArchaeology,1989.Lock and KeyBuehr,Walter. The Story ofLocks.New York: Scribner, 1953.Delalex, Hélène. A Day with Marie Antoinette.New York: Rizzoli, 2015.Louis XVI ChairCondon, Dianne Russell. Jackie’s Treasures: The Fabled Objects from the Auction of the Century.New York: Clarkson Potter,1996.Delalex, Hélène. A Day with Marie Antoinette.New York: Rizzoli, 2015.MattressBeldegreen, Alecia. The Bed.New York: Stewart, Tabori & Chang, 1995.Carlano, Anne, and BobbieSumberg. Sleeping Around:The Bed from Antiquity to Now.Seattle, WA: Univer- sity of Washington Press, 2006.MirrorDeJean, Joan. Essence of Style:How the French Invented High Fashion.New York:Free Press, 2014.Johnson, Steven. How We Gotto Now: Six Innovations That Made the Modern World.London: Penguin, 2016.

    John Cleese shows us how. Creativity is usually regarded as a mysterious, rare gift that only a few possess. John Cleese begs to differ, and in this short, immensely practical and often very amusing guide he shows it's a skill that anyone can acquire. Drawing on his lifelong experience as a writer, he shares his insights into the nature of the creative process, and offers advice on how to get your own inventive juices flowing.What do you need to do to get yourself in the right frame of mind? When do you know that you've come up with something that might be worth pursuing? What do you do if you think you've hit a brick wall?Not only does he explain the way your mind works as you search for inspiration, he also shows that, regardless of the task you've set yourself, you can learn to be better at coming up with a promising idea, refining it and knowing when you're ready to act on it. We can all unlock new reserves of creativity within ourselves. John Cleese shows us how.____________________________'Humorous and practical ... Whether you're hoping to write a novel or paint a masterpiece, you're sure to feel inspired' OK Magazine'His candor is endearing ... An upbeat guide to the creative process' Kirkus'A jovial romp ... Cleese fans will enjoy, and writers and other artists will breeze through, picking up a few nuggets of wisdom along the way' The Festival Review'A sincere and thoughtful guide to creativity, and a very useful book' Graham Norton'Wise words on the serious business of being silly' Sunday Business Post

    Stafford's advice to beginning poets has become a favorite text in writing programs

    Take a peek into an effective workshop-based classroom and discover how you can enhance adolescents' technical and creative abilities in reading, writing, and thinking.

    Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.” Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . . Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”). Brilliantly compiled and edited, and filled with detail and anecdote, Daily Rituals is irresistible, addictive, magically inspiring.

    "The most ordered, ranging and purposeful attempt...toward keeping the study of literature at once intelligent and liberal" (New York Times). Index.

    Leslie Leyland Fields has used and taught this practical and inspiring writing process for decades, helping people from all walks of life to access memory and sift through the truth of their stories. This is not just a book for writers. Each one of us has a story, and understanding God's work in our stories is a vital part of our faith. Through the spiritual practice of writing, we can "remember" his acts among us, "declare his glory among the nations," and pass on to others what we have witnessed of God in this life: the mysterious, the tragic, the miraculous, the ordinary. With a companion video curriculum from RightNow Media, this is a "why not" book as opposed to a "how to" book. Leslie asks each of us an important question: "Why not learn to tell your story, in the context of the grander story of God?"

    Linked by the theme of a writer's "first time" -- usually the first time he got paid for his work, but sometimes veering off into other, more unconventional, "first times" -- these always entertaining (and sometimes hilarious) pieces share what it takes to succeed, what it takes to write well, and other aspects of maintaining creativity and integrity while striving for a career in Hollywood. Richard LaGravanese (The Fisher King, The Horse Whisperer, Living Out Loud) confesses that his first paid writing job was crafting phone-sex scripts. Nicholas Kazan (Reversal of Fortune, Matilda) explains why, in Hollywood, an oral "yes" often turns out to be a written "no." Peter Casey writes about the unparalleled pitch meeting for the award-winning series Frasier. Virtually every big-name writer in Hollywood has contributed to this collection, making it essential research material for anyone trying to make it in the entertainment industry, and a perfect read for movie and television buffs everywhere.

    This innovative book presents the design process and the best software tools for creating infographics that communicate. Including a special section on how to construct the increasingly popular infographic resume, the book offers graphic designers, marketers, and business professionals vital information on the most effective ways to present data.Explains why infographics and data visualizations work Shares the tools and techniques for creating great infographics Covers online infographics used for marketing, including social media and search engine optimization (SEO) Shows how to market your skills with a visual, infographic resume Explores the many internal business uses of infographics, including board meeting presentations, annual reports, consumer research statistics, marketing strategies, business plans, and visual explanations of products and services to your customers With Cool Infographics, you'll learn to create infographics to successfully reach your target audience and tell clear stories with your data.

    Put a map at the start of a book, and we know an adventure is going to follow. Displaying this truth with beautiful full-color illustrations, The Writer’s Map is an atlas of the journeys that our most creative storytellers have made throughout their lives. This magnificent collection encompasses not only the maps that appear in their books but also the many maps that have inspired them, the sketches that they used while writing, and others that simply sparked their curiosity.   Philip Pullman recounts the experience of drawing a map as he set out on one of his early novels, The Tin Princess. Miraphora Mina recalls the creative challenge of drawing up ”The Marauder’s Map” for the Harry Potter films. David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. Robert Macfarlane reflects on the cartophilia that has informed his evocative nature writing, which was set off by Robert Louis Stevenson and his map of Treasure Island. Joanne Harris tells of her fascination with Norse maps of the universe. Reif Larsen writes about our dependence on GPS and the impulse to map our experience. Daniel Reeve describes drawing maps and charts for The Hobbit film trilogy. This exquisitely crafted and illustrated atlas explores these and so many more of the maps writers create and are inspired by—some real, some imagined—in both words and images.   Amid a cornucopia of 167 full-color images, we find here maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, nursery rhymes, literary classics, and collectible comics. An enchanting visual and verbal journey, The Writer’s Map will be irresistible for lovers of maps, literature, and memories—and anyone prone to flights of the imagination.

    . . . A masterpiece.” —Margaret Atwood“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster WallaceBy now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

    The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

    Kurtz comes this quirky, upbeat rallying cry for creators of all stripes. Expanding on a series of popular guides he's created for Design*Sponge, this handwritten and heartfelt little book shares wisdom and empathy from one working artist to others. The advice is organized by topic, including: (How to) Get Over Comparing Yourself to Other CreativesSeeking & Accepting Help from OthersHow to Get Over Common Creative Fears (Maybe)How to Be Happy (or Just Happier) As wry and cheeky as it is empathic and empowering, this deceptively simple, vibrantly full-color book will be a touchstone for writers, illustrators, designers, and anyone else who wants to be more creative--even when it would be easier to give up act normal.