from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

    This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power do spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of truth on every page. "From the Paperback edition."

    The writings presented here deal with a reconceptualization of the central religious categories of theology through a wide range of voices and traditions. Contributors are white, black, Chicana, Asian American, and Native American, and represent Jewish, Christian, Goddess, Native American, Yoruba, Voudou, and other perspectives. “Feminist too often have avoided and denied [our] differences,” write the editors, “but difference is the source of our creativity, the ‘raw and powerful’ connection from which our personal power is forged.”

    Steinem has spent her life working for racial justice and women’s rights. In this interview, she speaks humorously and insightfully on everything from politics to pop culture. She reveals that the backlash she received for supporting Hillary Clinton’s 2008 presidential bid was “one of the worst experiences of my life,” and criticizes a history of feminism that forgets the deep alliances between early civil rights and women’s rights activists. Whether she’s defending Kim Kardashian from public vitriol or calling out the antiquated sexual assault policies of the U.S. military, Gloria Steinem is always engaged, always fighting for what she believes in. The interview was conducted by Salamishah Tillet, an Associate Professor of English at the University of Pennsylvania. Tillet blogs for The Nation, and is the author of Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination. She is also the co-founder of A Long Walk Home, a non-profit organization that uses art therapy and the visual and performing arts to end violence against girls and women. Cover design by Adil Dara Kim.

    The star-studded production includes lead actress Aunjanue Ellis (Ray, The Help), Oscar winner Cuba Gooding Jr. (Jerry Maguire, A Few Good Men), Oscar and Emmy winner Louis Gossett Jr. (A Raisin in the Sun, Boardwalk Empire), and features Lyriq Bent (Rookie Blue), Jane Alexander (The Cider House Rules), and Ben Chaplin (The Thin Red Line). Director and co-writer Clement Virgo is a feature film and television director (The Wire) who also serves as producer with executive producer Damon D'Oliveira (What We Have).In this "transporting" (Entertainment Weekly) and "heart-stopping" (Washington Post) work, Aminata Diallo, one of the strongest women characters in contemporary fiction, is kidnapped from Africa as a child and sold as a slave in South Carolina. Fleeing to Canada after the Revolutionary War, she escapes to attempt a new life in freedom.

    Kidnapped from her home in Africa and shipped to America, she’d had everything taken from her - her family, her name, and her language.But Phillis Wheatley was no ordinary young girl. She had a passion to learn, and the Wheatleys encouraged her, breaking with unwritten rule in New England to keep slaves illiterate. Amid the tumult of the Revolutionary War, Phillis Wheatley became a poet and ultimately had a book of verse published, establishing herself as the first African American woman poet this country had ever known. She also found what had been taken away from her and from slaves everywhere: a voice of her own.

    If we had lost Malcolm X at 25, we would have lost a hustler nicknamed Detroit Red. And if I had left the world at 25, we would have lost a big-band trumpet player and aspiring composer--just a sliver of my eventual life potential."                        From the Foreword by Quincy JonesThe real story of Tupac's murder may not ever emerge.  This may be the only lasting testament to the many faces of Tupac Shakur--of a life lived fast and hard, of a man cloaked in contradictions.  A young man who was just starting to come into his own."I believe that everything you do bad comes back to you. So everything that I do that's bad, I'm going to suffer for it. But in my heart, I believe what I'm doing is right. So I feel like I'm going to heaven."        Tupac Shakur, June 1996

    The authors have concentrated on Ethiopia and Egypt because the documents of the Nile Valley are voluminous compared to the sketchier records in other parts of Africa, but also because the imagination of the world, not just that of Africa, was haunted by these women. They are just as prominent a feature of European mythology as of African reality. The book is divided into three parts: Ethiopia and Egyptian Queens and Goddesses; Black Women in Ancient Art; and Conquerors and Courtesans. This second edition contains two new chapters, one on Hypatia and women's rights in ancient Egypt, and the other on the diffusion into Europe of Isis, the African goddess of Nile Valley civilizations. Black Women in Antiquity provides a dramatic account of the role black women have played in the history and development of civilization.

    In this brilliant history of the phenomenon, Richardson shares debutantes’ own words—from diaries, letters, and interviews—throughout her vivid telling, beginning in Henry VIII’s era, sweeping through Queen Elizabeth I’s court, crossing back and forth the Atlantic to colonial Philadelphia, African American communities, Jane Austen’s England, and Mrs. Astor’s parties, ultimately arriving at the contemporary New York Infirmary and International balls.Whether maligned for its archaic attitude and objectification of women or praised for raising money for charities and providing a necessary coming-of-age ritual, the debutante tradition has more to tell us in this entertaining and illuminating book.

