Trees contain the cosmos; when night falls, the spirits they nurture glimmer into life.A visual ode to trees rendered by tribal artists from India, this handcrafted edition showcases three of the finest living Gond masters. This collection of their distinctive styles is enchanting—an excellent gift for those fascinated by trees, art or folk traditions.

    music explosion of the late '70s through the '90s with groups like Joy Division (soon to be the subject of an Anton Corbijn movie), New Order, and Happy Mondays leading the New Wave. At Factory, musicians and designers commingled creatively, with innovators such as Peter Saville, Den Kelly, Mark Farrow, 8VO, and Barbara Kruger elevating album covers to a new art form. The label broke further ground when it opened its own disco, the legendary Hacienda. Factory Records is the ultimate and only collection of Factory's complete graphic output, including every single piece it produced: extremely rare record sleeves, club flyers, and posters all gathered together for the first time. A must for collectors and enthusiasts, Matthew Robertson's meticulous compilation of underground ephemera is poised to introduce a new generation of music and design fans to the creative genius of Factory.

    Female writers have always been in the vanguard of the graffiti movement, though often shunted to the sidelines by their male counterparts. This exhaustive volume places them front and center, featuring 1,000 full-color illustrations from some of the world's most prominent artists, including Brazil's Nina, Japan's Sasu, Mexico's Peste, and the Americans Lady Pink, Swoon, and Miss 17. Two eight-page fold-out collages, a fold-out poster jacket, and an authoritative text round out the impressive package. The first and only comprehensive survey of its kind, this book is sure to attract and expand upon the wide and enthusiastic readership that made "Graffiti World" such a runaway success.

    The book features 2,000 images and documents, many previously unpublished. Note: PBS-TV's American Masters will broadcast a 2 hour Warhol documentary by Ric Burns to air in May 2006.

    This essential book explains the processes behind creating and designing type. Author Karen Cheng discusses issues of structure, optical compensation, and legibility, with special emphasis given to the often overlooked relationships between letters and shapes in font design.  The book is illustrated with numerous diagrams that demonstrate visual principles and letter construction, ranging from informal progress sketches to final type designs and diagrams. A wide range of classic and modern typefaces is analyzed, including those from many premier contemporary type foundries. Introductory essays and diagrams emphasize the history of type, the primary systems of typeface classification, the two main proportional systems for type, the parts of a letter, the effects of new technology on design methodology, the optical illusions that affect density and balance in letterforms, and the differences in form between basic serif typestyles. The book provides detailed guidelines for creating serif and sans serif letters, numbers, punctuation, and accents.  As design clients increasingly call for original and custom typefaces, Designing Type is a superb reference for both students and professional graphic designers.

    Devised by an award-winning botanical artist who teaches at the Eden Project, this course takes you from basic drawing techniques to advanced skills required for the analysis of complex forms in watercolour. Following the syllabus of the botanical illustration course at the acclaimed Eden Project in Cornwall, this book offers you the opportunity to perfect the many techniques used to produce beautiful and informative plant portraits.Full of practical information, and with easy-to-follow exercises, the book includes: Pencil Drawing; Shapes in Nature; Plant dissection and bisection; Perspective; Use of tonal contrast; Line drawing and pencil shading; Colour and pigment mixing; Application of watercolour; Highlights and shiny surfaces; Composition and arrangement.

    He made pilgrimages to true time capsules like a remote lagoon in Western Australia, spent time in research collections photographing forms of microscopic life, and even found ways to create visual parallels between the growth of organs in the human body and the patterns seen on the surface of the earth. The resulting volume is a glorious picture book of planet earth depicting the amazing biodiversity that surrounds us all. Lanting's true gift lies beyond his technical mastery: it is his eye for geometry in the beautiful chaos of nature that allows him to show us the world as it has never been seen before. From crabs to jellyfish, diatoms to vast geological formations, jungles to flowers, monkeys to human embryos, LIFE is a testament to the magical beauty of life in all its forms and is Lanting's most remarkable achievement to date. The photographer: Dutch-born Frans Lanting has been hailed as one of the great nature photographers of our time. For the past two decades he has documented wildlife and our relationship with nature in environments from the Amazon to Antarctica. Exhibits of his photographs have been shown at major museums in Paris, Milan, Tokyo, New York, Madrid, and Amsterdam. Lanting's previous TASCHEN titles include Eye to Eye, Jungles, and Penguin. The editor: Christine Eckstrom is a writer and editor specializing in natural history. She collaborates with Lanting on fieldwork, books, and other publishing projects from their home base in California.

