The stories in Fresh Complaint explore equally rich­­—and intriguing—territory. Ranging from the bitingly reproductive antics of “Baster” to the dreamy, moving account of a young traveler’s search for enlightenment in “Air Mail” (selected by Annie Proulx for Best American Short Stories), this collection presents characters in the midst of personal and national emergencies. We meet a failed poet who, envious of other people’s wealth during the real-estate bubble, becomes an embezzler; a clavichordist whose dreams of art founder under the obligations of marriage and fatherhood; and, in “Fresh Complaint,” a high school student whose wish to escape the strictures of her immigrant family lead her to a drastic decision that upends the life of a middle-aged British physicist. Narratively compelling, beautifully written, and packed with a density of ideas despite their fluid grace, these stories chart the development and maturation of a major American writer.Complainers --Air mail --Baster --Early music --Timeshare --Find the bad guy --The oracular vulva --Capricious gardens --Great experiment --Fresh complaint

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

    In the extraordinary "Why China?" a man drags his family to the Xi'an province in a desperate attempt to reclaim his lost integrity, only to find himself more remote and mysterious than the place where his journey led. In settings as exotic as Kenya and Bora Bora, as glamorous as downtown Manhattan, or as familiar as suburban Illinois, Egan's characters—models, housewives, schoolgirls—seek transformation of the body and spirit, and transcendence of the borders of desire.

    Here, wolf-like girls are reformed by nuns; a family makes its living wrestling alligators in a theme park; and little girls sail away on crab shells. Filled with stunning inventiveness and heart, St. Lucy’s Home for Girls Raised by Wolves introduces a radiant new writer.

    The sports page chronicles man's triumphs." So the adage goes, never more true than when surveying 100 years of American history through its coverage of sports. From Bobby Knight to Bobby Fischer, from Secretariat to Sugar Ray, from Butkus to the Babe, the 20th century abounds with classic figures in sports history. Their compelling stories fuel our collective memory. In the pieces assembled here, The Best American Sports Writing of the Century captures these indelible moments in words worth a thousand pictures. Working with series editor Glenn Stout (Best American Sports Writing 1999 etc.), Pulitzer-Prize winner David Halberstam (The Summer of '49, Playing For Keeps:Michael Jordan & the World He Made) selects the century's most engaging sports journalism. While the task was surely a challenge, the result is a near-seamless retrospective of contemporary athleticism. The pieces are contemporaneous with the events recounted, infusing the entire collection with an intimate immediacy. You are there — with Joe DiMaggio, Junior Johnson, Muhammad Ali, Branch Rickey — again & again. The writing is uniformly excellent, mixing some familiar choices with otherwise overlooked gems. However, one criticism must be noted: This is for fans of men's endeavors, for women hardly appear in the 800-plus pages. No exquisite essays on Wilma Rudolph's struggles to achieve Olympic gold. No mention of Chris Evert's importance to tennis. No hymns of praise for Peggy Fleming's inspiring skating. Nohyperboleabout Shirley Muldowney's drag racing prowess. No Mary Decker, no Nancy Lopez, no Picabo Street. Perhaps a companion volume is in the offing. For capturing 10 decades of achievement by the men, tho, no tribute could be finer. Whether rejoicing on the quietude of fishing (Thomas McGuane, The Longest Silence, 1969) or the cacophony of Bobby Thomson's pennant-winning heroics (Red Smith, Miracle of Coogan's Bluff, 1951), the writing is evocative and timeless. Some athletic greats are viewed as their careers are poised to explode (Tiger Woods in 1997's The Chosen One, by Gary Smith). Others are glimpsed in the rearview mirror: DiMaggio in 1966's The Silent Season of a Hero, by Gay Talese; Ty Cobb in 1961's The Fight to Live, by Al Stump; & Billy Conigliaro in 1989's "A Brother's Keeper," by Mike Lupica. In a marvelous choice, Halberstam concludes the book with six essays on Ali. The selections represent the full spectrum of his athletic and public career, from cocksure Cassius Marcellus Clay (Murray Kempton, "The Champ and the Chump," 1964) to reflective disciple of Islam (Dick Schaap, "Muhammad Ali Then and Now," 1971) to resurrected warrior in Manila (Mark Kram, "Lawdy, Lawdy, He's Great," 1975) & beyond.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    Warshawski, "the detective mystery fans have been waiting for" (Time), makes return appearances in a collection of stories that bring new meaning to "ties that bind."  Decked out in her silk shirts and no-nonsense Attitude, V.I. is out to make a living--by the skin of her teeth.In "Grace Notes," V.I. has barely finished her morning coffee when she sees an ad in the paper asking for information about her own mother, long dead.  The paper leads V.I. to her newfound Italian cousin Vico, who's looking for music composed by their great-grandmother.  What's the score?  Clearly it's something to kill for... "The Pietro Andromache" finds V.I.'s friend Dr. Lotty Herschel with motive and means to dispatch her professional rival and steal his priceless statue.  Lotty didn't do it--but does she know who did?  V.I. soon cuts to the art of the case--and it's not a pretty picture at all!Summoned by an old high school friend to a race "At the Old Swimming Hole," V.I. ends up swimming with the sharks--the FBI and a ruthless gambling kingpin--in a pool of blood.... And it's only "Skin Deep" when a relaxing facial transformation transforms a client into a stiff.  V.I.'s pal Sal needs help.  Her beautician sister Evangeline is prime suspect--and V.I. has only eighteen hours to crack the case before it's headline news..."  Three-Dot Po" proves there's nothing like a dog.  Especially a dog on the trail of her mistress's killer, with V.I. in tow...In "Strung Out," love means nothing and V.I.'s quick to learn the score as her old friend's tennis-champion daughter is under suspicion for strangling her father with a racket string.  And there's more, nine stories in all, in this masterful collection of short fiction starring V.I. Warshawski, "the most engaging woman in detective fiction since Dorothy Sayers's Harriet Vane" (Newsweek).

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination.

    The title comes from Asimov's breakthrough short story.CONTENTS:Nightfall - Astounding, Sept 1941Green Patches - Galaxy, Nov 1950Hostess - Galaxy, May 1951Breeds There a Man . . . ? - Astounding, June 1951C-Chute - Galaxy, Oct 1951In a Good Cause - "New Tales of Space & Time", 1951What If--- - Fantastic, Summer 1952Sally - Fantastic, June 1953Flies - F&SF, June 1953Nobody Here But--- - Star SF #1, 1953It's Such a Beautiful Day - Star SF #3, 1954Strikebreaker - Original SF Stories, Jan 1957Insert Knob A in Hole B - F&SF, Dec 1957The Up-to-Date Sorcerer - F&SF, July 1958Unto the Fourth Generation - F&SF, April 1959What is this Thing Called Love? - Amazing, March 1961The Machine That Won the War - F&SF, Oct 1961My Son, the Physicist - Scientific American, Feb 1962Eyes Do More Than See - F&SF, April 1965Segregationist - Abbottempo, Book 4, 1967

    Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness.

    From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.