Reginald Peacock's day --Sun and moon --Feuille d'album --A dill pickle --The little governess --Revelations --The escape.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    If you're looking for the short story, go here.This is Bo Hampton's 1993 Legend of Sleepy Hollow, a faithful adaptation of Washington Irving's tale surrounding the ghostly inhabitants of Tarrytown, New York around the time of the American Revolution. The cast of characters is headed up by the Headless Horseman himself. This edition boasts new covers and 16 pages of new material, including numerous preliminary sketches of scenes and characters.

    Confined in an upstairs room to recuperate by her well-meaning but dictatorial and oblivious husband, the yellow wallpaper in the room becomes the focal point of her growing insanity.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    “Hope” is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard -And sore must be the storm -That could abash the little BirdThat kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity,It asked a crumb - of me

    

    

    Gillett, Ph.D.• The Efficiency Expert by W. R. Thompson• Second Helpings by George R. R. Martin• Random Sample by Heidi Heyer• On Gaming by Dana Lombardy• Siblings by Larry Powell• Diabetes and Rockets by G. Harry Stine• Béisbol by Ben Bova• The Darkling Plain by P. M. Fergusson• Biolog: P. M. Fergusson by Jay Kay Klein• The Reference Library by Thomas A. Easton •   Review: Artifact by Gregory Benford by Thomas A. Easton •   Review: Cuckoo's Egg by C. J. Cherryh by Thomas A. Easton •   Review: Skinner by Richard S. McEnroe by Thomas A. Easton •   Review: Blood Music by Greg Bear by Thomas A. Easton •   Review: A Coming of Age by Timothy Zahn by Thomas A. Easton •   Review: Trumps of Doom by Roger Zelazny by Thomas A. Easton •   Review: The Fall of Winter by Jack C. Haldeman, II by Thomas A. Easton •   Review: The Time Travelers; A Science Fiction Quartet by Martin H. Greenberg and Robert Silverberg by Thomas A. Easton •   Review: The Hugo Winners, 1976-1979 by Isaac Asimov by Thomas A. Easton •   Review: Young Extraterrestrials by Isaac Asimov and Martin Greenberg and Charles Waugh by Thomas A. Easton •   Review: The Year's Best Science Fiction, Second Annual Collection by Gardner Dozois by Thomas A. Easton •   Review: The Future of Flight by Dean Ing and Leik Myrabo by Thomas A. Easton •   Review: Out of the Cradle: Exploring the Frontiers Beyond Earth by William K. Hartmann and Pamela Lee and Ron Miller by Thomas A. Easton • Brass Tacks by Stanley Schmidt• Analog: A Calendar of Upcoming Events by Anthony R. Lewis

    

    His fiction is an acknowledged influence on entire generations of writers, ranging from H.P. Lovecraft to James Branch Cabell, from Clark Ashton Smith to Lin Carter. Although many of his most famous stories are longer in length, the miniature portraits of Fifty-One Tales (originally published in 1915 and sometimes reprinted under the title The Food of Death) are an ideal introduction to Dunsany. Nowhere is the jewel-like quality of his prose more evident than in the short tales, seminal works which runs the gamut from whimsy to fantasy to social satire.CONTENTS:"The Assignation" "Charon" "The Death of Pan" "The Sphinx at Gizeh" "The Hen" "Wind and Fog" "The Raft Builders" "The Workman" "The Guest" "Death and Odysseus" "Death and the Orange" "The Prayer of the Flowers" "Time and the Tradesman" "The Little City" "The Unpasturable Fields" "The Worm and the Angel" "The Songless Country" "The Latest Thing" "The Demagogue and the Demi-Monde" "The Giant Poppy" "Roses" "The Man with the Golden Ear-rings" "The Dream of King Karna-Vootra" "The Storm" "A Mistaken Identity" "The True History of the Hare and the Tortoise" "Alone the Immortals" "A Moral Little Tale" "The Return of Song" "Spring in Town" "How the Enemy Came to Thlūnrāna" "A Losing Game" "Taking Up Piccadilly" "After the Fire" "The City" "The Food of Death" "The Lonely Idol" "The Sphinx in Thebes (Massachusetts)" "The Reward" "The Trouble in Leafy Green Street" "Furrow-Maker" "Lobster Salad" "The Return of the Exiles" "Nature and Time" "The Song of the Blackbird" "The Messengers" "The Three Tall Sons" "Compromise" "What We Have Come To" "The Tomb of Pan" "The Poet Speaks With Earth" (English version only) "The Mist" (American version only)