Samantha and her half brother, Benjamin, survive, but she is left traumatized, her face horribly scarred. Narrated in Benjamin’s beguilingly plainspoken voice, The Which Way Tree is the story of Samantha’s unshakeable resolve to stalk and kill the infamous panther, rumored across the Rio Grande to be a demon, and avenge her mother’s death. In their quest she and Benjamin, now orphaned, enlist a charismatic Tejano outlaw and a haunted, compassionate preacher with an aging but relentless tracking dog. As the members of this unlikely posse hunt the panther, they are in turn pursued by a hapless but sadistic Confederate soldier with troubled family ties to the preacher and a score to settle. In the tradition of the great pursuit narratives, The Which Way Tree is a breathtaking saga of one steadfast girl’s revenge against an implacable and unknowable beast. Yet with the comedic undertones of Benjamin’s storytelling, it is also a timeless tale full of warmth and humor, and a testament to the enduring love that carries a sister and brother through a perilous adventure with all the dimensions of a legend.

    But he has yet to meet the test of human conflict. In a tale of violent action and superbly sustained suspense, the harsh realities of tribal warfare force him to kill his first foe, then face torture at the stake. Still yet another kind of initiation awaits him when he discovers not only the ruthlessness of "civilized" men, but also the special danger of a woman's will. His reckless spirit transformed into mature courage and moral certainty, the Deerslayer emerges to face life with nobility as pure and proud as the wilderness whose fierce beauty and freedom have claimed his heart.

    It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point—“where all four of our lives made their bend”—and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one’s kin and one’s self.

    To the tough-minded and self-reliant farmers, the monopolistic, land-grabbing railroad represented everything they despised: consolidation, organization, conformity. But Norris idealizes no one in this epic depiction of the volatile situation, for the farmers themselves ruthlessly exploited the land, and in their hunger for larger holdings they resorted to the same tactics used by the railroad: subversion, coercion and outright violence. In his introduction, Kevin Starr discusses Norris's debt to Zola for the novel's extraordinary sweep, scale and abundance of characters and details.

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    a high-stepping, swashbuckling romance inspired by the unassailable historical fact that in his greenhorn youth, before he became a movie-star cowboy, Tom Mix rode in the company of the peasant revolutionary Pancho Villa ... Who among us has not wished he'd grown up as romantically as Mix does here?" -- New York Times Book Review "With Tom Mix and Pancho Villa, Clifford Irving takes his place among the giants of contemporary literature, dazzling us all with this robust, rousing, rip-roaring work of art." -- Ernest Lehman "Fabulous, big, rawboned wild-blooded adventure tale that gives the sights and sounds and smells of a turn-of-the-century world real enough to touch. Clifford Irving has written a novel to make any writer proud and many readers grateful." -- Los Angeles Herald Examiner "Intelligently conceived, rapidly paced, attitudinally wry, earthy - a well-written, cannily contemporary tale about the past." -- Dallas Times Herald ----- It's 1913, and Tom Mix, young cowboy and future movie star, rides south of the border to fight at the side of the charismatic Pancho Villa, Mexican revolutionary leader, already a legend. In the violent beauty of war-torn Mexico a partnership is formed, and an epic is born. Caught up in this sumptuous panoramic novel are some of the most dynamic characters ever to come to life on a page: Hannah, Tom's voluptuous Jewish fiancée; Rosa, the beautiful Indian child widow who loves Tom; Elisa, the sophisticated German rancher who becomes his mistress; Rudolfo Fierro, "the butcher," who lives to kill his enemies and vows to end Tom's life; Lieutenant George S. Patton, Jr., who ceaselessly hunts both Villa and Fierro; and above all, the tempestuous Pancho Villa, a man of ungovernable emotions, a hero and, at the same time, a villain larger than life. This is a story of romance and friendship, loyalty and revenge, politics and gold - an adventure that Publishers Weekly called "grand entertainment, full of wit, charm, and zest." The Los Angeles Times wrote that "Irving spins a fantasy worthy of Mark Twain," and the Houston Chronicle said, "Irving's wonderful big new book is a rollicking, ribald tale." The Chicago Tribune concluded that "[Tom Mix's] exploits - on the battlefield, behind the lines, in bed - are told with riveting skill."

