Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.

    In class, he develops a sense of unease as he notices that the people around him act like they're walking on eggshells, and students and teachers alike seem frightened. As a chain of horrific deaths begin to unfold around him, he comes to discover that he has been placed in the cursed Class 3 in which the student body head count is always one more than expected. Class 3 is haunted by a vengeful spirit responsible for gruesome deaths in an effort to satisfy its spite. To stop the vicious cycle gripping his new school, Kouichi decides to get to the bottom of the curse, but is he prepared for the horror that lies ahead...?

    Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement.

    Reza Negarestani bridges the appalling vistas of contemporary world politics and the War on Terror with the archeologies of the Middle East and the natural history of the Earth itself. CYCLONOPEDIA is a middle-eastern Odyssey, populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, corpses of ancient gods and other puppets. The journey to the Underworld begins with petroleum basins and the rotting Sun, continuing along the tentacled pipelines of oil, and at last unfolding in the desert, where monotheism meets the Earth's tarry dreams of insurrection against the Sun. 'The Middle East is a sentient entity - it is alive!' concludes renegade Iranian archeologist Dr. Hamid Parsani, before disappearing under mysterious circumstances. The disordered notes he leaves behind testify to an increasingly deranged preoccupation with oil as the 'lubricant' of historical and political narratives. A young American woman arrives in Istanbul to meet a pseudonymous online acquaintance who never arrives. Discovering a strange manuscript in her hotel room, she follows up its cryptic clues only to discover more plot-holes, and begins to wonder whether her friend was a fictional quantity all along. Meanwhile, as the War on Terror escalates, the US is dragged into an asymmetrical engagement with occultures whose principles are ancient, obscure, and saturated in oil. It is as if war itself is feeding upon the warmachines, leveling cities into the desert, seducing the aggressors into the dark heart of oil ...

    Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

    For now, he’s squatting in a collapsing house, working as a stone mason, driving a jacked up pickup truck that he crashes into everything. As a close friend Ods in his sleep, Lee falls into a three-way relationship with two college girls, June Doom and K Neon. F250 is a novel equal parts about growing up, and being torn apart."Bud Smith is Nick Hornby if you strapped him to a Tesla coil and launched him into a Sun made of Poetry." --Ben Loory, author of Stories for Nighttime and some for the Day

    Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . .Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life.This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

    But if he had written nothing else, this one inspired book would insure his fame. It is a Utopian novel, a unique blend of reality and fantasy which moves from the English countryside to the South American pampas and then to a mysterious and eternal underground of caves.In genre The Green Child is perhaps closest to the French conte philosophique, yet the word "philosophical" suggests the abstruse, whereas this is a very moving and exciting story, alive with the poetry of living, and, at the same time, with a strange kind of other-worldly suspense. In his introduction Kenneth Rexroth speaks of the book's "unearthly, hypnotic radiance," and Graham Greene has said of it: "here Read conveys the private sense of glory, the same sense of glory that impelled Christian writers to picture the City of God." T. S. Eliot once told the publisher that he considered The Green Child to be one of the finest examples of English prose style of the century.

    The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

    Examining the distinction between magic and religion, War in Heaven is an eerily disturbing book, one that graphically portrays a metaphysical journey through the shadowy crevices of the human mind.

    Shaw

    "Possesses the suspense and chilling impact of Lord of the Flies." Washington Post Book World.

    This is the story of Lord Otori Shigeru — who has presided over the entire series as a sort of spiritual warrior-godfather — the man who saved Takeo and raised him as his own and heir to the Otori clan. This sweeping novel expands on what has been only hinted at before: Shigeru's training in the ways of the warrior and feudal lord, his relationship with the Tribe of mysteriously powerful assassins, the battles that tested his skills and talents, and his fateful meeting with Lady Maruyama.Heaven's Net Is Wide is an epic tale of warfare, loyalty, love, and heartbreak. This book leaves off where Across the Nightingale Floor begins, finally bringing the Otori series full circle. And while it both completes and introduces the Tales of the Otori, it also stands on its own as a satisfying, dramatic novel of feudal Japan.

    In this collection of nine short stories, Carter pinpoints the symbolism of city streets and weaves allegories around forests and jungles of strange and erotic landscapes of the imagination.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.