Laugh out loud as they encounter ‘crocodiles’ on the wall, strange African customs and unintelligible Afrikaans accents. Cringe with them as their visiting in-laws embarrass them in front of their new SA friends.If you enjoyed Educating Rita and Shirley Valentine you will recognise Mavis Turner.Set in the 1970s, But Can You Drink The Water? uses subtle observational humour with an underlying pathos to portray the upsets, hurt and changing family dynamics that emigration brings. (The story is based on a 13-part sitcom) ReviewWith a droll, witty, utterly British voice, this manuscript tackles playfully and sincerely the age-old fish out of water tale. What sustains this book, however, is the narrative voice, the dry and self-deprecating humor, and the ability of this author to tell a story simply and well. Publisher’s Weekly reviewer for the ABNA semi-finals.

    To survive in the most sophisticated - and the most scathing - nation on Earth you will need to understand the many peculiarities of the (very peculiar) French culture. And for that you need A Certain Je Ne Sais Quoi.If you want to fit in with the French you'll have to know how to deal with sardonic waiters; why French children hate Charlemagne; the etiquette of kissing, joke-telling and drinking songs, what to do with a bidet, the correct recipe for a salade nicoise and, of course, how to convey absolute, shattering indifference with a single syllable (Bof!).Charles Timoney, the author of Pardon My French, provides a practical, pleasurable guide to the charms of the Gallic people - from their daily routines to their peerless gesticulations, from their come-ons to their put-downs. Read on and put the oh la la back into your French vacances. Your inner gaul will thank you for it.

    Theroux first came to Africa as a twenty-two-year-old Peace Corps volunteer, and the pull of the vast land never left him. Now he returns, after fifty years on the road, to explore the little-traveled territory of western Africa and to take stock both of the place and of himself. His odyssey takes him northward from Cape Town, through South Africa and Namibia, then on into Angola, wishing to head farther still until he reaches the end of the line. Journeying alone through the greenest continent, Theroux encounters a world increasingly removed from both the itineraries of tourists and the hopes of postcolonial independence movements. Leaving the Cape Town townships, traversing the Namibian bush, passing the browsing cattle of the great sunbaked heartland of the savanna, Theroux crosses “the Red Line” into a different Africa: “the improvised, slapped-together Africa of tumbled fences and cooking fires, of mud and thatch,” of heat and poverty, and of roadblocks, mobs, and anarchy. After 2,500 arduous miles, he comes to the end of his journey in more ways than one, a decision he chronicles with typically unsparing honesty in a chapter called “What Am I Doing Here?” Vivid, witty, and beautifully evocative, The Last Train to Zona Verde is a fitting final African adventure from the writer whose gimlet eye and effortless prose have brought the world to generations of readers.

    The Early Years collects the lyrics—formative and classic—from the first ten albums of this true bard of hard living. A celebration of both his words and of the artist himself, this lyrical biography charts the course from Wait's emotional debut album, Closing Time (1977), to the experimental stirrings in Heartattack and Vine (1991) and One from the Heart (1992). Here the words achieve a new potency, adding further dimension to this singularly gifted artist.

