However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”

    In the dim light the effect was distinctly pleasing. The camel's face was a study in pessimism, decorated with numerous abrasions, and it must be admitted that his coat was in that state of general negligence peculiar to camels--in fact, he needed to be cleaned and pressed--but distinctive he certainly was. He was majestic. He would have attracted attention in any gathering, if only by his melancholy cast of feature and the look of hunger lurking round his shadowy eyes.

    Chastened and stifled by her marriage of convenience to a man twice her age, the young Katerina Lvovna goes yawning about the house, missing the barefoot freedom of her childhood, until she meets the feckless steward Sergei Filipych. Sergei proceeds to seduce Katerina, as he has done half the women in the town, not realizing that her passion, once freed, will attach to him so fiercely that Katerina will do anything to keep hold of him. Journalist and prose writer Nikolai Leskov is known for his powerful characterizations and the quintessentially Russian atmosphere of his stories.

    Now Commander Vatta is backlocked and loaded and ready to win the fight against the marauding forces of ruthless space pirate Gammis Turek. For Ky, its not just about liberating the star systems subjugated by Turek and defending the rest of the galaxys freedom. Theres also a score to be settled and payback to be meted out for the obliteration of the Vatta Transport dynasty . . . and the slaughter of Kys family. But the enemy have their own escalation efforts under wayincluding the placement of covert agents among the allies with whom Ky and the surviving Vattas are collaborating in the war effort. And when a spy ring linked to a wealthy businessman is exposed, a cracked pirate code reveals a galaxywide conspiracy fueling the proliferation of Tureks warship fleet. Matching the invaders swelling firepower will mean marshaling an armada of battle-ready ships for Ky to lead into combat. But a violent skirmish leaves Ky reelingand presumed dead by her enemies. Now, as Turek readies an all-out attack on the Nexus systema key conquest that could seal the rest of the galaxys doomKy must rally to the challenge, draw upon every last reserve of her strategic skills, and reach deep if she is to tear from the ashes of tragedy her most decisive victory.

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    A lyrical story, originally published in 1922, with autobiographical elements of a childhood in a Russian village, Nikita's Childhood is considered one of Tolstoi's major works

    

    Like her more famous novels, Alcott tells stories of young women interacting with people and events from the late 1800s. A great addition to the Alcott library of stories.

    #29 Monster Blood III#30 It Came From Beneath The Sink!#31 Night Of The Living Dummy II#32 The Barking Ghost

    "We must not aggravate, but ease the last moments of our son," resolved the colonel firmly, and he carefully weighed every possible phase of the conversation, every act and movement that might take place on the following day. But somehow he became confused, forgetting what he had prepared, and he wept bitterly in the corner of the oilcloth-covered couch. In the morning he explained to his wife how she should behave at the meeting.

    There she finds what she is searching for in the arms of a masked stranger, whose rough hands and scorching kisses leave her breathless.She never expects to see him again, but he seeks her out and tempts her with the promise of a night dedicated solely to her pleasure a dangerous proposition for a respectable widow with secrets to protect. She agrees to be his lover on the condition they remain anonymous.Merchant prince Dante Valaresso has returned to Venice to restore his family s fortune and reclaim his ancestral home. A born sailor, he misses the sea, but his fiery new mistress has him thinking life ashore might suit him just as well. All that stands between him and contentment is a dour, eccentric widow named Serena Alberenghi, who refuses to vacate his palazzo.They play out their games amidst the sensual, heady swirl of Carnival, they unmask the truth: To earn perfect happiness, each might have to give up what they covet the most."

    The ultimate companion to The Hobbit and The Lord of the Rings: a four-volume anthology of stories, poems, and archival material from the master of fantasy.Contains:The Tolkien ReaderThe SilmarillionUnfinished TalesSir Gawain and the Green Knight

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.