    The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.

    Beautiful Evidence is about how seeing turns into showing, how data and evidence turn into explanation. The book identifies excellent and effective methods for showing nearly every kind of information, suggests many new designs (including sparklines), and provides analytical tools for assessing the credibility of evidence presentations (which are seen from both sides: how to produce and how to consume presentations). For alert consumers of presentations, there are chapters on diagnosing evidence corruption and PowerPoint pitches. Beautiful Evidence concludes with two chapters that leave the world of pixel and paper flatland representations - and move onto seeing and thinking in space land, the real-land of three-space and time.

    This book is a lavish visual retrospective of the duo's career, featuring behind-the-scenes shots from every video, concert and theatre show.

    It features a range of photographs with brief captions and a short essay introduces the book.

    The book has 192 pages, each page includes one or more figure/head drawings done from live models. There are about 20 step-by-step demonstrations from detailed and traditional approaches to fast and painterly styles. Along with the step-by-step demonstrations and examples, the book is filled with detailed description of methods of using charcoal pencil, vine charcoal and compressed charcoal. The text also includes opinions, tips, ways of thinking and observing. It's a book that will benefit both beginners and advanced learners.

    Its dioramas-a dazzling mixture of nature, science, and art-have inspired young and old alike, and are world-renowned examples of the unique diorama craft: art in the service of science. Now, in the only book of its kind, readers get an insider's view of these "windows on nature," witnessing their creation step by meticulous step.More than forty of the museum's finest dioramas are featured here, depicting the fauna and flora of myriad ecological environments. Stephen Quinn, a diorama artist at the museum, introduces the explorers, naturalists, painters, sculptors, taxidermists, and conservationists behind these three-dimensional marvels, and explains how their collaborations make the displays so lifelike. This enchanting book is the perfect gift for nature lovers, art enthusiasts, and museum goers everywhere.

    From cars to furniture, from tableware to cameras, from everyday objects to aeroplanes, this breadth of classic design has never before been collated. These volumes will be the sourcebooks on design from the early 1800's to the present, bringing together patents, prototypes, old advertisements, original drawings, images showing the process of manufacture, as well as rare archival photographs. Over fifty authors ranging from designers to curators, critics, and academics, have contributed with short texts for each objects, providing detailed research and precise information.

    From powerful studies of models in Paris in the mid-1870s to compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonné show the variety of his aesthetic responses. He worked in the studio and en plein air, travelling widely during the eight years covered in this volume and painting in Paris, Brittany, Capri, Spain, North Africa, and Venice.This is the first time that Sargent’s early work has been mapped so comprehensively. With very few exceptions, this beautifully produced book illustrates all the pictures under discussion in color. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history, and bibliography, and in many cases new information is provided. The volume also reproduces a wealth of Sargent’s preliminary and related drawings and of comparative works by other artists.

    These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

    His practice remains one of the most unique, unequalled, and hugely influential of the past decades.He is most famous for his "building-cuts", actions that translate in the cutting-up of façades, walls, and floors of derelict buildings. Because of the ephemeral and often unauthorized nature of these interventions, Matta-Clark started using photography and film as means of documentation. His social and political convictions, and subsequent involvement in artistic communities, also led to various projects such as the opening of a restaurant in the middle of the then neglected district of Soho (Food), the purchase at auction of fractions of unusable urban land in New York (Fake Estate), and other various visionary urban proposals (with the New York based Anarchitecture group).The three texts commissioned for this book include Professor Thomas Crow’s long survey, that will become a major reference on the work of the artist; Judith Russi Kirshner's essay on the concept of community and how it translates in his work; and Christian Kravagna's analysis of the role of photography and film in Matta-Clark's work.Apart from these essays, the book also contains a rich "Documents" section, composed of interviews, articles and various other historical and hard-to-find documents.