    With exquisite prose, formal innovation, and a masterful command of storytelling, Ntshanga illustrates how some young people navigated the dusk that followed the dawn of freedom in South Africa and humanizes the casualties of the Mbeki government's fatal policies on HIV & AIDS."—Naomi Jackson, Poets & Writers"Woozy, touching... a novel that delivers an unexpected love letter to Cape Town, painting it as a place of frustrated glory. The Reactive often teems with a beauty that seems to carry on in front of its glue-huffing wasters despite themselves."—Marian Ryan, Slate"With The Reactive, [Ntshanga] has created an immersive and powerful portrait of drug use, community, and health issues by exploring what it was like to be young, black, South African, and HIV positive in the early aughts."—VICE"[The Reactive] is an affecting, slow-burning novel that gives a fantastic sense of a particular place and time, and of the haunted inner life of its protagonist."—Tobias Carroll, Star-Tribune (Minneapolis)"This novel about an HIV+ man who mourns the death of his brother in Cape Town is shaping up to be one of the best debuts of 2016."—Flavorwire"Sharp and affecting... [Ntshanga] directs the story with an amazing precision of language that few writers can achieve in a lifetime of work. With a style all his own, Ntshanga animates despair and agitation in a collage of moments, memories and landscapes that speak volumes of a exigent moment in South African history."—Alibi"Gritty and revealing, Ntshanga's debut novel offers a brazen portrait of present-day South Africa. This is an eye-opening, ambitious novel."—Publishers Weekly"Ntshanga offers a devastating story yet tells it with noteworthy glow and flow that keeps pages turning until the glimmer-of-hope ending."—Library JournalFrom the winner of the PEN International New Voices Award comes the story of Lindanathi, a young HIV+ man grappling with the death of his brother, for which he feels unduly responsible. He and his friends—Cecelia and Ruan—work low-paying jobs and sell anti-retroviral drugs (during the period in South Africa before ARVs became broadly distributed). In between, they huff glue, drift through parties, and traverse the streets of Cape Town where they observe the grave material disparities of their country.A mysterious masked man appears seeking to buy their surplus of ARVs, an offer that would present the friends with the opportunity to escape their environs, while at the same time forcing Lindanathi to confront his path, and finally, his past.With brilliant, shimmering prose, Ntshanga has delivered a redemptive, ambitious, and unforgettable first novel.Masande Ntshanga is the winner of the inaugural PEN International New Voices Award in 2013, and a finalist for the Caine Prize in 2015. He was born in East London in 1986 and graduated with a degree in Film and Media and an Honours degree in English Studies from UCT, where he became a creative writing fellow, completing his Masters in Creative Writing under the Mellon Mays Foundation. He received a Fulbright Award, an NRF Freestanding Masters scholarship, a Civitella Ranieri Fellowship and a Bundanon Trust Award. His work has appeared in The White Review, Chimurenga, VICE and n + 1. He has also written for Rolling Stone magazine.

    Why else would you be looking at this book? If you have ever wanted to see behind the front lines of retail, this is the book for you. If you want to validate your own experiences in retail, this is the book for you. If you just want to laugh at humorous things from funny people, this is the book for you. Packed full of true short stories from working in one of these super stores, only one conclusion can be reached in the end: Wal-Mart is the craziest place on Earth!

    Just friends. They’d never actually date each other, because they’ve been friends since childhood and that would be weird. Now it’s the apocalypse. People are leaking blood from their eyeballs and turning into homicidal oozing mutants. Fortunately, Kevin has access to an underground shelter, and he and Missy make it there in time to avoid a horrible gruesome death. But they’re trapped down there. Things are going to get weird. A gooey 24,000-word novella from the four-time Bram Stoker Award-nominated author of such demented horror/comedies as BLISTER, WOLF HUNT, DEAD CLOWN BARBECUE, and BENJAMIN'S PARASITE.

    The hilarious story of one man’s cricket obsession: from his earliest days as a fat boy growing up in a Brighton sweetshop to his years running a team of dysfunctional inadequates, cricket has offered shelter from life’s irksome realities.

     Now Reitz would join the war in Europe. Following his father’s example, Deneys Reitz refused to accept the terms of the peace treaty and went into exile, on Madagascar. After four years of trials and adventures, Reitz recounts how his former commander, J. C. Smuts, eventually persuaded him to return home to help rebuild their country. A long and troubled process, shortly after the outbreak of the First World War South Africans were further divided by the September 1914 rebellion. Serving alongside Smuts once more, Reitz describes an oft-overlooked theatre of the war as they continued their campaign into Germany’s African Colonies. Continuing immediately from Commando: A Boer Journal of the Boer War, Reitz’s stirring memoir carries him towards the Western Front and the final years of the war, fighting with the British, but not for them. Deneys Reitz (1882-1944) was a Boer solider, lawyer, author and politician. After commanding the 1st Battalion Royal Scots Fusiliers on the Western Front, at the end of the First World War he returned home, later becoming a member of the South African government. Trekking On is the second of three volumes he wrote about his life. Albion Press is an imprint of Endeavour Press, the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Hard-headed and impetuous, Rayne Gallagher flees his native South Africa after a tragic accident and joins the Rhodesian Light Infantry. He is embroiled in a war in which he has neither interest or cause when, unable to resist the lure of danger, he is recruited to lead a mission for the CIA in Mozambique. Amassed at the port of Beira is a vast military force led by Russian General Vorotnikov, which is preparing to invade Rhodesia. The general's grand scheme will shatter British plans for a peaceful transition from colony to democracy and create a major political and economic base for the USSR on South Africa's borders. Gallagher and a select group of mercenaries must ensure that the invasion never takes place. Theirs is a fight to the death - with the future of the whole of Southern Africa in the balance.

