This belief makes him eligible for enjoyment of the bliss and the happiness of the Hereafter. It is not a belief that is limited to the life of this finite and ephemeral world only as compared to the everlasting Hereafter.Rather, it is a great creed that links the life of man in this world to that of the Hereafter so that his vision will not be restricted to this world alone but extends to the Hereafter.Belief in Paradise is one of the fundamentals of faith. The Messenger of Allah, blessings and peace of Allah be upon him, was asked about faith and he answered, “Faith is to believe in Allah, in His angels, in His Books, in His Messenger and in the Last Day; and to believe in pre-decree, its good and bad.”

    In Veiled Threat, Sally Armstrong introduces several of these women—including the deputy prime minister of Afghanistan, Dr. Sima Samar—who describe the living hell they experienced as well as the quiet rebellion—clandestine schools for girls and health clinics for women—that took place in an effort to subvert the Taliban's hateful edicts.One of the first Western journalists to visit Afghanistan, Armstrong gives us an insider's view of the deplorable situation. She also provides a broader perspective, leading us through the history of Afghanistan, including the ebb and flow of women's rights. She examines what the Koran actually says about women. She points a finger at the international community for accepting women's oppression in the name of culture, and she accuses the Taliban and other fundamentalist leaders of distorting Islam for political opportunism. While there have been other books about the women in Afghanistan, VEILED THREAT holds a unique position. There have been two autobiographies: ZOYA'S STORY and MY FORBIDDEN FACE; a photo book, UNVEILED; and a book about RAWA (Revolutionary Association of the Women of Afghanistan) called VEILED COURAGE. VEILD THREAT is much broader in its approach.

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    With Emma’s War: An Aid Worker, A Warlord, Radical Islam and the Politics of Oil, journalist Deborah Scroggins achieved major international acclaim; now, in Wanted Women, Scroggins again exposes a crucial untold story from the center of an ongoing ideological war—laying bare the sexual and cultural stereotypes embraced by both sides of a conflict that threatens to engulf the world.

    By its own reckoning, this country is just entering the fifteenth century.The Kingdom is also the story of a family--a family that has fought its way from poverty and obscurity into wealth and power the likes of which the world has never known, a family characterized by fierce loyalty among its members, ruthlessness toward its enemies, and dedication to one of the world's most severe and demanding creeds.The Kingdom is Saudi Arabia--the only country in the world to bear the name of the family that rules it.

    More than 750,000 people were butchered, and 12 million fled their homes -- primarily in caravans of bullock-carts -- to seek refuge across the new border: it was the largest exodus in history. Sixty-seven years later, it is as if that August never ended. Renowned historian and journalist Dilip Hiro provides a riveting account of the relationship between India and Pakistan, tracing the landmark events that led to the division of the sub-continent and the evolution of the contentious relationship between Hindus and Muslims. To this day, a reasonable resolution to their dispute has proved elusive, and the Line of Control in Kashmir remains the most heavily fortified frontier in the world, with 400,000 soldiers arrayed on either side. Since partition, there have been several acute crises between the neighbors, including the secession of East Pakistan to form an independent Bangladesh in 1971, and the acquisition of nuclear weapons by both sides resulting in a scarcely avoided confrontation in 1999 and again in 2002. Hiro amply demonstrates the geopolitical importance of the India-Pakistan conflict by chronicling their respective ties not only with America and the Soviet Union, but also with China, Israel, and Afghanistan. Hiro weaves these threads into a lucid narrative, enlivened with colorful biographies of leaders, vivid descriptions of wars, sensational assassinations, gross violations of human rights -- and cultural signifiers like cricket matches. The Longest August is incomparable in its scope and presents the first definitive history of one of the world's longest-running and most intractable conflicts.

    That war is real; but it sits atop an older struggle, between Kabul and the countryside, between order and chaos, between a modernist impulse to join the world and the pull of an older Afghanistan: a tribal universe of village republics permeated by Islam.Now, Tamim Ansary draws on his Afghan background, Muslim roots, and Western and Afghan sources to explain history from the inside out, and to illuminate the long, internal struggle that the outside world has never fully understood. It is the story of a nation struggling to take form, a nation undermined by its own demons while, every 40 to 60 years, a great power crashes in and disrupts whatever progress has been made. Told in conversational, storytelling style, and focusing on key events and personalities, "Games without Rules" provides revelatory insight into a country at the center of political debate.