    You choose whether to let the sun blaze or the rain pour, to move a maple tree here or make the trail wind over there, to subdue a hillside with quiet greens or make a forest glow with dazzling golds and reds. It's not only a matter of what to paint, but how to go about painting it.This book examines, one at a time, the three major elements of landscape painting: water, sky and land. You will be encouraged to try numerous ways of painting each one. Then you can choose the methods that best express how the outdoors speaks to you.Let this reliable collection of tips, techniques, ideas and lessons be your companion on a sure path to creative fulfillment and better watercolor landscapes.

    Includes DVD-ROM containing high-resolution scans of all individual ornaments for unrestricted use.

    Now you can use your imagination and make any piece uniquely yours with the 263 stitches presented in this book. A photograph of each stitch, along with a description of its main uses, easy-to-follow instructions, clear diagrams, plus explanations and tips, will help you achieve the best results. This handy guide is divided into five main chapters, "Starting to Embroider" deals with all the basics to get you started: the fabrics, threads, and needles; how to follow a pattern; and techniques, such as beginning and ending your threads. The next three chapters cover the main types of embroidery. "Embroidery on Fabric" covers all surfaces and free-style embroidery, including counted cross-stitch and beadwork. "Smocking" covers the basics and most commonly used smocking stitches. "Embroidery on Canvas" explains how to work on canvas and canvas stitches. The final chapter includes suggestions for displaying your work and caring for it so that it will last for many years. With Complete Guide to Embroidery Stitches beginners can start with the basics, and experienced stitchers can browse through the amazing selection of stitches for pleasure and inspiration. Happy Stitching

    The poster has now become a postcard and e-mail blast, leaving many to long for the lost age when posters were not only major promotional vehicles, but also artwork worthy of framing.Some of the world's best designers just could not stand idle while the poster fell by the wayside. They turned to the poster for personal expression and as an outlet from more restrictive mediums.This book showcases their breathtaking artwork, which has proven that the poster can still serve as a worthy communications tool. In doing so, they've brought the poster back to prominence. In this book, the author has compiled the world's finest new work at the height of this rebirth. There is currently no book on the market that can claim it features a "definitive" poster collection.

    Hookers, stooges, grifters and goons. Men and women, elderly and adolescent, rich and poor, but mostly poor. These are the Least Wanted. Their portraits make up a small part of Mark Michaelson's collection of over 10,000 American mugshots from the 1870s to the 1960s. Created as utilitarian instruments, and meant to be destroyed when obsolete, they survive as remnants of a bygone era of hard-copy originals, extraordinary visual windows on the past, and riveting physical artifacts, often accompanied by municipal ephemera. They are glued to cards and manuscripts, typed on and rubber stamped. Each suspect has been measured and fingerprinted, documented and classified. Bored, sheepish, proud, coy, tough, defiant, bounced, bloodied, bruised, broken and innocent faces--innocent until proven guilty--stare back at the camera with unmistakable individuality. This is central casting for the Late Late Show of unvarnished reality, and the lineup is full of small-timers, those who have fallen through the cracks. Each subject, each image, is a person, a portrait, a trace, a crime, a clue, a moment, an expression, a frame, a mustache, a mother, a father, a son or a daughter. Each image is evidence, documentation. A record of people and of stories dismissed by history and rescued here. A century of American souls, filed and forgotten, until now. Contributors include Ian McEwan and New Yorker contributor Malcolm Gladwell.

    During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

    To be creative, you need to engage in the art-making process. When you are in the flow, you shift out of the future and into the present, making connections, generating variations and surrendering to the process. Keys to Drawing With Imagination is a course for artists in how to take something, do something to it, and make something new.Best-selling author Bert Dodson, author of the best-selling Keys to Drawing, is back with fun techniques and mind-stretching strategies to get you drawing better and more imaginatively than you ever have before. In every section, he offers you basic guidelines that help you channel your creative energies in the right direction. Before you know it, you'll lose yourself in the process, enjoying the experience as you create something gratifying and worthwhile.The subjects covered in this hands-on book are as vast as the imagination itself. Through 36 exercises and 13 step-by-step demonstrations, you'll explore how to:- Take your doodling from mindless to masterful - Create your own reality by crumbling, melting or breaking objects - Flip the familiar on its ear to create something utterly original - Experiment with visual paradox and metaphor - Tell vivid stories through the details in your drawings - Play with patterns to create captivating compositions - Build your drawings by borrowing ideas from different cultures - Develop a theme in your workAlong the way, Dodson offers you priceless advice on the creative process culled from his 60 years of drawing and teaching. For additional inspiration and encouragement, he even includes the work of well-known artists. So what are you waiting for? Grab this book and start drawing! You'll be amazed at what you can create.

