Gradually at first, then quickly and irreversibly, the patterns by which we once lived altered completely.Across four seasons and a luminous series of poems and illustrations, Rob Cowen and Nick Hayes paint a picture of a year caught in the grip of history yet filled with revelatory perspectives close at hand. A sparrowhawk hunting in a back street; the moon over a town with a loved one’s hand held tight; butterflies massing in a high-summer yard – the everyday wonders and memories that shape a life and help us recall our own.The Heeding leads us on a journey that takes its markers and signs from nature and a world filled with fear and pain but beauty and wonder too. Collecting birds, animals, trees and people together, it is a profound meditation to a time no one will forget.At its heart, this is a book that helps us look again, to heed: to be attentive to this world we share, to grieve what’s lost and to hope for a better and brighter tomorrow.

    World War II comic book propaganda-with Superman, Batman, and Captain America raising war bonds, and bashing cartoon Japanese and Germans-was so ubiquitous that there was barely a US comic untainted by the war effort. The sub-textual sequential art continued well into the Ciold War, with both sides producing comics extolling themselves and defaming the enemy. This book is a fascinating visual history of some of the most outrageous, and unbelievable and politically charged comics ever published.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    These quirky and enchanting tales will delight parents and children alike.

    Birds were rarely used in similar studies on the grounds that they were merely talented mimics--that they were, after all, "birdbrains." Experiments performed primarily on pigeons in Skinner boxes demonstrated capacities inferior to those of mammals; these results were thought to reflect the capacities of all birds, despite evidence suggesting that species such as jays, crows, and parrots might be capable of more impressive cognitive feats.Twenty years ago Irene Pepperberg set out to discover whether the results of the pigeon studies necessarily meant that other birds--particularly the large-brained, highly social parrots--were incapable of mastering complex cognitive concepts and the rudiments of referential speech. Her investigation and the bird at its center--a male Grey parrot named Alex--have since become almost as well known as their primate equivalents and no less a subject of fierce debate in the field of animal cognition. This book represents the long-awaited synthesis of the studies constituting one of the landmark experiments in modern comparative psychology.

    Curly. "It is worth doing nothing and it is worth having a rest", advises the sagacious Mr. Curly. "In spite of all the difficulty it may cause, you MUST rest Vasco - otherwise you will become RESTLESS!" Mr Curly and Vasco Pyjama are very different in nature but have been great friends for a long time. The wise and grounded Mr Curly leads a contented life birdwatching and tending his vines on the shores of Lake Lacuna, near Curly Flat, while the adventurous, inquisitive and sometimes fragile and despondent Vasco circumnavigates his world from the comfort of his amphibious club armchair, accompanied by his ever faithful direction finding duck (who always points toward new joys). We first met Vasco Pyjama and shared in his adventures and epiphanies way back in the Second Leunig. It seems the restless Vasco is driven almost to exhaustion in his search for truth and self discovery - such is the nature of all great explorations no matter what their geographic scale. Periodically he returns to Curly Flat to join his mentor Mr Curly and picnic by the shores of Lake Lacuna, but throughout his journey the friends share their adventures, wisdom and thoughts through handwritten letters, some of which have appeared in print over the years. In this, Leunig's 18th book, we are privy to a further 29 of these letters from a bundle which simply appeared, in mysterious circumstances, tied up with a thin blue ribbon. The letters are faithfully reproduced and accompanied by beautiful illustrations, some of which will be familiar to regular readers and many of which have never been seen before.

    A centuries-old tradition developed in Europe during the Renaissance, cabinets of wonder (also known as curiosity cabinets) are once again in fashion. Shops, restaurants, and private residences echo these cabinets in their interior design, by making use of the eclectic vintage objects commonly featured in such collections. "Cabinets of Wonder "showcases exceptional collections in homes and museums, with more than 180 photographs, while also explaining the history behind the tradition, the best-known collections, and the types of objects typically displayed. Offering both a historical overview and a look into contemporary interior design, this extravagantly illustrated book celebrates the wonderfully odd world of cabinets of wonder.

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    Death, Duck and the Tulip will intrigue, haunt and enchant readers of all ages. Simple, unusual, warm and witty, this book deals with a difficult subject in a way that is elegant, straightforward, and thought-provoking.

    Welcome to the wise and wonderful world of everyone’s favourite bear.Paddington Bear is a beacon of happiness – well meaning, funny and always kind.Explore Paddington’s unique and universal take on life in this very special collection of warm words about friendship, family, love, laughter … and everything in between.

    Tolkien and Seamus Heaney to a multitude of Hollywood screenwriters. Beaowulf tells of the tale of a Scandinavian hero in lands that would become what is now Denmark and Sweden. A monster, Grendel, has arrived in the kingdom of the Danes, devouring its men and women for over a decade until Beowulf arrives to save them.Garcia and Rubin faithfully follow the original story for a graphic-novel version that is neither revisionist nor postmodern. It captures the tone and important details of the poem, translating its potent, epic resonance and melancholy into a contemporary comic that isn't standard swords and sorcery or heroic fantasy fare. This is an ancient story with a modern perspective that respects the source material.

    

    They move into a historic New England house, which is secretly inhabited by a brood of small creatures. These creatures seem at first to be playful figments of his daughter's imagination, but quickly turn into a deadly threat. The book, co-written by Guillermo Del Toro and Christopher Golden, takes place a hundred years before the movie begins. It chronicles the travels and adventures of a young nature scientist who begins to understand there's more to the world than science understands.

    This is the premise of Boccaccio's Decameron, a landmark of early Renaissance literature and one of the world's great story collections. Vast in scope, teeming with colorful characters, and rich in worldly wisdom, these 25 tales from the original 100 encompass a variety of genres — folktales, ancient myths, fables, and anecdotes ranging from earthy satires of hypocritical clergy to gripping tales of murder and revenge and stories of passionate love. Chaucer, Shakespeare, and Keats drew upon Boccaccio's masterpiece for inspiration, and the grand old storyteller’s fables continue to captivate modern readers.

    Five years and 300,000 followers later, Ellcock has an international following who avidly await his daily uploads and his carefully curated and sequenced albums of images. His selections of little known and public domain imagery regularly attain thousands or shares or comments from all around the world. All give thanks for the uplifting nature of his selections. Taking his title from the first ever Encyclopedia in the English language, All Good Things (Omne Bonum) this new compendium of art and photography inspired by both the natural world and human endeavour will appeal both to his digital followers and our image-focused, solace-seeking times. Providing meditative focus and visual exhilaration - Ellcock celebrates our humanity and inspires us to wonder once more. All Good Things is structured to evoke the medieval tradition of exquisite, illuminated books - beginning with the universal and travelling through the realms of sky, sea, earth, science and humanity before ending amongst the angels and monsters that have so preoccupied artists over the centuries. Using found artwork from archives, libraries and little known collections of art, illustration, photography and textiles this is a glorious adventure; one that can be appreciated on many levels. There will be introductions to each chapter as well as recommended image lists for enjoyment, restoration, inspiration. Carefully selected quotes from poets from thinkers, writers and scientists will counterpoint images perfectly and add to the richness of this beautifully produced book.