Like in every culture, Chinese folktales too have been instrumental in passing on Chinese tradition, beliefs, customs and values from one generation to the next.Chinese folklore consists of fables, legends, mythology tales and historical accounts. Magical creatures, demons, mythical animals, malicious step-mothers and witty and valiant protagonists take you through the common themes of the triumph of cleverness and wisdom.This collection of Chinese folktales includes the well-known tale of the 'Valiant Shu Lang', the woman who dressed herself as a man to join the military, 'The Laughing Monks' who taught the path to a contentted life throguh the only language they knew - laughter, and 'The Great Discovery', the tale of how a phenix led a young couple to a treasure they later discover to be salt.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    *** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.

    In typical Acker fashion, he's including a text exchange with one of Acker's fictional heroines, Janey Smith, along with stories of their friendship and what Acker would think of everything now, today, "as the world begins to burn."

    Heralded as "one of our most vital, unclassifiable writers" by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "The Passion," consecrates the contradictions between these two emotions. The New York Times Book Review said, "Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety." With Gone, readers will have the opportunity to experience firsthand Howe’s continuation of that elusive and fascinating endeavor.

    This poem, written from the perspective of the silkworm, explores the cultural, scientific, and linguistic complexities of silk written inside the body.

    Henry Prize for "Cigarettes"“Sam Savage manages to be both artful and literal-minded in this faux autobiographical tale of childhood and a mother afflicted and finally driven mad by her wish for artistic success. Savage writes knowingly about the uncertainties of childhood memory, but creates a convincing world of sibling combat and adult pretension. A wonderful, absorbing novel.”—C. Michael Curtis, Fiction Editor, The Atlantic Monthly“If the world—all its hysteric noise—was muted for just one minute, Sam Savage is what you might be fortunate enough to hear. His elegant laconism, his leaps across the self-evident, his soft aplomb, and the rarified air he bestows upon the mundane make him the only American writer worthy of the label the true eccentric."—Valeria LuiselliIt Will End With Us is Sam Savage’s latest deep dive into the mind and voice of a character, and his most personal work yet. Brick by textual brick, his narrator, Eve, builds a memorial to the mother who raised her, emotionally abandoned her, and shaped her in her own image. Eve’s memories summon a childhood in rural South Carolina, a decaying house on impoverished soil, and an insular society succumbing to the influences of a wider world. It Will End With Us is a portrait of a place full of hummingbirds and wild irises, but also of frustration and grief. It is the story of a family tragedy, provoked by a mother’s stifled ambitions, and seized by the wide-open gaze of a child. Rarely has a novel so brief taken on so much, so powerfully.Sam Savage is the best-selling author of Firmin: Adventures of a MetropolitanLowlife, The Cry of the Sloth, Glass, and The Way of the Dog, all from CoffeeHouse Press. A finalist for the Barnes & Noble Discover Great New WritersAward, Savage holds a PhD in philosophy from Yale University and resides inMadison, Wisconsin.

    But there is still in these "rhythms" a seething beat of sexuality and vice, whipped up into a delicious sense of perversity by Barnes's art. On the evidence of Barnes's numerous other works, most of which included art that was interleaved with her writing, Messerli has restored the drawings-which in the Bruno edition appeared in the back, after the poem's-to the front of the book so that they can create an interplay with the texts.

    As the bushfires continued to rage into the new year on an unprecedented scale, Ben, feeling angry, helpless and broken-hearted as he watched the devastation from across the ocean, sat down and put his feelings into words. To My Country is an ode to the endurance of the Australian spirit and the shared love of our country.In the true Aussie spirit, Ben and Allen & Unwin will be donating proceeds of To My Country to The Koala Hospital.

    In true McInerney style, this new collection of stories examines post 9/11 America in all its dark and morally complex glory

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    Resistant to the label of Gunfighter, Persimmon vehemently rejects offers to be a gun for hire, preferring to drift aimlessly in a futile effort to outrun his memories. It takes a young boy and his widowed mother to give Persimmon purpose once more. Befriended by a failed writer, the pair take a reluctant journey across the country to help her. What they discover is that happiness sometimes carries a steep price tag. Saving the widow will cost more than they could have imagined. Persimmon must decide whether or not to make the purchase, even if that means paying with his life.

    Some were previously published. Some are brand-spanking new. The opening story, "State Liquor," concerns a twenty-five-year-old woman and her eighteen-year-old husband trying to buy alcohol on their way to their strip mall jobs, the afternoon of their wedding. In "Fistful," a pregnant teenager gets revenge on the young man who both impregnated and beat her, before leaving town with another man. In "Habitrail," a woman returns home after the death of her father, to find her husband in communication with the television set and a god he calls Chaos, rather than her. There are over ninety stories in this collection. Repeated themes include: driving, smoking, teenagers, drinking, escape, the Midwest, masturbation, self-loathing, blood and loneliness.

    Yet Cummings could also be difficult, truculent, opinionated, wrong-headed, emotional, bigoted and egotistical. Dubbed by Ezra Pound as "Whitman's one living descendant," Cummings sang of himself and of America in a unique voice, as resonant now as it was a half-century ago. Charismatic and famous among the famous, Cummings always seemed to be in the right place at the right time, and was a major presence wherever he resided, whether in Cambridge, Europe or New York. He counted some of the most important artists of his time as friends: Pound, Hemingway, Dylan Thomas and many more. "Sawyer-Lau�anno emphasizes the relation of the private man to his work, offering fresh insights into the grand optical arrangement of Cummings's books."--Starred Library Journal ReviewbrbrFor nearly half a century, the personal papers, journals and diaries of Edward Estlin Cummings were kept from public view. These documents reveal far more about the inner life of the famous poet and painter than has ever been known. Now, noted biographer Christopher Sawyer-Lau�anno presents the first, definitive, revelatory life story of E.E. Cummings (1894 1962), an American original. brbr"Well-researched, comprehensive, and essential to understanding the artist and the artistry."--Starred Kirkus ReviewsbrbrFor E.E. Cummings#58; A Biography, the author had unprecedented access toall of Cummings's papers-anguished diary entries, reflections on consultations with two psychoanalysts, an autobiographical novel, and a carefully prepared manuscript containing more than one hundred blatantly erotic poems. brbrIn the words of William Corbett, author of Boston Vermont and Don't Think Look, "E.E. Cummings, Yankee individualist and, rare for an American poet, satirist is here in full. This means warts and all, but Sawyer-Lau�anno has not come to judge. In this readable and absorbing life he has paid Cummings the honor of clear-eyed candor." Christopher Sawyer-Lau�anno paints a full and memorable portrait of this extraordinary American poet.