Kahn, whose many buildings include the Salk Institute, the Yale Study Center, and the Exeter Library. He is remembered, however, not only as a master builder, but also as one of the most important and creative thinkers of the twentieth century. For Kahn, the study of architecture was the study of human beings, their highest aspirations and most profound truths. He searched for forms and materials to express the subtlety and grandeur of life. In his buildings we see the realization of his vision: luminous surfaces that evoke a fundamental awe, silent courtyards that speak of the expansiveness and the sanctity of the spirit, monumental columns and graceful arches that embody dignity and strength. Updated with a new preface, this classic work is a major statement on human creativity, showing us Louis Kahn as architect, visionary, and poet.

    A fire extinguisher or a cold shower - keep them at the ready! Maxim is the Underboss for the Ivankov bratva. While being prepared for the unexpected is his job he was not prepared for HER to land smack in the middle of his life again. Her. Liz. The woman who a few years ago broke down his defenses, won over his heart, and then abruptly ran away leaving him devastated and full of questions. Well, she’s just innocently re-appeared, right in the midst of a highly volatile and dangerous uprising among the ranks of the bratva. Never having forgotten the object of his desire, seeing Liz again brings back to the surface Maxim’s pain, his unquenching desire for her and his need to protect her. Now that she is within his reach once more he is driven to finally make her his own. Maxim was already on the hunt to reveal and wipe out the vermin responsible for the bratva uprising. Now, this skilled and determined Hunter is after Liz’s heart as well.Liz is an E.R.doctor and co-owner of a revolutionary medical clinic virtual platform. Embarking on a trip to spearhead its expansion into Europe, she unwittingly finds herself confronted by a truth she’s been running from and has tried to forget.His name is Maxim. Overwhelmed by the relentless nature of being Hunted by her past Liz finds herself unexpectedly thrust out into the open with no place left to hide.Maxim is the only one who can save her. Will she let him before it’s too late?

    REAPERThings need to changeIf I’m going to take over the Devil’s Mayhem MC, it will be under my rulesI’m tired of looking over my shoulderOf having a target on my backNow that I’m Prez, all that’s overOnly some of the guys aren’t too keen on going legitInstead, they’re intent on stirring up conflictAnd to make matters worse…Kyra has been dragged into the messThe single mom has nothing to do with our businessYet she’s smack-dab in the middle of itRescuing her brings her deeper into our world and into my heartSomething I never wanted again after everything I’ve lostBut the sinister forces working in the shadow won’t just disappearAnd the ultimate showdown could put an end to my new presidency and new love when they’ve only just begunGrab this stand-alone MC romance featuring a bad boy unlikely hero and the single mother who steals his heart

    Full facsimile of the original edition, not reproduced with Optical Recognition Software. Camillo Sitte (1843-1903) was a noted Austrian architect, painter and theoretician who exercised great influence on the development of urban planning in Europe and the United States. The publication at Vienna in May 1889 of "Der Stadtebau nach seinen k�nstlerischen Grundsatzen" ("The Art of Building Cities") began a new era in Germanic city planning. Sitte strongly criticized the current emphasis on broad, straight boulevards, public squares arranged primarily for the convenience of traffic, and efforts to strip major public or religious landmarks of adjoining smaller structures regarded as encumbering such monuments of the past. Sitte proposed instead to follow what he believed to be the design objectives of those whose streets and buildings shaped medieval cities. He advocated curving or irregular street alignments to provide ever-changing vistas. He called for T-intersections to reduce the number of possible conflicts among streams of moving traffic. He pointed out the advantages of what came to be know as "turbine squares"--civic spaces served by streets entering in such a way as to resemble a pin-wheel in plan. His teachings became widely accepted in Austria, Germany, and Scandinavia, and in less than a decade his style of urban design came to be accepted as the norm in those countries.