    It starts when he meets Ranna, a beautiful photographer with something to hide. Alex stopped believing in love a long time ago, yet here in the middle of East Africa, it’s found him again.Alex knows a thing or two about chaos—wherever he goes, it follows. When an IT billionaire washes up onshore after seasonal flooding, he finds himself at the center of an investigation with Ranna as the main suspect. It turns out she may have a good reason for hiding her past.Wherever she goes, murder follows.Alex should be used to these cat-and-mouse games, but this time it’s different. Should he listen to his heart and help Ranna hide the bloody trail leading to her? Or should he use his head and run for his life?

    It's a compilation of my daily ramblings as a first time novelist encouraging myself and others to bite the bullet and do it despite the fear of the blank paper, the insecurities, and the angst every writer faces when trying to bleed the story out. My Twitter followers asked me to make this book. They said they want to carry it around in their pockets and take it out each time they feel stuck, scared, or simply need to smile. They tell me my tweets are encouraging and funny. You be the judge.

    His family didn’t always have it good. His father, a criminal lawyer, succumbed to a celebral stroke when Virat was very young, depriving him of someone he calls his ‘biggest support’ both on and off the field. The son paid his tribute to Prem Kohli in a way the older man himself would have applauded: Virat Kohli returned to the field to continue an innings a few hours after he lost him. ‘He was the one who drove me to practice every day, ’ the captain of the Indian cricket team recalls with his characteristic humility and grace. Widely read sports journalist Vijay Lokapally goes on to record happier times on the journey of Virat’s rapid rise to international stardom, an account punctuated by little-known stories by his fellow players, coaches and intimates. At 28, he has already been the recipient of countless accolades — not the least of them being the Arjuna Award and the title of BCCI’s ‘International Cricketer of the Year’ for the 2011-12 and 2014-15 seasons. He was the ICC’s ‘ODI Player of the Year’ as early as in 2012. On a more commercial note, British journal SportsPro pronounced him the ‘second-most marketable athlete in the world’ just two years later. But for the Run Machine, it’s not about the money or fame or the roar of the crowds or that women of all ages vie for the wide-eyed attention of his extraordinary gaze. Few incidences have been reported of his open hearted altruism, his numerous charities for under-privileged children and his sheer pluck when the odds are against him. But what has not escaped the public eye is how this wizard of the willow and wicket wears his heavy mantle with such insouciant ease.

    In a new novel by one of the premier writers of the ''new'' South Africa, an exile returns from America--where he fled during the apartheid regime--to find his newly democratic country in a shambles.

    There were three of them, followed by screeching tyres and a screaming engine. In a matter of seconds I recalled the conversation I'd had with Mary. She'd been right after all. 'You'll be fine for a few days,' she'd said, 'but after that they'll turn on you. Our cultures are too different. You won't live through it, not just because of the cultural differences, but because of the common crime. Find a home here in the suburbs where you belong.' The three gunshots had been my first, but perhaps for those who'd lived in these streets for years they were only three gunshots among countless others. Who knows? Perhaps three a week, maybe even three a night? Either way, I'd have to get used to them - or leave. Ignoring advice from his white friends, and to the bemusement of his black friends, Steven Otter throws caution to the wind and moves into Khayelitsha, a black township outside Cape Town. The story of his experiences in the uneven spread of shacks and informal housing that are home to more than a million people provides an unusual perspective on and insight into a predominantly Xhosa community and their reaction to an umlungu in their midst. Steven comes to understand his identity as a South African, the true meaning of community and brotherhood, and that some tsotsis are not what they seem. He finds that his preconceived notions of culture and race are called into question and that ubuntu, community and a sense of humour may still thrive alongside poverty and crime.