    Albers drew on over forty years' work in a variety of media - woodcuts, sandblasted glass pictures and oil paintings - to create the 127 abstract images, which explore colour and form. This volume retains the layout of the original portfolios, with one, two or four images across two pages, and Albers' comments, including key passages from his own writings, are supplied in two fold-out sections.

    Here’s an insider’s guide to getting into that industry, staying there, and getting ahead. Author David B. Levy has interviewed the top pros in animation, including Steven Hillenburg, creator of SpongeBob SquarePants; Al Brodax, producer of Yellow Submarine; Teddy Newton, character designer on The Incredibles; Linda Simensky, senior director of PBS Kids; John R. Dilworth, creator of Courage the Cowardly Dog; and dozens of others to get their insights on creating a portfolio or reel, meeting animators, networking, and making the leap from working for others to pitching and selling. A resource section lists animation schools, film festivals, studios, Web sites, and publications to get budding animators off to an animated start.

    This project was extremely important to Albers, who used its format to create complementary forms in both word and line that appear deceptively simple until they begin to disclose the author’s insights into nature, art, and life. Conceived as a kind of artist’s book, the publication features 22 of Albers’s refined line drawings alongside the same number of his original poems—each appearing in both English and German.Printed initially in a limited edition and long out of print, this new edition of Poems and Drawings replicates Albers’s original book design and includes four previously unpublished poems that reveal playful and tender details behind Albers’s personal relationships, along with a new introduction by Nicholas Fox Weber.For admirers of Albers, Poems and Drawings will provide a closer look at a celebrated artist who was also an affectionate and articulate writer.

    Over the past ten years it has experienced radical changes, in part due to the rise of digital technologies. Photography is now often engaged in by artists who are not just printing in a darkroom, but using the medium as a single aspect of a larger ouvre, as one of several media under exploration. Vitamin Ph focuses on diverse global developments in 'art' photography through the work of 121 contemporary artists, who were nominated by 78 international critics, curators and artists. These selections will be accompanied by a 5000 word introductory text by TJ Demos, aiming to explore ideas relevant to contemporary photography with reference to the works included in the book. In addition, the work of each photographer/artist will be introduced by a short commissioned text of approximately 500 words. Similar in concept, scope and structure to Vitamin P and Vitamin D, Vitamin Ph presents, in A to Z order, artists who have emerged, or in some instances re-emerged, in the last five years using the medium of photography.

    We reveal, in their own words, how they produce such wonderful art and discuss their methods, techniques and inspirations. A must for all fans of SF art.

    From illustration and graphic design to fine and urban arts, toys and costumes, this is the long-sought after original sourcebook, featuring earlier works by artists such as FriendWithYou, Gary Baseman, Nathan Jurevicius, Doma, Boris Hoppek, Miss Van, Tim Biskup and 200 more.

    This work features Chihuly's most popular series of works and includes a pictorial chronology documenting the development and history of the creations.

    Concerned not with art calligraphy and beautiful forms, The Stroke is a description of the phenomenon of letters and how they are made in writing. Starting from basic principles, Noordzij begins with the white space that creates definition by surrounding letters. Then, using simple geometrical concepts, he describes in minute detail how the strokes of writing can be formed. His theory serves to repair the split that grew up, with the invention of printing, between written and typographic letters. With The Stroke, Noordzij can be seen as a prophet of digital typography committed to freeing typefaces from the constraints of their embodiment in metal.

    Packed with stunning pictures and technical advice, this book is truly inspirational.

    Today, many students finish their education and enter the professional world without having learned these critical elements. "The Little Know-It-All" gives you the help you need with a run-down of all the fundamental information designer need to know in their own as well as adjoining disciplines. This book is divided into sections explicating unique vocabulary used in design, printing, typography and photography, and includes helpful tips and concise analysis in contiguous areas such as advertising, multimedia, business copyright and project management. It is structured thematically and equipped with a resourceful index which references numerous sources and links. This indispensable manual is complete with graphics that illustrate and supplement the texts, making it a stimulating reference book for students and newcomers while serving as a trusty companion for professional designers and media professionals alike in their everyday work.

    Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.

      This new catalogue, based on the National Library of Medicine’s milestone Dream Anatomy exhibition, displays the anatomical imagination in some of its most astonishing incarnations, from the fourteenth century to present.   This fascinating medical art book, filled with rare color illustrations, includes:  170 photos and illustrations Insightful descriptive textInformative description of the print technologies of anatomical illustration History of anatomy timeline Full exhibition checklist Exhibition credits

    Lucky students are still learning from Bridgman today, thanks to his popular art instruction books, which focus on the intricacies of the human figure. This collection features three of his finest guides:Bridgman’s Life Drawing: More than 500 drawings show how to capture the balance, rhythm, and motion essential to lifelike figures; The Book of a Hundred Hands: 100 illustrations depict the hand's properties, both common and unique to the individual; Heads, Features and Faces: A helpful approach to one of the most difficult areas to render correctly, with nearly 200 drawings, plus examples from the work of Vermeer, Hals, Rembrandt, and other artists.

    Art. Essays. MAGICAL SECRETS ABOUT THINKING CREATIVELY: THE ART OF ETCHING AND THE TRUTH OF LIFE by Kathan Brown is a new volume in the Magical Secrets series published by Crown Point Press in San Francisco. What are Magical Secrets? They are ways of setting yourself up for thinking creatively, for a sudden understanding, something like a miracle. Kathan Brown learned the Magical Secrets in this book by helping artists of extraordinary acclaim make etchings. She founded Crown Point Press, now probably the world's most influential etching publisher, in 1962. In this book, you'll meet sixteen artists who will be remembered by future generations. Kathan Brown knows them well, and with pictures and graceful, inviting prose she shares with you their ways of working, thinking, and being.

    Living the Japanese Arts & Ways covers key concepts—like wabi and “stillness in motion”—while the other two books show the reader how to use brush calligraphy (shodo) and flower arranging (ikebana) to achieve mind-body unification. Illustrated with diagrams, drawings, and photographs.

    Katz was an independent figure during the heyday of Abstract Expressionism and Pop when he first emerged -- and remains a unique, though highly influential figure to this day. irresistible women, masterfully painted using precise, broad areas of colour. Alongside these unmistakably 'Katzian' female portraits are portraits of men, group portraits, landscapes and interiors rendered in painting, drawing, collage and metal cut-outs. All attest to the artist's attention to detail, economy of means and consummate technique. Bigger-than-life paintings such as The Black Dress (1960), Blue Umbrella (1972), Red Coat (1982) and White Visor (2003) have entered the collective conscience as the epitome of a particular, late 20th century feminine ideal: icons of fashion, yet miraculously resilient to the prevailing fashions of contemporary art. originating at New York's Whitney Museum of American Art was held in 1986. Alex Katz's work is in the collections of The Museum of Modern Art, New York; The Smithsonian Institute, Washington, D.C., The Tate Gallery, London, the Centre Georges Pompidou, Paris; and the Nationalgalerie, Berlin, among many others.

    This book is suitable for students and teachers of design. However, it also provides a useful resource for those interested in graphic design.

    The special beauty of Greene & Greene design has been impossible to reproduce because of the rarity of the original pieces. But now, in Greene & Greene: Design Elements for the Workshop , modern craftsmen can recreate the authentic Greene & Greene look in their own projects.Nationally recognized furniture maker Darrell Peart provides intermediate and advanced woodworkers with step-by-step instructions for classic Greene & Greene details, including ebony plugs, cloud lifts, leg indents, brackets, and pulls. Over 200 photographs and drawings show readers the fine details of Greene & Greene design, while photos of contemporary designs inspired by Greene & Greene provide design ideas and inspiration. Biographical sketches are included for Charles and Henry Greene, Peter and John Hall (who built most of the furniture), and competing furniture maker Gustav Stickley.Unique and comprehensive, Greene & Greene: Design Elements for the Workshop is a must-have for every fan of the Greene & Greene style.

