Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

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    A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey, depicting his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others.

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    Now available in the Arcade definitive edition, the Lehrstucke (or learning plays) lie at the heart of Brechtian theater.

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    and Patrice Balark teamed up to bring you book one of this new and exciting drama filled series, The Wife of a Kingpin: Malik & Micah’s Story. Of course, romance, sex, deceit, backbiting, and illegal dealings will be served up like a five course meal. After losing his mom at the age of 18 during his senior year of high school, Malik Jefferson took comfort in the only thing that made sense to him at the time... the streets. Malik along with his best friend and right hand man, Rico “Goo” Grady, were taken under the wings and learned everything street by the connect who happened to be dating Goo's mom. They started out as corner boys and were making smooth waves along the way. After the connects demise, Malik and Goo went from the corner to the top. After being challenged for the top position over and over, the duo answered the call of being as ruthless as they wanted to be, thus informing Chicago and the world a new Kingpin had arrived. Eighteen year old Micah Sanders is all about her business. Not only is she a full-time student at the University of Illinois, but she also works part-time while being an unknown boss on the side. Coming from a life of privilege, Micah doesn't rebel against her upbringing, but she prefers to rely on herself to make her own way in the world. Despite having it all, she is only missing one thing, her now deceased brother. While everyone else may have forgotten about his untimely death, it stays at the forefront of Micah’s mind along with seeking revenge on whomever committed this heinous crime. Will she get the answer to the question that has been nagging her for so long? The first encounter was at random. The second encounter was accidental. But, the third encounter and every one afterwards were by design. After crossing paths with the beautiful mystery woman, Malik had to have her. It had been a while since the last time a woman captivated and held his interest that much. However, it was something more to the lady than meets the eye. He was on a mission to claim and to make Micah his woman. Malik and Micah are on the verge of starting something great. But, what happens when two bosses collide? Who will rule in the end? I don't know, but find out in book one of this new series. Warning: This book contains a cliffhanger.

    I’m gonna make him mine.I’m young and fresh and pretty. I’m bouncy and bubbly and everybody tells me I’m gorgeous.I can get any man I want, and I deserve a man like Vince.He’s so dreamy, so accomplished, so powerful.His pathetic wife is nothing compared to me.Oh sure, she used to be a runway model, but let’s face it, she’s not that firm anymore, and the stretch marks are beginning to show.Which is why I don’t even care if Vince stays married to her.I’ll just have my fun with him and rub it in her face.I’ll invite myself over to his house and make his wife prepare a candle-lit dinner for us.I’ll cuddle and smooch Vince in front of his wife and mock her while she refreshes my drink.She'll be lurking in the dark watching me and her husband.Her jaw hanging and her abdomen clenched.She’ll probably be excited by the whole scene.Isn’t that pathetic?Whatever. I don’t care. She can watch.She’d better not do anything weird though.That would be so pathetic.

    It is a story of love, passion, courage and belief. A story to give solace to a wavering, doubtful mind.Woven with pure love, 'Take Me Away' will fill your heart with with gratitude and help you lead a life of compassion. Written on a principal of 'Work is Karma', this book is a story of two seemingly same but different characters - Anaya and Ayan. The story will impart all the positivity and help you explore your inner beauty and true self.