Heartbroken and alone, she finds solace in the arms of the wounded Highlander.Maximus, son of the Mackay Laird, lost everything. After his sire and older brother die at the hands of a traitor, he must stay alive to claim back his legacy.Half-dead after the sneaky attack, he is rescued by a lass. His general's beguiling, illegitimate daughter.An all-consuming passion engulfs them both, though Maximus knows that they cannot be together.To get his revenge, he must gain powerful allies. And that means marrying another. A noble Lady. Specifically, his dead brother's betrothed.Now Maximus has to make a choice; lose his clan or stay with the woman he loves.But before he can decide, Rosallyn is violently abducted…She healed her wounds, he mended her broken heart…

    They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith, and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them.As these groups converge upon the town, the habitants, who up until this point have been under strict curfew, begin to stir from their dwellings, demanding answers from the intruders. A deadly stand-off emerges from which no one will escape unscathed.

    Find enlightenment with these one-hundred twenty-two traditional Buddhist Zen koans -- stories, dialogues, questions, or statements, used in Zen-practice to provoke the "great doubt," and test a student's progress in Zen practice.

    This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.   These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.

    The visionaries who helped translate this dream into reality were individuals who dared to put their thoughts into words and actions. Rabindranath Tagore, who through his writings urged Indians to strive for a free nation 'where the mind is without fear and the head is held high'. Mahatma Gandhi- Father of the Nation, whose non-violent struggle redefined the meaning of protest. Jayaprakash Narayan, who championed the cause of the oppressed even after independence. Babasaheb Ambedkar became the icon of the underprivileged. History, however, will remember him as the architect of India's Constitution. Jawaharlal Nehru - fiercely idealistic Indian who is still famous throughout the world today.

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    and this creature's home is the inarticulate as well as the articulate.’ John Berger's work has revolutionized the way we understand visual language. In this new book he writes about language itself, and how it relates to thought, art, song, storytelling and political discourse today. Also containing Berger's own drawings, notes, memories and reflections on everything from Albert Camus to global capitalism, Confabulations takes us to what is ‘true, essential and urgent’.

    Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

    The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    The stage play Krapp’s Last Tape evolves a shattering drama out of a monologue of a man who, at age sixty-nine, plays back the autobiographical tape he recorded on his thirty-ninth birthday. The two radio plays were commissioned by the BBC; All That Fall “plumbs the same pessimistic depths [as Waiting for Godot] in what seems a no less despairing search for human dignity” (London Times), and Embers is equally unforgettable theater, born of the ramblings of an old man and his wife. Finally, in the two pantomimes, Beckett takes drama to the point of pure abstraction with his portrayals of, in Act Without Words I, frustrated desired, and in Act Without Words I, corresponding motions of living juxtaposed in the slow despair of one man and the senselessly busy motion of another.

    After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.

    In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism. The pieces collected here include the relatively unfamiliar and the more celebrated, making it an ideal compilation for both new and dedicated readers of Orwell's work.

    A notion that proved false when years later, they come with a new demand: she must take her sister’s place and marry a brutish Scotsman.Honoring a deal made by his father, Oscar Burns, Laird of MacLeod, has to marry an Englishwoman he has never seen before. Until the day he finally meets her, for she is the woman of his dreams. And she seems to loath him.Newly ignited, their passion sweeps both Oscar and Rowena off their feet, challenging everything she was ever taught at the abbey. When a cloaked figure tries to abduct her, Rowena realizes she is not ready for the evils of the world. What is a girl to do when she must juggle winning over a bunch of brooding Scotsmen hellbent on hating her and avoiding abduction?

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    As A Man Thinketh maps out the way in which our thoughts can affect our physical, mental, emotional and social health. It also discusses ways in which we can use our visions and ideas to lead us to peace of mind. From Passion to Peace is a step by step discussion on conquering the factors within us that hinder us from achieving success. Man: King of Mind, Body and Circumstance aims at freeing us from the slavery of our negative and binding thoughts, enabling us to conquer our inhibitions and set our spirit free. Foundation Stones to Happiness and Success help us lay the foundation for a stronger self, with the right balance of thoughts, speech and its implementation in action.