    Now, in The View From The Studio Door, Orland turns his attention to broader issues that stand to either side of that artistic moment of truth.In a text marked by grace, brevity and humor, Orland argues that when it comes to art making, theory and practice are always intertwined. There are timeless philosophical questions (How do we make sense of the world?) that address the very nature of art making, as well as gritty real-world questions (Is there art after graduation?) that artists encounter the moment they’re off the starting blocks and producing work on a regular basis.Simply put, this is a book of practical philosophy. As a teacher and working artist himself, Orland brings authentic insight and encouragement to all those who face the challenge of making art in an uncertain world. The breadth of material covered is reflected in chapters that include Making Sense of the World, Art & Society, The Education of the Artist, Surviving Graduation, Making Art That Matters, The Artistic Community, and more.The View From The Studio Door is the perfect companion piece to Art & Fear, and will appeal to a similar (and already-established) audience of students, working artists, teachers and professionals. For students’ benefit, The View is also modestly priced, with wide page margins for easy note-taking and annotation.

    In this very personal, fully illustrated book, tells the story of her life with the American writer Harry Mathews in the years 1950 - 1960.

    The first half describes class assignments and what his objectives were, followed by discussions of design as a business and his own professional projects, in

    The give-away matchbook was one of the most pervasive means ever found of putting promotional images into the hands of the public. Small and disposable, matchbooks were not only a highly successful marketing tool for a wide variety of products, they were also the repositories for a wealth of anonymous design creativity. Fantasies of ocean travel, bathing beauties, regal leisure, and tropical locales adorned the covers, as did hand-lettered typography, stylized illustration, and eye-catching color. This red-hot celebration brings the ubiquitous matchbook's art to life in all its pulp panache and visual zing.

    He was a proponent of the grid system, which provides an underlying structure to graphic work, and he created many of the twentieth century’s most significant and memorable posters. His influence on the world of graphic design is immeasurable and his life and work will be presented in this volume for the first time in comprehensive monograph form, with an authoritative text by Kerry William Purcell, author of Phaidon's Alexey Brodovitch, and over 400 images, ranging from finished works and design drafts to personal photographs.

    Unlike many designers, he is not known for a single signature look, but rather for his sweeping dreams of American living: the polo-shirted athletes charging down the fields, the beaches of Montauk, the cowboy in the wilderness. Over the course of his career, the images of luxury, adventure, and beauty that he created have come to define American style, and elevate it far beyond the reaches of fashion.In this visually stunning work, Lauren himself speaks candidly about his life and his art, and invites readers to see his sources of inspiration, his feelings, his unique design sensibility, and what he loves. Part one takes the reader into Lauren's world, where the designer invites us into his home(s) to meet his family, and get to know him. This part features never-before-seen pictures of the designer in his private life (at home, with family, as a child and young man), and stories told by Lauren, such as his childhood dreams of becoming a baseball player, memories of his parents, learning tie-making, and shopping with his wife, Ricky, before he was a designer. In the second part, Lauren displays his most important, most iconic, and favorite work, hand-picked from hundreds of runway shows, collections, and advertising campaigns. This section features images from his breakthrough multipage ad campaigns called "movies", and other images from such photographers as: Bruce Weber, Deborah Turbeville, Patrick Demarchelier, Mario Testino, Steven Meisel, Michael Thompson, Kurt Marcus, Sheila Metzner, Francois Halard, and Oberto Gili. The book also contains a detailed chronology of Lauren's career and achievements, including line launches, landmark collections, philanthropic achievements, and awards. This is truly a unique fashion monograph, a personal expression of the artist, and a rare peek into the mind of one of America's most accomplished fashion designers of all time.

    It was also a time of cultural revolution, in music (The Beatles, the Stones, the ascendancy of rock 'n' roll), literature (Ken Kesey, Richard Brautigan, Kurt Vonnegut, et al.), journalism (Tom Wolfe's New Journalism and Hunter Thompson's Gonzo journalism), films (Mike Nichols, Bob Rafelson, Sam Peckinpah), and the heady conflation of Fine Art with the Pop Art movement (Andy Warhol, Roy Lichtenstein, David Hockney).Comics were undergoing their own revolution and no one epitomized underground comix and psychedelia more than Victor Moscoso, whose posters for such bands as The Grateful Dead, Big Brother The Holding Company and the Steve Miller Blues Band, stand as enduring works of art and instantly recognizable icons of their time. Moscoso (along with fellow artists Rick Griffin, Stanley Mouse, Wes Wilson, Alton Kelley and Peter Max) revolutionized the poster aesthetic and defined the visual culture of a generation. R. Crumb invited Moscoso to join the Zap Comix collective in 1968, and Moscoso's work has appeared in every issue from Zap #2 to present. His comix work contrasted with his fellow artists (R. Crumb, S. Clay Wilson, Gilbert Shelton, et al.) by his unique stylization, less confrontational point of view, hallucinatory visual rhythms, and wordless, dreamlike stories.Sex, Rock 'N' Roll Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time—the Avalon, the Matrix, and the Fillmoreas well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective—Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time is an intense, vibrant, and revelatory experience.

