Never seen in print before anywhere else!A new cartoon collection from the mind of Eisner Award-winning, Harvey nominated and current NewYorker Magazine cartoonist, Shannon Wheeler! It's the best-of-the-best of what's left on the cutting room floor from Wheeler's cartoon submissions to The New Yorker Magazine. Never seen in print before anywhwere else!

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    Comic strips show the daily trials and pleasures of family life for Elly, her husband John, a dentist, and their children Michael and Elizabeth.

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.

    If this is true for students, it is exponentially true for teachers-those hearty souls who have taken on the education of the youth of the world.This wonderful collection of the best and funniest cartoons published over the last eighty years in The New Yorker takes a wry look into the classroom-at the students, at their blindly devoted but demanding parents, and, especially, at the teachers who negotiate the delicate balance between those forces every day.With 118 cartoons, this is a perfect gift for teachers and a treasure of laughs for all!

    During its 31 year run, it was enormously popular with the public and with many writers, artists, and intellectuals of the time. An innovative cartoon masterpiece and the first major biographical work on the artist himself.

    Now you can experience this major work of world literature in a simplified adaptation. This graphic novel pulls no punches. Dante’s harrowing journey through Hell is not for the squeamish. It is a powerful, but ultimately inspiring story of sin, punishment, self-sacrifice, and redemption.

    Foreman on a deconstruction ship that specializes in demolishing belief outbreaks, Nul is prodded out of his complacency by a false murder charge, and sets off on a journey that takes him to the very brink of hope. A 232-page concoction of fiction and intrigue that delves into the bleak and bitter philosophical brew of Nihilist chic.

    Joining him for the journey are Pig, the slow but good-hearted conscience of the strip; Goat, the voice of reason that often goes unheard; and Zebra and the eternally inept Crocodiles who pursue him. Together this mindful menagerie mocks the flaws and shortcomings of human nature through Pastis's cynically biting wit.* The third Pearls Before Swine treasury, this book combines all the cartoons from Da Brudderhood of Zeeba Zeeba Eata and The Sopratos, along with annotations by Pastis.* From courtroom antics to references of other cartoon strips, Pastis's strip is a fresh presence on the comic pages.

    Completely recolored in the style of the 1930s and 1940s Disney animated cartoons. Illustrated.

    And boy does he make his first appearance count. --The Bob and Tom Radio ShowNominated by the National Cartoonist Society as Best Comic Strip, Jef Mallett's Frazz follows the life of Bryson Elementary School janitor and hit-songwriting-wonder Edwin Frazier. An all-round Renaissance man, role model, and friend rolled into one, Frazz feels as comfortable philosophizing with the students as he is with the teachers and principal.Always placing an emphasis on the importance of seizing opportunities to learn and grow, Frazz is a family favorite and multiple-year recipient of the Wilbur Award from the Religion Communicators Council for excellence in communicating values and ethics.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    And it's Lydia Lopez's first night behind the front desk. Every guest's got a story to tell and a lesson to learn... Co-written by film and music superstar Machine Gun Kelly with Eliot Rahal (Archie Comics) and Ryan Cady (DC Comics). Art by Martin Morazzo (Ice Cream Man) and a host of talented illustrators.

    Even after many years together, do you still need distance between you in order to miss each other--or can you occupy the same space and still feel disconnected? Dancing on the Volcano is an autobiographical story about the painful but recognizable sides of love. We all know that a long relationship has many stages, but never before has someone portrayed all those different facets of love as beautifully as Floor de Goede in the original graphic memoir.

    In full color for the very first time, the YouTube sensation is back on the page—only smaller and cuter. This cat will do anything to be fed.