. . give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    The action-packed story of heroism and sacrifice follows Squadron 633 on a crucial mission--a mission crucial to the success of D-Day. Their target is a Norwegian fjord, where the Germans are developing a top-secret weapon. The pilots know they'll be flying in low, between the steep mountain walls, without fighter support. For many, the trip will be one-way only...

     This is the book Tom Zuba wishes he had read after his daughter Erin died. And after his wife Trici died. It’s the book he wishes he’d been handed following his son Rory’s death. But Tom had to live it. First. Before he could write it. For you. In the beginning, Tom did grief the old way. Repressing, denying, pretending, numbing and stuffing every feeling and every emotion that arose. He created pain on top of pain until he began searching for a new way. A new way to do grief. Once he gave himself permission to mourn, healing began. Along the way, Tom discovered that: * Grief is not the enemy. Grief can be one of our greatest teachers. * It’s the stories we tell that determine whether or not we will heal. * We will always have a relationship with the people we love that have died. * We were not born to suffer. We were born to be radiant. There is a new way to do grief. Let Tom Zuba teach you how.

    Meryet, the harem’s beautician, learns that the princess was poisoned, and must race against time to find the culprit—before she becomes the prime suspect! Her investigation pits her against jealous queens and concubines, and plunges the reader into a world of seething intrigue. Set in Ancient Egypt during the reign of the mighty Ramesses II, Death of a Princess is a spellbinding mystery.

    In this collection, you will find images and poems that relate to life, love, loss, gain, realisation and the final thing called Moksha. The poems may sound philosophical, intellectual and emotional from time to time. You will also find a surprise at the end of this wonderful poetry collection if you read everything carefully. And, like the previous poetry collection by Alok Mishra, this book will also not take more than 15 minutes from your daily routine. However, you may want to read the book at least twice or maybe thrice to understand what do the poems mean. Alok has devised a style of his own to communicate his thoughts to the readers of Indian English poetry. A 4-3-6 style has perfectly settled with this collection having 14 wonderful poems. Here are some reviews for Moving for Moksha:The collection of poems takes us on a journey to ponder the truth and fallacies of life that come our way. The poems are mostly mystic in nature, having more than what it seems to be... you will certainly love it if you have a taste for English poetry.by: Amit Mishra (founder of The Indian Authors & Indian Book Lovers)...beauty, truth, eternity.... a very close observation of life, these poems sneak into nothing but the philosophy of life that people confront during life-span.by: Ravi Kumar, Research Scholar with expertise in Indian English Literature, a writer for many online literary platformsThe poems reflect disillusion, rejection, realisation and answer to the final call – Moksha, as called in Indian philosophy. The innovative form with a 4-3-6 pattern looks very apt for the emotional and intellectual and also cryptic nature of the poems in this collection.The Last Critic

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus “for his brother who died in the Troad.” Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated “book” creating a visual and reading experience so amazing as to open up our concept of poetry.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    Ella Bridges has recently purchased her new home-The Yellow Cottage-from a curious old lady, but with it comes a unique gift. Her new-found ability changes the course of her life in ways she could never have imagined.The Yellow Cottage Vintage Mysteries: Books 1 – 3 includes the first three stories in the popular series readers describe as ‘Miss Marple meets The Ghost Whisperer.’ The unique slant on the traditional whodunit and the humour peppered throughout are what makes these books firm favourites with readers all over the world.AN ACCIDENTAL MURDERWhen a strange child follows her home on the train from London, Ella Bridges feels bound to help her. However, she soon discovers the child is not what she seems.THE CURSE OF ARUNDEL HALLOne ghost, one murder, one hundred years apart. But are they connected?An invitation to dinner at Arundel Hall takes a turn for the worse when one of the party is murdered.A CLERICAL ERRORWhen the crime scene is pure coincidence and there’s no evidence, how do you prove it was murder?Ella Bridges faces her most challenging investigation so far when the vicar dies suddenly at the May Day Fete.? THE CURSE OF ARUNDEL HALL (Book 2)One ghost, one murder, one hundred years apart. But are they connected?Ella has discovered a secret room in The Yellow Cottage, but with it comes a ghost. Who was she? And how did she die? Ella needs to find the answers before either of them can find peace. But suddenly things take a nasty turn for the worse.Ella Bridges has been living on Linhay Island for several months but still hasn’t discovered the identity of her ghostly guest. Deciding to research the history of her cottage for clues she finds it is connected to Arundel Hall, the large Manor House on the bluff, and when an invitation to dinner arrives realises it is the perfect opportunity to discover more.However the evening takes a shocking turn when one of their party is murdered. Is The Curse of Arundel Hall once again rearing its ugly head, or is there a simpler explanation? Ella suddenly finds herself involved in two mysteries at once, and again joins forces with Scotland Yard’s Police Commissioner to try and catch a killer. But will they succeed?A CLERICAL ERROR (Book 3)When the crime scene is pure coincidence and there's no evidence, how do you prove it was murder?Ella Bridges faces her most challenging investigation so far when the vicar dies suddenly at the May Day Fete. But with evidence scarce and her personal life unravelling in ways she could never have imagined, she misses vital clues in the investigation.Working alongside Sergeant Baxter of Scotland Yard, will Ella manage to unearth the clues needed to catch the killer before another life is lost? Or will personal shock cloud her mind and result in another tragedy?

    Translated from the Swedish by Anthony Barnett. P"r Lagerkvist (1891-1974) was one of Sweden's greatest, most prolific, twentieth-century novelists and short story writers. EVENING LAND is the first complete translation of Lagerkvist's ninth and final volume of poetry, the deceptively simple Aftonland (1953). An intensely private man who refused to court publicity, the author was awarded the Nobel Prize in 1951. Barnett's translation (his translation of Robert Giroux's BLANK from the French is also available at SPD) sets straight an earlier, unfinished and otherwise compromised version by W. H. Auden and Leif Sj"berg. "All things exist, only I exist no more, / everything remains, the fragrance of rain in the grass/ as I remember it and the sough of the wind through the trees, / the flight of clouds and the human heart's disquiet.// Only my heart's disquiet no longer exists"-(from "The Dead")