    This book explores common threads, intersections and visual and intellectual principles that underlie the two disciplines, in the process illustrating and analysing the work of 40 architects and designers, focusing on the period since 1970.

    This important volume, whose title combines Gertrude Stein's famous motto, "Rose is a rose is a rose is a rose," with the name of Marcel Duchamp's feminine alter ego, Rrose Selavy, features portraits, self-portraits and photomontages in which the gender of the subject is highlighted through performance for the camera or through technical manipulation of the image. In many of the works, photography's strong aura of realism and objectivity promotes a fantasy of total gender transformation. In other pieces, the photographic representation articulates an incongruity between the posing body and its assumed costume. Features work by Cecil Beaton, Brassa', Claude Cahun, Marcel Duchamp, Hannah H�ch, Man Ray, Janine Antoni, Matthew Barney, Nan Goldin, Lyle Ashton Harris, Robert Mapplethorpe, Annette Messager, Yasumasa Morimura, Catherine Opie, Lucas Samaras, Cindy Sherman, Inez van Lamsweerde and Andy Warhol.

    His name was Joseph Paxton (1803--1865), and he bestrode the worlds of horticulture, urban planning, and architecture like a colossus. This was the self-taught polymath who had a solution to every large-scale logistical problem, the genius whom an impossibly overworked Charles Dickens dubbed "The Busiest Man in England."Rising quickly from humble beginnings, Paxton, at age 23, became head gardener and architect at Chatsworth, the estate of the sixth Duke of Devonshire. Under Paxton's direction, Chatsworth was transformed into the greatest garden in England, a paradise of magnificent greenhouses, gravity-defying fountains, and innovative waterworks. Queen Victoria herself came to marvel; here was Britain's answer to the hanging gardens of Babylon.But it was the Crystal Palace, home of the Great Exhibition of 1851, that secured Paxton's fame. Two thousand men worked for eight months to complete this unprecedented temporary structure of iron and glass. It was six times the size of St. Paul's Cathedral, and entertained six million visitors. In the wake of its spectacular success, Paxton was in constant demand to design public buildings and propose ways to ease congestion in London, then the world's most populous city.An artist among researchers, Kate Colquhoun handles her complex subject as if she were born to biography. She tells the compelling story of a man who embodied the Victorian ideals of self-improvement, industry, and civic service, and paints a touching portrait of a remarkably down-to-earth visionary.

    From Robert Johnson’s “Terraplane Blues” to rapper Xzibit’s hit MTV show, “Pimp My Ride,” from pink Cadillacs and L’il Deuce Coupes and Roadrunners, cars have been a constant theme in rock-n-roll. Perhaps it’s because references to cars in American song are so pervasive that no one has ever attempted the daunting task of exploring the connection . . . until now. In this beautifully produced volume, best-selling music writer Paul Grushkin draws on renowned photographers, lauded poster artists, and top private archives to present a thematic illustrated examination of the remarkable 50-plus-year synergy between rock music and motoring, from early R&B to surf to metal to punk to hip-hop. The result is astounding. Dozens of acclaimed photographers (including Steve Coonan, Jim Marshall, Henry Diltz, Glen E. Friedman, and Pamela Springsteen), illustrators (Stanley Mouse, Ed “Big Daddy” Roth, Darrell Mayabb, and Coop, among them), and poster artists (including Mark Arminski, Stainboy, and Kathleen Judge) have participated. Rockers like Elvis Presley, Eric Clapton, the Grateful Dead, Bruce Springsteen, Snoop Dogg, and Billy F Gibbons are just a few of the hundreds of artists whose associations with automobiles are celebrated here. The book is replete with anecdotes and commentary from famous musicians, as well as “ordinary” rock-n-rollers who’ve loved rock and cars equally with a passion.

