"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement

    The remembrance of Austen’s brilliant work has given its readers pleasure for 200 years and is certain to do so for centuries to come. The book is incomparable for its wit, humor, and insights into how we think and act—and how our “first impressions” (the book’s initial title) can often be remarkably off-base. All of these facets are explored and commemorated in Celebrating Pride and Prejudice, written by preeminent Austen scholar Susannah Fullerton. Fullerton delves into what makes Pride and Prejudice such a groundbreaking masterpiece, including the story behind its creation (the first version may have been an epistolary novel written when Austen was only twenty), its reception upon publication, and its tremendous legacy, from the many films and miniseries inspired by the book (such as the 1995 BBC miniseries starring Colin Firth) to the even more numerous “sequels,” adaptations, mash-ups (zombies and vampires and the like), and pieces of merchandise, many of them very bizarre.Interspersed throughout are fascinating stories about Austen’s brief engagement (perhaps to the man who inspired the ridiculous Mr. Collins), the “Darcin” pheromone, the ways in which Pride and Prejudice served as bibliotherapy in the World War I trenches, why it caused one famous author to be tempted into thievery, and much more. Celebrating Pride and Prejudice is a wonderful celebration of a book that has had an immeasurable influence on literature and on anyone who has had the good fortune to discover it.

    Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. The questions are ingenious and fun, and the answers (located in the back of the book), in Sutherland's inimitable style, are fascinating. Completing the book guarantees a hugely improved knowledge and appreciation of Austen. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it.

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    With scant information about her life available, fans have a bottomless hunger for details about the woman behind the work. Jane Austen feeds that appetite with background on her relationships with family and friends; on the contemporary attitudes that shaped Austen and her writing; and on the settings that inspired her and feature in her stories. Austenites will particularly treasure the 15 pieces of removable memorabilia, which include facsimiles of early manuscripts, a handwritten note outlining the profits from her novels, and a letter from Austen's father to the publisher Thomas Cadell that was returned with the words “Rejected by return of post” written on it.

    In A Fine Brush on Ivory, Richard Jenkyns takes us on an amiable tour of Austen's fictional world, opening a window on some of the great works of world literature. Focusing largely on Pride and Prejudice, Mansfield Park, and Emma, but with many diverting side trips to Austen's other novels, Jenkyns shines a loving light on the exquisite craftsmanship and profound moral imagination that informs her writing. Readers will find, for instance, a wonderful discussion of characterization in Austen. Jenkyns's insight into figures such as Mr. Bennett or Mrs. Norris is brilliant--particularly his portrait of the amusing, clever, always ironic Mr. Bennett, whose humor (Jenkyns shows) arises out of a deeply unhappy and disappointing marriage. The author pays due homage to Austen's unmatched skill with complex plotting--the beauty with which the primary plot and the various subplots are woven together--highlighting the infinite care she took to make each plot detail as natural and as plausible as possible. Perhaps most important, Jenkyns illuminates the heart of Austen's moral imagination: she is constantly aware, throughout her works, of the nearness of evil to the comfortable social surface. She knows that the socially acceptable sins may be truly cruel and vicious, knows that society can be red in tooth and claw, and yet she allows the pleasures of comedy and celebration to subordinate them. Insightful and highly entertaining, A Fine Brush on Ivory captures the spirit and originality of Jane Austen's work. It will be a cherished keepsake or gift for her many fans.

    Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields - for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics.

    A regular visitor to London, to the seashore for holidays, and to the estates of friends and relatives, Jane carried her own notion of home with her wherever she went and drew inspiration for her brilliantly witty novels from every new experience. She wrote most everywhere she traveled, accompanied by her portable writing desk.With gorgeous photography and illustrations, At Home with Jane Austen explores Austen’s world, her physical surroundings, and the journeys the popular author took during her lifetime. Author Kim Wilson ties Austen’s novels to places where she lived, visited, and even attended school, ending with her final months in temporary lodgings in Winchester, England. Jane Austen’s enduring legacy is the final chapter of this beautiful and eye-opening book.

    . . . It tells one all one needs to know about Jane Austen, and, best of all, leaves one wanting to read the novels once more, and better."—Jane Aiken Hodge Every devoted reader feels that, in some way, they know Jane Austen. But how can we make sense of her extraordinary achievements? At a time when most women received so little formal education and none could obtain a place at university, how did Austen come to write novels that have commanded the attention of some of the most brilliant minds ever since? Why were hers the books that Darwin knew by heart and Churchill read during the Blitz? In this graceful introduction to the author’s life and works, Fiona Stafford offers a fresh and accessible perspective, discussing Austen’s six astonishing novels in the context of their time. Newly updated, Jane Austen: A Brief Life offers a rich and sympathetic insight into a writer who was just as much the Romantic genius as Keats, Shelley or Byron—full of youthful exuberance, intensely creative once she had found her individual voice, and dead before she reached middle age.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Besides discussions of Austen's novels and letters, there are essays on religion, politics, class consciousness, publishing practices, domestic economy, style in the novels and the significance of her juvenile works. A chronology provides biographical information, and assessments of the history of Austen criticism highlight the most interesting recent studies in a vast field of critical diversity.

    Kelly illuminates the radical subjects--slavery, poverty, feminism, the Church, evolution, among them--considered treasonous at the time, that Austen deftly explored in the six novels that have come to embody an age. The author reveals just how in the novels we find the real Jane Austen: a clever, clear-sighted woman "of information," fully aware of what was going on in the world and sure about what she thought of it. We see a writer who understood that the novel--until then seen as mindless "trash"--could be a great art form and who, perhaps more than any other writer up to that time, imbued it with its particular greatness.

    By turns passionate and ironic, "Aunt Fay" makes Alice think--not only about books and literature, but also life and culture.

    This collection has more than twenty-five selections, including such important statements as "Modern Fiction" and "The Modern Essay."