    As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    But Jackson Smith quickly realizes that Ellie's presence may solve his own problems--both the rearing of his young boys and the scandal that surrounds his first marriage.When a marriage of convenience is offered, Ellie is initially humiliated. Though she is past the age most women marry, she has more pride than to agree to his outlandish suggestion. Yet what options does she have? To marry would mean a home and stability. So despite the rumors circling Jackson and his first wife, Ellie accepts this unlikely proposal...

    . . but memories of his ma and pa, and his beautiful, bright sister are all he has left. Memories of the peaceful days before Jubal stumbled home with his .22, his blood running cold with fear, terror, and anger. When it was over, the homestead was half burned to the ground. Someone had to bury the bodies. Someone had to set things right. Now, as Jubal rides west into New Mexico, he remembers his family’s laughter and love, his pa’s wisdom, ma’s thick books, and everything that was defiled by a band of drunken renegades towed along by one man’s murderous grudge. A reprobate lawman won’t believe his story. A soft-hearted mountain man won’t survive Jubal’s one-man war. And a judge and his beautiful daughter cannot stop Jubal from climbing a peak of blood and madness: for justice, or payback, or something he can live for—or die for—redeeming. An American film icon delivers a great American novel with Payback at Morning Peak. Gene Hackman, whose fiction is “rousing” (Publishers Weekly) and “robust” (Winston-Salem Journal), takes readers on a powerful and historically dead-on western odyssey in the tradition of Louis L’Amour.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    Well, what if you don’t have no people? Or any you know of? What then? Are you doomed?” This is the nagging question of fifteen-year-old Nell’s life. Born with a cleft palate and left a foundling on the doorstep of a convent, she yearns to know her mother, whose name, she knows, was Jane.When the Mother Superior tries to pawn her off to a mean looking farmer and his beaten down wife, Nell opts for the only alternative she can see: she runs away. A chance encounter with a dime novel exhorting the exploits of Calamity Jane, heroine of the west, gives Nell the purpose of her life: to find Calamity Jane, who Nell is convinced is her mother.Her quest takes her down rivers, up rivers and across the Badlands to Deadwood, South Dakota and introduces her to Soot, a big, lovable black dog, and Jeremy Chatterfield, a handsome young Englishman who isn’t particular about how he makes his way, as long as he doesn't have to work for it. Together they trek across the country meeting characters as wonderful and bizarre as the adventure they seek, learning about themselves and the world along the way.

    So he seized the chance to work Abbie Westland's land...and from the moment he first saw Abbie, he was determined to use his arms to work the farm by day and to soothe her through the nights in his strong embrace.Abbie, with her fiery determination, was different from the fragile beauties he'd known at home. In her, Grayson found an honest passion he'd never experienced before. But could their growing love survive the surprising reminder of her past that came to haunt them?

    But the real challenge is the cowboy who's guiding her to it.

    A man named Loving takes him in and trains him in the fine arts of shooting, riding, reading, and gardening. When Loving dies, Willie re-christens himself Nat Love in tribute to his mentor, and heads west.In Deadwood, South Dakota Territory, Nat becomes a Buffalo Soldier and is befriended by Wild Bill Hickok. After winning a famous shooting match, Nat's peerless marksmanship and charm earn him the nickname Deadwood Dick, as well as a beautiful woman. But the hellhounds are still on his trail, and they brutally attack Nat Love's love. Pursuing the men who have driven his wife mad, Nat heads south for a final, deadly showdown against those who would strip him of his home, his love, his freedom, and his life.

    After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land—even if a certain handsome foreman named Luke doubts her abilities.Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes. And saving the ranch from a greedy neighboring landowner means Crystal must take charge of a cattle drive, ready or not. Can she rise to the challenge? Or will she head back to Georgia defeated?