    The typed recipes and instructions are a direct translation of the handwriting seen in the photographs on each page. To preserve its authenticity, no extra instructions have been added. The cover is a photograph of the actual book, (with title added.) Bring your tablet into the rural English kitchen of 1910. Relive the tastes and smells of an age where there were no microwave ovens or digital scales. Back then, cooking was done on a Yorkshire Range. The book was compiled before the First World War when young women visited each other's houses swapping recipes, as well as catching up on the latest gossip. Funny little markings on some of the recipes, ( a cross "X" with a dot between each line ) was a star rating, four dots being the best. The recipes included instructions like "place the chocolate and sugar into a bowl and warm by the fire, stirring until melted" ( you will probably pop them into a microwave for a few seconds ) The hand written recipes contain simple ingredients available at that time. Self raising flour was not in common use, baking powder was used with plain flour. UK measurements are used; oz, lbs. and pints. Gills and quarts are given as mL and fluid ozs. Also terms like "bake in a quick oven" are used, a handy guide to all modern settings is given on the "Conversions" page. This is not a book for the complete novice. You won't find any "preheat the oven to 200° " instructions. Their skills were not only in baking, but also maintaining the oven at a constant temperature, remember the heat came from the coal and wood, no thermostatic controls or glass fronted oven in doors existed back then. However, if you can bake scones and know by looking at things when they are "done," you will enjoy experimenting as they did, adapting the recipes to your own taste. Above all……enjoy the taste of yesteryear !!

    In Stealing Athena, Karen Essex chronicles the Marbles' amazing journey through the dynamic narratives of Mary Nisbet, wife of the Earl of Elgin, the British ambassador to Constantinople, and Aspasia, the mistress of Pericles, the most powerful man in Athens during that city's Golden Age.At the height of the Napoleonic Wars, the twenty-one-year-old, newly wed Countess of Elgin, a Scottish heiress and celebrated beauty, enchanted the power brokers of the Ottoman Empire, using her charms to obtain their permission for her husband's audacious plan to deconstruct the Parthenon and bring its magnificent sculptures to England. Two millennia earlier, Aspasia, a female philosopher and courtesan, and a central figure in Athenian life, plied her wits, allure, and influence with equal determination, standing with Pericles at the center of vehement opposition to his vision of building the most exquisite monuments the world had ever seen.Rich in romance and intrigue, greed and glory, Stealing Athena is an enthralling work of historical fiction and a window into the intimate lives of some of history's most influential and fascinating women.

    According to her mother, she was a captive, bound by her noble warrior blood to escape the enemy. Her means of deliverance is Union general Phillip Henry “Smash ‘em Up” Sheridan, the outcast of West Point who takes the rawboned, prideful young woman into service. At war’s end, having tasted freedom, Cathy refuses to return to servitude and makes the monumental decision to disguise herself as a man and join the Army’s legendary Buffalo Soldiers.Alone now in the ultimate man’s world, Cathy must fight not only for her survival and freedom, but she vows to never give up on finding her mother, her little sister, and the love of the only man strong and noble enough to win her heart. Inspired by the stunning, true story of Private Williams, this American heroine comes to vivid life in a sweeping and magnificent tale about one woman’s fight for freedom, respect and independence.

    Soon, the glittering summers in rural Virginia with her cousins and the plush prosperity of her father’s home in Boston are eclipsed by the fight for American independence.When the British forces lay siege to Boston, Addie’s family is torn in two. Her brothers and her childhood sweetheart Silas leave to become aides to General Washington alongside Alexander Hamilton, while Addie’s English-born, Loyalist father welcomes the British into his home. Just as Addie takes the painful decision to join the fight, she meets enigmatic Scottish Highlander John Traverne. But he’s on the side of the English king, so Addie will not give in to the spark between them.As the bitter war continues, Addie’s life becomes increasingly bound with the fate of America. When Silas is captured by the British, Addie risks all to search for him, but venturing into enemy territory brings her face to face with her Highlander again, and she must make an impossible choice between love, or the future of her nation…An epic, emotional and heartbreaking novel about a woman caught in the struggle for a new America. Readers who love My Dear Hamilton and Flight of the Sparrow will be swept away by America’s Daughter.

    and the savior of her legacy. An evocative new novel about Emily Dickinson's longtime maid, Irish immigrant Margaret Maher, whose bond with the poet ensured Dickinson's work would live on, from the USA Today bestselling author of Flight of the Sparrow, Amy Belding Brown.Massachusetts, 1869. Margaret Maher has never been one to settle down. At twenty-seven, she's never met a man who has tempted her enough to relinquish her independence to a matrimonial fate, and she hasn't stayed in one place for long since her family fled the potato famine a decade ago.When Maggie accepts a temporary position at the illustrious Dickinson family home in Amherst, it's only to save money for her upcoming trip West to join her brothers in California. Maggie never imagines she will form a life-altering friendship with the eccentric, brilliant Miss Emily or that she'll stay at the Homestead for the next thirty years.In this richly drawn novel, Amy Belding Brown explores what it is to be an outsider looking in, and she sheds light on one of Dickinson's closest confidantes--perhaps the person who knew the mysterious poet best--whose quiet act changed history and continues to influence literature to this very day.

    But the beautiful young girl soon captures the eye of her employer’s evil son, who rapes her and leaves her pregnant. Quick to dismiss Katie, the family forces her into a loveless marriage with the cruel manager of the Rosier mines. But Katie’s fate changes course when one man offers her the opportunity to make her own fortune, and to discover real love . . . Spanning Katie’s life from 1860 to the height of WWII, this is a spellbinding, triumphant, timeless drama from the pen of a brilliantly skilled storyteller.