Better still, imagine if it could express its innermost feelings in poetic form. This hilarious, insightful book confirms what we've all long suspected - that inside every dog is the soul of a poet. From retrieving sticks to rivalry with cats; from cold winter walks to endlessly chasing tennis balls, no stone of a dog's life is left unturned.With a delightful photo alongside every haiku, this is the perfect gift for any dog lover.

    One cannot categorize these poems simply as confessional, narrative, or lyrical. They are all these things at once. They move beyond usual explorations of childhood or family to blend themes and influences that range from Neruda to Coltrane, Fat Albert to Orpheus, John Shaft to Gershwin. This book gives us an almost Whitmanesque account of an America, and an African American, replete with grace and imperfection. Moreover, it gives us a voice that does not sacrifice truth for music or music for accessibility. At the end of a poem that includes Bill Strayhorn, Andrew Carnegie, and Dante, Hayes says, "I know one of the rings of hell is reserved for men who refuse to weep. So I let it come. And it does not move from me." These lines reflect what is always at the core of Hayes's poetry: a faithfulness, not to traditional forms or themes, but to heart and honesty. It is a core bounded by and cradled by a passion for the music in all things.

    Includes "Black Magic: Blk Rhetoric" and "Blues."

    Not that it has wanted for spirited advocates; but, despite all efforts, it has remained firmly on the periphery. The one signal exception is Goethe's novel Die Leiden des jungen Werthers usually rendered as 'The Sorrows of Young Werther'. Werther was an extraordinary and immediate bestseller both in Germany and abroad.

    Moved by the presence and withdrawal of light, these internal clocks influence rhythms of sleeping and waking: the opening and closing of flowers, the speed at which the heart pumps blood, the migratory cycles of birds. With love poems and wintry prayers, Joanna Klink offers us patterns of glowing alertness and shared life, patterns that speak to the flickering circuit between inner and outer landscapes, that bind each beating heart to the pull of the tides.

    Master storyteller Les Edgerton guides us on a haunting journey inside the criminal mind to show that no matter how depraved a person appears to be, there might still exist a spark of humanity.

    Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father. In doing so, Archaic Smile continually bridges the gap between these two distant but interrelated worlds with striking insights. James Dickey, having praised the author's accomplished critical skills, also points out that she has "the most indispensable quality that a poet must have: an original way of looking at things." A.R. Ammons aptly characterizes the power of her mythological poems in his comments on "Apollo Takes Charge of His Muses" which he chose for The Best American Poetry: "It delivers the ancient past into our present with such astonishing justness that I'm silenced with appreciation." Archaic Smile is a powerful debut collection by a provacative poet who has found strikingly original ways to personalize our myths and conjure the deep significances of our everyday life.

    Throughout, poetry is discovered to be among our most effective tools to examine the delirium of making contact."Hot":The sexiest thing a woman has ever doneto or with or for me—while wearing the loose breezeof a dress or standing inside its red zero on the floor—while bending over and pulling her shorts downon a racquetball court or to reach the watershutoff valve behind the fridge—as Satiewhispers against our thighs or hummingher brain's native tune as we touchthe smudged glass protecting extinct beetlesin a museum—with her lips swaddling my tongueor finger up my ass—is tell the truth—which makes my wife the hottest womanI've ever known—her mouth erotic every timeshe speaks—she is an animal when it comes to sexand love—comes to us—in that she doesn't primpin front of the mirror of what she thinks I wanther to say or be—the only real flesh—only nakedthat matters––how she looks at meBob Hicok's poems have appeared in the New Yorker, Poetry, and the American Poetry Review. His books have been awarded the Bobbitt Prize from the Library of Congress and named a "Notable Book of the Year" by Booklist. Hicok has worked as an automotive die designer and a computer system administrator. He is currently teaching at Purdue University.

    I want my faith to be more than simply saying "I believe in God." I want it to be real...a genuine faith that overflows from a heart that is fully trusting in God in every area of my life. Therefore, I embarked on a 21 Days of Faith Challenge.And now I want to share what I learned with you in the short, but powerful book.What to Expect On Each Day of the Challenge:* Read my personal stories, struggles and reflections.* Read at least one scripture and one quote about faith.* Apply one personal application step. Get EncouragementAlong with the 21 day challenge, I also started a private Facebook group to provide a place to share what you are learning and receive encouragement. You will get access to this group as well.Will you join us?What about you? Will you consider joining me in this 21 Days of Faith Challenge? Are you ready to surrender your worries and doubts to God?If so, get your copy of this eBook to embark on this 21 days of faith challenge with us!