    The Barnes Collection has been conservatively valued at more than $6 billion and includes some 69 Cézannes (more than in all the museums of Paris combined), 60 Matisses, 44 Picassos, 18 Rousseaus, 14 Modiglianis, and no fewer than 180 Renoirs. Yet the Barnes is in crisis. Its founder, Dr. Albert C. Barnes (1872), grew up in the slums of late-nineteenth-century Philadelphia only to become first a physician and later a pharmaceutical king. By 1920, this self-made man was already well on his way to becoming one of the great art collectors of his day. But this is also the story of Richard Glanton, who escaped poverty in rural Georgia to become a high-flying, politically powerful Philadelphia lawyer. It was Glanton who took the Barnes art on its celebrated worldwide tour, renovated the galleries-and presided over a decade of expensive litigation. The most famous of these court cases—this one in federal court—pitted the Barnes against its wealthy neighbors. The goal: A 52-car parking lot for the Barnes. The cost: more than $6 million in legal fees. Today, Glanton is no longer president of the Barnes, and the new board is seeking to move the collection into the city. Yet another court case will decide whether they can or not. The battle of the Barnes has only just begun. "Here, at long last, is the whole truth about the Dickensian legal tug-of-war—unimaginably tangled, unsparingly vicious, unprecedentedly cynical—that threatens the survival of one of the greatest private art collections of the twentieth century. From now on, anyone who seeks to understand the desperate plight of the Barnes Collection will have to start by reading this important book." —Terry Teachout, author of The Skeptic: A Life of H. L. Mencken "John Anderson has produced a riveting account of curators, trustees, and lawyers fighting for control of the world-famous Barnes Collection of French impressionist art from the 1950s to the present. Based on hundreds of revealing interviews, Art Held Hostage reads like a superb mystery novel: This gem of investigative reporting is a sure contender for the national best-seller lists." —Howard R. Lamar, Sterling Professor Emeritus of History, Yale University

    As everybody around is celebrating the New Year, the joy of new beginnings, all he wants is to end it all.As a soldier, he knows the job is not finished; his father still threatened his bastard brothers and loved ones, but Sam’s strength has vanished… until he dialed a wrong number and connected with a soft female voice, as sad and lonely as he was.Just as his heart started beating again and he dared to approach the beautiful Ellie, determined to drag her away from the edge, Sam’s darkest monster crashed in his life.No more choice now: if he wanted to save Ellie, he would have to confront his father. Little did he know that the women he desired and vowed to protect, his kindred spirit, would be the one surprising him with a secret that would bring him to his knees.With his heart on the line and his soul in tatters, will Sam dare to take one last chance at love, or will his demons finish dragging him under for good?

    She’s in danger because of me, and I need to save her before it’s too late!  I used to be Alpha wolf of my pack.Now, all I long for is a perfect mate. Rose is the woman for me. She’s my client but I don’t care about breaking the rules just this once.Her gorgeous eyes and luscious lips drive me crazy. But she’s been bitten by another wolf who’s eyeing her. The bite is turning her into one of us. It’s my job to keep her safe.To keep our family together. Rose is carrying my baby……and there’s no force in world that could snatch her away from me.

    Now, he drills down into specific challenges of making sketches on location, rain or shine, quickly or slowly, and the most suitable techniques for every situation, in The Urban Sketching Handbook series.It's easy to overlook that ample variety of characters that walk the streets everyday. From neighbors, dog walkers and shoppers to dancers and joggers, the people that move through the cities and towns are fascinating subjects to study and sketch. In The Urban Sketching Handbook: People and Motion Gabriel lays out keys to help make the experience of drawing humans and movements fun and rewarding. Using composition, depth, scale, contrast, line and creativity, sketching out citizens and the way they move has never been more inspirational and entertaining. This guide will help you to develop your own creative approach, no matter what your skill level may be today. As much as The Urban Sketching Handbook: People and Motion may inspire you to draw more individuals, it can also help to increase your appreciation of the folks around you. Drawing our postal workers, shopkeeps and neighbors, is a great way to show your appreciation and creativity.

    This book will be helpful for students who want to prepare within a short time, covering the whole syllabus and all compilations at one place.

     My job – killing for the Esposito family – isn’t just a business; it’s my life. And to do it properly, I learned long ago to lock my feelings away. But Talia Esposito is doing something to me I was never prepared for. She’s making me lose control. The mob boss’s daughter has had everything she’s ever wanted. But I’m the man she NEEDS. She needs to be broken down and built back up again. And I’m chomping at the bit to do just that. But if touching the girl means breaking the laws I live by... And if getting her pregnant with my baby means setting our world on fire... Then f**k it all. Let the laws break. Let the world burn. Nothing can stop me from making her MINE. ANTON is a forbidden lovers heist, hitman romance. The novel is a full-length standalone, with no cheating, no cliffhanger, and an HEA ending. Anton lets himself devour the one girl he was never meant to have - and the unexpected baby that results might destroy the entire Esposito crime family. One-click now!

