May, his epic masterpiece, was published in April 1836, just seven months before his death. Considered the "pearl" of Czech poetry, it is a tale of seduction, revenge, and patricide. A paean as well to nature, the beauty of its music and its innovative use of language, expertly captured in this new translation by Marcela Sulak, has ensured the poem's lasting popularity. Scorned at first by the national revivalists of the 19th century for being "un-Czech," Mácha was held up as a "national" poet by later generations, a fate which the interwar Czech avant-garde, who considered him a precursor, took it upon themselves to reverse.Unlike the other seminal 19th-century European poets, Mácha's work has been largely ignored in English translation. The present volume, the only available in English, provides the original Czech text in parallel and includes a series of illustrations by Jindřich Štyrský specifically created for the poem.

    Uniquely and richly African, at the same time it reveals Achebe's keen awareness of the human qualities common to men of all times and places.

    This 80-page adaptation has been painstakingly edited to retain the integrity of the original work, and to convey a sense of the author's style and the novel's theme. A low reading level assures success and stimulates a desire for further exploration of this classic tale.Each novel, complete in just 80-pages, has been painstakingly adapted to retain the integrity of the original work. Each provides the reader a sense of the author's style and an understanding of the novel's theme.

    The central character of this story, set in Eastern Bohemia, is a grandmother, full of simple wisdom, goodness and love, who personifies an ideal of maternal care. The Prošek family live in this country idyll but their father’s work means that he is compelled to spend a large part of the year in the imperial city of Vienna. Thus, their grandmother is brought home to look after the children and the property. This is the background against which the author unfolds the most important prose work in Czech literature and creates “one of the best female characters in world literature”.

    Tess Durbeyfield leaves home on the first of her fateful journeys, and meets the ruthless Alec d'Urberville. Thomas Hardy's impassioned story tells of hope and disappointment, rejection and enduring love.

    Only as the statue topples does he recognize the face of Richard Wagner. This is just the beginning in Weil's novel, which traces the transformation of ordinary lives in Nazi-occupied Prague.

    Texts are in the original Middle English, and each has an introduction, detailed notes and a glossary. Selected titles are also available as CD recordings.

    This remarkable and symbolic novel centers on Wariinga's tragedy and uses it to tell a story of contemporary Kenya.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    His marriage is over and he is alone, teaching poetry as a visiting professor in Montana and continuing to avoid actually writing himself. He drinks to oblivion every night.At this freezing college, in the dead of winter, Winslow meets Erika, one of his poetry students. What begins with office hours and Jim Beam in paper cups becomes a road trip as they travel through Utah and Arizona. Long haunted by thoughts of death, both Erika and Winslow begin to glimpse the power life can hold if they will only open up to the shame, beauty, and heartbreak of it all.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    While Nko pursues an education despite the resistance of those who feel a woman's identity is assumed in traditional marriage, Ete Kamba's love for her is severely tested as he is himself locked into the rigid attitudes from which Nko is attempting to break free. Nko must further contend with unscrupulous professors who would take advantage of her tenuous role as a woman in a male-dominated environment. As the author candidly portrays the status of women in emerging African nations, the choices facing Ete Kamba and Nko are neither clearcut nor perfect. In Double Yoke, Buchi Emecheta faces them head on.

    With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable novel that "will wring your heart out" (The Associated Press).Named Notable Book of 1955 by the American Library Association.

    Drawing on Matthew Lewis's The Monk, Sade's Justine, K.H. Macha's May, and Murnau's Nosferatu as well as the form and language of the pulp serial novel, Nezval has constructed a lyrical, menacing dream of sexual awakening involving a vampire with a taste for chicken blood, changelings, a lecherous priest, a malicious grandmother desiring her lost youth, and an androgynous merging of brother with sister.In his Foreword Nezval states: "I wrote this novel out of a love of the mystique in those ancient tales, superstitions and romances, printed in Gothic script, which used to flit before my eyes and declined to convey to me their content." Part fairy tale, part Gothic horror, Valerie and Her Week of Wonders is a meditation on youth and age, sexuality and death — an exploration of the grotesque that juxtaposes high and low genres, with shifting registers of language and moods that was a trademark of the Czech avant-garde. The 1970 film version is considered one of the outstanding achievements of Czech new-wave cinema.