Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on "Raw Materials/Building Materials (Modules)," "Building Components (Elements)," "Building Methods (Structures)," and "Buildings (Examples)," the book now includes a new section on translucent materials and an article on the use of glass. The chapter on "Building Elements" now includes a discussion of facades, and the chapter on "Structures" has been expanded to cover "Principles of Space Creation." The examples section now includes extensive documentation of current projects whose systematic character is oriented around the production process.Experience with the preceding edition has shown that the book has become an indispensable handbook for reference and reading not only for students and teachers but also for architects.

    Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams."A magical book. . . . The Poetics of Space is a prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the new foreword by John R. Stilgoe

    Grace Notes.Reach out to others. Be outgoing. Be kind, gentle and thoughtful. To achieve these qualities requires great sensitivity and daring -- The more we forget about our ego's, the more open we are to love. Find the path to happiness within yourself.

    Edith was a woman ahead of her time--unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel.But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends' mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself.Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth-century's most beautiful and significant architectural projects.

    Kundig's projects, especially his houses, uniquely combine these two seemingly disparate sets of characteristics to produce some of the most inventive structures found in the architecture world today. Kundig's internationally acclaimed work is inspired by both the industrial structures with which he grew up in the Pacific Northwest and the vibrant craft cultures that are fostered there. His buildings uniquely meld industrial sensibilities and materials such as Cor-ten steel and concrete with an intuitive understanding of scale. As Kundig states, "The idea is insaperable from the fabrication, inseparable from the materials used."Tom Kundig: Houses presents five projects in depth, from their early conceptual sketches to their final lovingly wrought, intimate details. Kundig's houses reflect a sustained and active collaborative process between designer, craftsmen, and owners, resulting in houses that bring to life the architect's intentions, the materials used, and lines of unforgettable beauty.

    

    When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable and influential figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country -- but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism -- the sleek, glass-and-steel architecture that now dominates our cities -- to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump. Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A rollercoaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful, and tells the story of the built environment in modern America.

    "Anyone, whether knowledgeable or not, will profit by reading it..." - Opera Quarterly

    Never had homes been so thoroughly contemporary, with antiques and period styles entirely banished. Mid-Century Modern explores the interior decor of this seminal decade, concentrating on all aspects of a home's decoration-walls, flooring, surfaces, lighting, and, of course, furniture.Case studies examine beautiful present-day homes that exhibit mid-century style in an exemplary way, and suggest ideas for taking the 1950's look-complete with collector's pieces-and mixing and matching it with elements from other eras.

    Professor Twombly's introduction and headnotes offer incisive commentary on the texts.

    -Los Angeles TimesWitold Rybezynski takes us on an extraordinary odyssey as he tells the story of designing and building of his own house. Rybezynski's project began as a workshed; through a series of happy accidents, however, the structure gradually evolved into a full-fledge house.In tracing this evolution, he touches on matters both theoretical and practical, writing on such diverse topics as the distinguished structural descendants of the humble barn, the ritualistic origins of the elements of classical architecture, and the connections between dress and habitation, and between architecture and gastronomy. Rybezynski discusses feng shui, the Chinese art of placing a home in the landscape, and also considers the theories and work of such architects as Palladio, Le Corbusier, and Frank Lloyd Wright. An eloquent examination of the links between being and building, The Most Beautiful House in the World offers insights into the joys of installing ourselves in a place, of establishing a spot where it be safe to dream.

    After graduating from Harvard Law School with honors, Tama left an unfulfilling life at a prestigious corporate law firm to pursue her passion and make a name for herself as a writer and inspirational speaker. Now, she dedicates her time to helping people face their fears, tackle uncertainty, and shift their mindset to achieve the extraordinary in their own lives. This book isn't just about getting through life changes, it'll teach you to use that change and uncertainty as a launching pad for joy.Thriving Through Uncertainty proves that the moment your plans fall apart is precisely when your true destiny begins. With Tama's guidance, you can take hold of the blessings and opportunities hidden within uncertain transitional periods and begin to move forward. Weaving together practical exercises and techniques along with anecdotes from Tama's own experiences, you'll master key lessons like:-How to control your mindset and mood to stay focused and happy-Having faith in yourself and your journey-Allowing yourself to feel pain and discomfort-Continuing to thrive through future obstacles, and much more.Packed with heartfelt and dynamic guidance, this supportive, inspiring book will make you feel as if you've attended several sessions with Tama herself.

    Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing--and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions.

    Over 700 pages of award-winning, critically-acclaimed inspirational romance. Hearts Crossing “How do you feel about God, Collin?” “I don’t.” Collin Edwards, a former parishioner at Woodland Church of Christ, has renounced God without apology, his faith drained away in the face of a tragic loss. Daveny Montgomery cares deeply about her relationship with God and the community of Woodland. But lately she's been in a rut, longing for something to reignite her spiritual enthusiasm. A beautification project at Woodland seems the answer for them both. Daveny spearheads the effort and Collin assists—but only with the renovations, and only because he wants to know Daveny better. Despite his deepening feelings for her, even stepping into the common areas of the church stirs tension and anger. Can Daveny trust in Collin’s fledgling return to faith? And can Collin ever accept the fact that while he turned his back on God, God never turned his back on him? Hearts Surrender Kiara Jordan is a sophisticated modernista, but beneath an engaging personality and super-model looks, her heart hungers, and she longs for deeper meaning in her life. Ken Lucerne is the charismatic young pastor of Woodland Church; he's adjusting to life as a widower and copes by keeping as busy as possible with his parish and missionary work. A home-building mission in Pennsylvania brings them together, and forces them to look hard and deep at the relationship they share, and where God means for it to go. Already bound by mutual respect and caring, love dawns, a love that takes them to a life-point neither would have expected. After all, can a chic, vivacious woman find fulfillment within the quiet, mission-centered life of a clergyman? Can they trust God's hand strongly enough to surrender their hearts to one another...forever? Hearts Communion Jeremy "JB" Edwards dreams of one thing: Having a loving wife and children of his own. Not a surprising ambition, since he was raised at the heart of a large, tight-knit family. Monica Kittelski spends her days at Sunny Horizons Daycare Center pouring her heart and faith into other people's children. But Monica harbors one impossible dream: Having children of her own someday. JB and Monica seem the perfect match, but what will come of their electric, sassy relationship when Jeremy learns of Monica's infertility? Hopes and reality collide when they must confront the idea of finding God's plan and following His will when a dearest hope is destined to remain unfulfilled. Can these two loving, passionate hearts survive a communion of dreams and reality? Hearts Key Once the effervescent leader of the pack, Amy Maxwell should have had the perfect marriage. Instead, she escapes with nothing but the clothes on her back and her daughter, Pyper. Once the shy teen, Tyler Brock has evolved into a powerhouse in Christian music, and when he returns to Woodland for a benefit concert, Amy can’t believe he is as faithful and tender as ever. He even manages to touch the heart of a doubtful Pyper. But Amy can’t escape her own self-doubt, and she questions the wisdom of her heart when it comes to the charismatic musician who is so different now, yet so much the same. Can the key to their hearts unlock a lifetime of love?

    The purpose of Why Architecture Matters is to "come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually" — with its impact on our lives. "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." He shows us how that works in examples ranging from a small Cape Cod cottage to the "vast, flowing" Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where "simple geometries...create a work of architecture that embraces the deepest complexities of human imagination."Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory. Upon completing this remarkable architectural journey, readers will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world.