    A poor woman struggles down the road carrying a heavy load on her back. A barren suburban street is outlined in shadows. These are among the haunting impressions in Georges Rouault’s Miserere print series, originally titled Miserere et Guerre (“Have mercy,” a quotation from Psalm 51, and “War”). This portfolio was initially commissioned in 1914, but remained unpublished until 1948, by which time Rouault had witnessed the immense destruction of World Wars I and II, and with them, the complete transformation of the European landscape. This Anguished World of Shadows: Georges Rouault’s Miserere et Guerre presents all fifty-eight prints from the series, offering a close look at this artist’s poignant commentary on the hardships of war and the promise of redemption. Rendered with thick black outlines and diffused gray tonalities that evoke the smoke and darkness of a world destroyed, the Miserere prints simultaneously have the luminescence of stained glass, hinting of light breaking through darkness. While sombre, the prints also carry the message of hope for renewal and rebirth, for as Rouault knew well, behind every shadow is a source of light.Of the 450 editions of the Miserere originally printed, only a limited number remain intact; the series featured in this volume, is a generous loan from a private collector. This new colour catalogue features over seventy images, including all fifty-eight plates from the Miserere. The catalogue features contributions from MOBIA’s curatorial staff, including an essay on Rouault’s printmaking techniques by Dolores DeStefano and a bibliography

    He was without a doubt the most prolific, and for that reason was often referred to as "The Jack Kirby of humor comics." But he might have been likewise compared to pinup artist Gill Elvgren for his ability to render the female form in a way that was at once funny, charming, and unbelievably sexy. DeCarlo worked mostly on wholesome all-American features like Archie's Girls Betty and Veronica and My Friend Irma, but he populated these innocent stories with his irresistibly attractive women. This unique blend of hilarious homespun humor and libido-sparking art made DeCarlo's work outshine the competition.For nearly six decades, DeCarlo entertained the world with his special talents. Though best known as the definitive Archie Comics artist and creator of Josie and the Pussycats, DeCarlo also brought his unique style to dozens of other characters including Millie The Model, Willie Lumpkin, Sabrina the Teenage Witch, Big Boy, Batman and even The Simpsons.In 2005, Fantagraphics published The Pin-Up Art of Dan DeCarlo, a beautiful two-color knock-out of a collection featuring his best pin-ups from the 1950s/'60s Humorama digest. With Innocence and Seduction: The Art of Dan DeCarlo, Fantagraphics Books presents a fitting tribute to the life and art of one of the world's all-time best cartoonists in a wider-ranging career retrospective. DeCarlo fan, friend, and fellow cartoonist Bill Morrison has written and produced the ultimate book on this remarkable artist, lavishly designed with over 300 illustrations. Included are rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo girls!

    Organized by country, it features the world's foremost winter sport by drawing on an unparalleled collection of 800 vintage posters and paintings. Amassed by Mason Beekley over a lifetime dedicated to the celebration of all things skiing, the collection is now housed at the Mammoth Ski Museum in California and open to the public. In the 1910s and 1920s, skiing became the "in" thing among the young and the fashionable, who made such glamorous resorts like St. Moritz, Chamonix, and Garmisch famous. Like car racing, skiing was one of the sports that defined the twentieth-century's notion of the modern. It combined fast-paced action with the need to appear in stylish, sporty yet appropriate attire. Since it took place away from everyday urban life in remote and breathtaking mountain locations, it also combined the romance of travel with the stylishness of après-ski social life and ski chalet rusticity. Even in the steamship era, skiing quickly jumped the Atlantic and spawned such now famous ski resorts such as Vermont's Stowe, Colorado's Aspen, and Canada's Banff and Whistler (all featured here in their pre-war glamour). The book is rounded out by chapters on the contemporary skiing scene and on skiing fashion.

    Connected to the Pitti Palace by a corridor designed by Vasari that crosses the Arno River, the Uffizi Gallery is a one-of-a-kind museum. This gorgeous oversize book showcases the extraordinary collection, and Alexandra Bonfante-Warren provides fascinating context by relating the story of the museum's construction and complex history.