    More than a diatribe against the trade, La Cecla makes a call to rethink urban space and take the cities back from “casino capitalism” that has left a string of failed urban projects, such as the Sagrera of Barcelona and the expansion of Columbia University in New York City. Recounting his travels across the globe, La Cecla provides insights to aid in resisting the planners and to find the spirit of a place. These commentaries on the works of past and present masters of urban and landscape will take an important place in continued public discourse for years to come.

    Handwriting may be slower than typing—but this gives your brain more time to process information, and stimulates neurological connections that aid in memory, focus, and composition. The process of handwriting can also have a soothing, calming effect and can even serve as a great form of meditation. And of course, it’s a great way of expressing your individuality and personal style. The Lost Art of Handwriting explores the history of writing longhand, and reintroduces proper stroke sequences, letter forms, and techniques for evaluating and improving your handwriting. You will discover how the amazing variety of letter forms provide endless opportunities for making these alphabets your own, and how to choose alternatives that fit your preferences while keeping your writing neat, consistent, and unique to you. You’ll learn how to connect letters in cursive writing to help you write more smoothly, and with practice, more efficiently. Learn how easy it is to apply what you’ve learned into your everyday life with tips for integrating handwriting practice into already jam-packed schedules. Soon, you’ll notice a steady increase in the relaxation, value, and joy that handwriting offers to everyone who persists in putting the pen or pencil to paper.

    But as engineer Gustave Eiffel built the now-famous landmark to be the spectacular centerpiece of the 1889 World's Fair, he stirred up a storm of vitriol from Parisian tastemakers, lawsuits, and predictions of certain structural calamity. In Eiffel's Tower, Jill Jonnes, critically acclaimed author of Conquering Gotham, presents a compelling account of the tower's creation and a superb portrait of Belle Epoque France. As Eiffel held court that summer atop his one-thousand-foot tower, a remarkable host of artists and personalities-Buffalo Bill, Annie Oakley, Gauguin, Whistler, and Edison-traveled to Paris and the Exposition Universelle to mingle and make their mark. Like The Devil in the White City, Brunelleschi's Dome, and David McCullough's accounts of the building of the Panama Canal and the Brooklyn Bridge, Eiffel's Tower combines technological and social history and biography to create a richly textured portrayal of an age of aspiration, dreams, and progress.

    Today, the Hebrew city of Tel Aviv glitters white, its Bauhaus-influenced modernist architecture betraying few traces of the city which once stood where it now stands: the Arab city of Jaffa. In this book, Sharon Rotbard blows apart this palimpsest in a clear, fluent and challenging style, which promises to force the reality of what so many have praised as 'progress' into the mainstream discourse. A book that works on many levels, White City, Black City is, all at once, an angry uncovering of a vanished history, a book mourning the loss of an architectural heritage, a careful study in urban design and a beautifully written narrative history. It is in all senses a political book, but one that expands beyond the typical. This book promises to become the central text on Tel Aviv - its publication in Hebrew was hailed as 'path-breaking' and a 'masterpiece'.

    Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the topics the two speakers take up are the city of tomorrow and the ideal of transparency, the gentrification of New York City and Frank Gehry’s surprising Guggenheim Museum in Bilbao. As Nouvel prompts Baudrillard to reflect on some of his signature concepts (the virtual, transparency, fatal strategies, oblivion, and seduction, among others), the confrontation between such philosophical concerns and the specificity of architecture gives rise to novel and striking formulations—and a new way of establishing and understanding the connections between the practitioner and the philosopher, the object and the idea. This wide-ranging conversation builds a bridge between the fields of architecture and philosophy. At the same time it offers readers an intimate view of the meeting of objects and ideas in which the imagined, constructed, and inhabited environment is endlessly changing, forever evolving. Jean Baudrillard is one of the most influential thinkers of his generation and author of The Vital Illusion (2001). Jean Nouvel has designed buildings throughout the world, including the new Guthrie Theater in Minneapolis, and is a recipient of France’s Grand Prix d’Architecture. Robert Bononno, a translator and teacher, lives in New York City.