At its heart are the heroic deeds of Sigurd the dragon slayer who acquires magical knowledge from one of Odin's Valkyries. Yet it is also set in a very human world, incorporating strands from the oral narratives of the fourth and fifth centuries, when Attila the Hun and other warriors fought on the northern frontiers of the Roman Empire. One of the great books of world literature, the saga is an unforgettable tale of princely jealousy, unrequited love, greed and vengeance. With its cursed treasure of the Rhine, sword reforged and magic ring of power, it was a major influence for writers including William Morris and J. R. R. Tolkien and for Wagner's Ring cycle.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    English authors such as J.R.R.Tolkien, C.S. Lewis, Terry Pratchett, and J.K.Rowling, dominate the world of magic in fiction, but from the earliest times, England has also acted as home to generations of eccentrics and scholars who have researched and explored every conceivable kind of occult art. Most people are torn between a fascination with magic and an almost instinctive fear of the occult, of a world redolent with superstition and illusion. And yet more people now practice magic in England than at any time in her history. The Book of English Magic explores this hidden story, from its first stirrings to our present-day fascination with all things magical. Along the way readers are offered a rich menu of magical things to do and places to visit.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

    She was born and raised in Southern California and presently lives with her three children in the sultry piedmont forest of North Carolina.I began the Mary-el Tarot in late 1997 when I had my first baby Sophia. 15 years later it is finally being released to the world via Schiffer Books. What a journey! In the early days I decided my big goal with this tarot was to have one that was powerful, beautiful and balanced between male and female energies. This idea grew and evolved as this tarot unfolded, and at the end, I think, represents the greatness of the balanced human soul, which is itself a reflection of the balanced universe. A journey from perfection in innocence to experience and enlightenment. What you should know about the Mary-el Tarot: It has a traditional structure, 22 major arcana, 56 minor arcana, standard names for all. It is built on traditional symbolism. I took the symbolism as found in tarot and illustrated those ideas the best I could. It is not a clone of other tarots, rather a parallel.The whole Mary-el Tarot is built on the symbolism in modern tarot. The Major Arcana is traditional and the Minor Arcana is built on the ideas, symbolism and numerology of the Major Arcana. For example, the 5s are elemental extensions of the Hierophant. The 4s of the Emperor. The 7s the Chariot. Taking this even further the Court cards are, the Pages - Strength. The Knights - the Hanged Man, the Queens-Death. The Kings -Temperance. While there are a lot of associations, ideas and symbolism in these cards the above is the most basic of them - number and element. I think that there is a great objective truth that underlies reality. We can't always see it clearly, though we do feel it, sense it, and are made of it. We each try to describe it using the tools available to us, the trappings of our culture and experience, and this gives rise to different mythologies and religions and systems, esoterics included. Its all the same. I have tried to illustrate that common underlying reality, sometimes using what I thought were the best representative examples of that idea, like Raven Stealing the Sun for the 7 of Swords.The Mary-el tarot is not perfect, not by far!! These things keep evolving!! But it is a journey and hopefully what you find inside will help illuminate a little bit of what you are looking for.

    Adapted by the great Marty Ross, whose previous audio dramas include Romeo and Jude, Dark Shadows, Doctor Who and Treasure Island, listeners can expect to hear Scheherazade, Ali Baba & the Forty Thieves and Julnar of the Sea as they've never done before. Step out of your comfort zone and indulge in the dark and fantastical world we've created. Travel with Mermen across the White City, go in search of treasures in hidden caves with Ali and Kasim and let yourself be guided by Scheherazade’s vision as she gives in to a deadly romance with Sultan Shahriya. About the storiesIn Scheherezade, a woman finds herself the object of desire of a powerful Sultan with murderous desires. Her only chance at saving her life is by using the one power she herself possesses: her gift for telling enchanting stories, the very stories that follow in this drama.... Ali Baba & the Forty Thieves tells the tale of an impoverished husband and wife whose lives change drastically when husband Ali discovers the cave where a local gang of bandits are hiding their treasure. A happy ending? Not quite, as the money brings dangerous complications in the form of the greed of Ali's brother and sister-in-law and the determination of the bandits not to be stolen from. Can Ali save himself - or will his wife, Marjana, have to do all the work - in this taut romantic thriller? In Julnar of the Sea, a merwoman finds the love of a mortal King and they produce a son, Prince Badr Basim. Julnar will have to look out for her son, Badr, as, true to his undersea birthright, he seeks out the love of Princess Jawhera of the Merfolk. She is haughty and her father King Es Semendel positively hostile, casting Badr into a dramatic odyssey which will take him to the island of a beautiful sorceress who makes literal pets of her lovers. Can Julnar and her brother, Salim, find and save Badr in time? The cast:This drama features Omid Djalili (The Mummy, Gladiator, The Omid Djalili Show), Abraham Popoola, Adam Sina, Alyssa Kyria, Anoushka Rava, Atilla Akinci, Bamshad Abedi-Amin, Betsabeh Emran, Daniel Naddafy, David Ahmad, Gisele Payvandi, Ian Abeysekera, Jonathan Morrison, Mandana Jones, Michael Franklin, Mitra Djalili, Nezar Alderazi, Philip Arditti, Raghad Chaar, Richard Reed, Pezh Maan, Tara Jaffar, Walles Hamonde, Zahra Ahmadi and Hemi Yeroham.

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.

    Essential reading for young and old alike.Among the stories collected here are:• Kate Crackernuts• Gold-Tree and Silver-Tree• Yallery Brown

    Each goddess possesses her own strengths and traits that every woman can draw on for daily inspiration and guidance in their own life’s journey. In Find Your Goddess, you’ll learn the mythical origins of these powerful female figures and how their stories relate to modern times. From Aphrodite, the Greek goddess of love and fertility, to Kuan Yin, the Chinese goddess of mercy and compassion, you’ll discover the history of each unique goddess and how they can manifest their virtues into your own life. Whether you’re looking for guidance in relationships, your career, personal development, or physical and emotional wellness, Find Your Goddess can help you identify and draw strength from the ancient wisdom of famous goddesses. Call on the power of divine femininity and let your own goddess shine!

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    This is the world of the Irish fairy tale, a magical realm kept alive by generations of storytellers and their avid listeners. As Alfred Perceval Graves, author of the ballad "Father O'Flynn" and a former president of the Irish Literary Society, wrote in the introduction, "The truth is that the Gaelic peasant, Scotch and Irish, is a mystic, and believes not only in this world, and the world to come, but in that other world which is the world of Faery, and which exercises an extraordinary influence upon many actions of his life." In The Irish Fairy Book, Graves has collected Ireland's best-loved fairy tales written by some of its favorite authors. Included are W.B. Yeats' "The Stolen Child," Lady Gregory's "Cuchulain of Muirthemne," Standish James O'Grady's "The Coming of Finn," Lady Wilde's "The Horned Women" and "The Demon Cat," and many more. Illustrations by George Dunham add a delightful touch to this charming collection.

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    Now is the time for human energy to replace both capital and land as the essential human possession, with which all other things can be achieved.