    The book touches both head and heart, educating every child of God as to who their Lord really is and inspiring them to love and follow Him like never before.

    Vividly reimagined with startling contemporary clarity, Michal Lemberger’s debut collection of short stories gives voice to silent, oft-marginalized biblical women: their ambitions, their love for their children, their values, their tremendous struggles and challenges. Informed by Lemberger’s deep knowledge of the Bible, each of these nine stories story recasts a biblical saga from the perspective of a pivotal woman.Michal Lemberger’s nonfiction and journalism have appeared in Slate, Salon, Tablet, and other publications, and her poetry has been published in a number of print and online journals. A story from After Abel, her first collection of fiction, was featured in Lilith Magazine. Lemberger holds an MA and PhD in English from UCLA and a BA in English and religion from Barnard College. She has taught the Hebrew Bible as Literature at UCLA and the American Jewish University. She was born and raised in New York and now lives in Los Angeles with her husband and two daughters.“Original and thought-provoking.” —KIRKUS REVIEWS“Lemberger imbues her characters with a consciousness that, although taking place in ancient times, seems contemporary, because she brings such empathy to her characters… It is this act of empathy that shines through…. an alternative dialogue that reminds us that it is the stories that we tell that are civilization’s true heritage.” — FORBES“Fresh and engaging.” —PUBLISHERS WEEKLY“Appeals to readers with even the most basic introduction to the Biblical canon, but especially those whose imaginations are piqued by the mystery of an untold story.” —JEWISH BOOK WORLD“Reminiscent of Anita Diamant’s The Red Tent. . . . These beautifully written stories feel like meeting Eve, Lot’s wife, and many other compelling characters for the first time.” —LAUREL CORONA, author of The Mapmaker’s Daughter and The Four Seasons: A Novel of Vivaldi’s Venice“Stunning.” —MOLLY ANTOPOL, author of The UnAmericans“Gorgeous and captivating.” —DARA HORN, author of A Guide for the Perplexed and The World to Come“Marvelous.” —MICHELLE HUNEVEN, author of Off Course and Blame“What struck me most about these stories is their clear, assured confidence—as if Michal Lemberger had pulled apart some of the lines in the old story, spied a new story tucked in there way off in a corner, shimmied in a fishhook and pulled it out.” —AIMEE BENDER, author of The Color Master and The Particular Sadness of Lemon Cake

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    But it is her excursions into wild image and passionate song that win the reader's heart. The heart is central in World's Tallest Disaster, which is essentially a book of love poems—love lost and found, love requited, love abandoned and betrayed. What Cate Marvin has done in her remarkably assured and powerful first collection is to remind us in fresh terms of the news that stays news: that our desire is "Not a sea of longing,// but the brack of wanting what's physical/ to help us forget we are physical.""Violently passionate and firmly symmetrical, like tango or the blues, these poems-at first-are about sexual passion. . . . But in the great tradition of love poetry, these poems don't stop with love. They move from eros to imagination. Or they thrash between the two. . . . This is an encouraging book in the context of American poetry's fashions or factions, because it evades categories. [Marvin's] is an urgent as well as an artful voice."—from the Foreword by Robert PinskyMarketing Plans o Author tour in Ohio, Kentucky, and NYC o Brochure and postcard mailings o Advertisements in key literary and trade magazinesBook tour dates including: o Cincinnati o Louisville o New York CityCate Marvin was born in Washington, D.C. She received her B.A. from Marlboro College in Vermont, and holds two M.F.A.s: one from the University of Houston in poetry, the other from the Iowa Writers' Workshop in fiction. She has been awarded scholarships to attend both Bread Loaf and Sewanee Writers' Conferences. Her poems have appeared in such magazines as New England Review, The Antioch Review, The Paris Review, The Georgia Review, and Ploughshares, among others. She is lives in Cincinnati, Ohio, and is currently a Ph.D. candidate in English at the university there.