    One by one the militants crossed the border into Pakistan and settled in its tribal areas, building alliances with locals and terrorizing or bribing their way to power. This place - Pakistan's lawless frontier - is now the epicenter of global terrorism. It is where young American and British jihadists go to be trained, where the kidnapped are stowed away, and where plots are hatched for deadly attacks all over the world. It has become, in President Obama's words, "the most dangerous place" - a hornet's nest of violent extremists, many of whom now target their own state in vicious suicide- bombing campaigns. Imtiaz Gul, who knows the ins and outs of these groups and their leaders, tackles the toughest questions about the current situation: What can be done to bring the Pakistani Taliban under control? Who funds these militants and what are their links to Al Qaeda? Are they still supported by the ISI, Pakistan's all-powerful intelligence agency? Based on dozens of exclusive interviews with high-ranking Pakistani intelligence, government and military officers and extensive first-hand reporting, The Most Dangerous Place is a gripping and definitive exposé of a region that Americans need urgently to understand.

    In this volume of early writings, Gibran’s simple yet lyrical style crosses from prose to poetry and yields insight into his dedication and inner vision of beauty, including the tale of a strange hermit in “The Tempest,” the discovery of love lost to war in “The Mermaids,” and the long voyage of sea and soul in the prose poem “Between Night and Morn.”

    One of his prisoners was Rafiq, a rising leader in the PLO. Overcoming their fears and prejudices, the two men began a dialogue that, over more than a decade, grew into a remarkable friendship. Now an award-winning journalist, Goldberg describes their relationship and their confrontations over religious, cultural, and political differences; through these discussions, he attempts to make sense of the conflicts in this embattled region, revealing the truths that lie buried within the animosities of the Middle East.From the Trade Paperback edition.

    The twenty-first century goes on outside the walls of this ancient quarter but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: Beloved by emperors and nawabs, their sophisticated art encompassed the best of Mughal culture. The modern-day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are gandi, "unclean," and Maha's daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of a Lahori dancing girl. With beautiful understatement, she turns a novelist's eye on a true story that beggars the imagination. Maha, a classically trained dancer of exquisite grace, had her virginity sold to a powerful Arab sheikh at the age of twelve; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the sheikh come calling once more.

    Taslima Nasrin revisits her early years — from her auspicious birth on a Muslim holy day to the threshold of womanhood at fourteen — in a small rural village during the years East Pakistan became Bangladesh. Set against the background of the fight for independence, Nasrin’s earliest memories alternate between scenes of violence and flight and images of innocent pleasures of childhood in her extended family.A precocious child, Nasrin’s acute awareness of the injustice and suffering endured by her mother and other Muslim women cause her to turn from the Koran in early adolescence, and to begin a journey to redefine her world. Her growing awareness of the class discriminations, gender disparities, and growing religious orthodoxy and intolerance in her family and her rural village parallel the broader social and cultural upheaval emerging in the new nation, and foreshadow the growth of a feminist dissident courageous enough to defy the fundamentalist Muslim clerics.“Nasrin’s voice is the voice of humanism everywhere.”-- Wole Soyinka“I am sure you have become tired of being called ‘the female Salman Rushdie’ . . . but please know that there are many people in many countries working to . . . defend you against those who would cheerfully see you dead. . . . In the West, there are too many eloquent apologists working to convince people of the fiction that women are not discriminated against in Muslim countries or that, if they are, it has nothing to do with religion.”-- Excerpt from an open letter from Salman Rrushdie to Taslima Nasrin

    It also has detailed and authentic accounts from both the Noble Qur’an and the Prophet’s Sunnah on our duties and obligations to those who have sacrificed so much to raise and educate us. In addition, it provides clear warnings of the penalties from Allah Almighty in this world and the Hereafter for abusing and disrespecting our parents. This is an essential publication for those who want to know the Divine Injunctions on not only how to treat their mothers and fathers, but also their grandparents, close relatives and elders.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    The book sheds light on his many contradictions: he was the son of a billionaire, yet insisted his family live like paupers. He adored his wives and children, depending on two of his wives, both of whom had PhDs, to make important strategic decisions. Yet he also brought ruin to his family. He was fanatically religious, yet willing to kill thousands of civilians in the name of Islam. He inspired deep loyalty yet, in the end, his bodyguards turned against him. And while he inflicted the most lethal act of mass murder in United States history, he failed to achieve any of his strategic goals.The lasting image we have of bin Laden in his final years is of an aging man with a graying beard watching old footage of himself, just another dad flipping through the channels with his remote. In the end, bin Laden died in a squalid suburban compound, far from the front lines of his holy war. And yet despite that unheroic denouement, his ideology lives on. Thanks to exclusive interviews with family members and associates, and documents unearthed only recently, Bergen’s portrait of Osama will reveal for the first time who he really was and why he continues to inspire a new generation of jihadists.