As he becomes a toddler and they navigate the often rigid and prescriptive world of therapy, Cohen is unsettled by the evaluations they undergo: At home, Ezra is playfully expressive, sharing profound, touching moments of connection and intimacy with his mother and other family members, but in therapy he is pathologized, prodded to behave in ways that undermine his unique expression of autism.It soon becomes clear that more is at stake than just Ezra’s well-being; Cohen and her marriage are suffering as well. Ezra’s differentness, and the strain of pursuing varied therapies, takes a toll on the family—Cohen’s husband grows depressed and she pursues an affair—all as she tries to help others recognize and embrace Ezra’s uniqueness rather than force him to behave outside his comfort level. It isn’t until they abandon the expected, prescriptive notions about love, marriage, and individuality that they are able to come back together as two parents who fiercely love their little boy.Powerful and eye-opening, Seeing Ezra is an inspirational chronicle of a mother’s struggle to protect her son from a system that seeks to compartmentalize and “fix” him, and of her journey toward accepting and valuing him for who he is—just as he is.

         The Out-of-Sync Child Grows Up will be the new bible for the vast audience of parents whose children, already diagnosed with Sensory Processing Disorder, are entering the adolescent, tween, and teen years, as well as those who do not yet have a diagnosis and are struggling to meet the challenges of daily life. This book picks up where The Out-of-Sync Child left off, offering practical advice on living with SPD, covering everyday challenges as well as the social and emotional issues that many young people with SPD face. Topics include strategies for coping with the sensory aspects of grooming, social lives and dating, playing sports and music, and other issues, as well as how to find support and help from loved ones, occupational therapy, and other resources. Carol Kranowitz's insights are supplemented by first-person accounts of adolescents and teens with SPD, sharing their experiences and hard-won lessons with readers and adding a powerful personal dimension to the book.

    His disembodied voice --- arrogant and bossy --- blared out of the Icarus's control panel, not to thank her for rescuing him and his ship from the terrorist attack, but to instruct her to set a course for the most perilous planet in the solar system.On the riskiest mission of his career, Nicoli had allowed his life essence and his physical form to be separated. And the Harvestors had taken the bait --- his body. Now he needed the cocky pilot who'd stolen his vessel to help him retrieve his person and destroy the deadly race of aliens. Then he discovered the young man was a woman, and he kissed his chances of success goodbye.When Nicoli refused her assistance because of her gender, Angel would have moved heaven and earth to prove she was up to the task. But she never expected the colonel's physique to be so magnificent --- or his heart to be so courageous. And when a passion she couldn't deny flared between them, she wondered if they'd found love or flown ... TOO CLOSE TO THE SUN

    It has a good jukebox, a bartender with a generous pour, and it's always open, even in terrible weather. In the raw and beautiful country that makes up Rebecca Barry's fictional landscape, Lucy's is where everyone ends up, whether they mean to or not.There's the tipsy advice columnist who has a hard time following her own advice, the ex-con who falls for the same woman over and over again, and the soup-maker who tries to drink and cook his way out of romantic despair. Theirs are the kinds of stories about love and life that unfold late in the evening, when people finally share their secret hopes and frailties, because they know you will forgive them, or maybe make out with them for a little while. In this rich and engaging debut, each central character suffers a sobering moment of clarity in which the beauty and sadness of life is revealed. But the character does not cry or mend his ways. Instead he tips back his hat, lights another unfiltered cigarette, and heads across the floor to ask someone to dance.A poignant exploration of the sometimes tender, sometimes deeply funny ways people try to connect, Later, at the Bar is as warm and inviting as a good shot of whiskey on a cold winter night.

    • Whether lapsed poetry lovers, aspiring poets, or total novices, readers will learn to uncover verse in unexpected places, find their way through a poem when they don't quite "get it," and discover just how transformative poetry can be.• Andrea Gibson is a leading voice in spoken-word poetry, headlining prestigious performance venues internationally. Megan Falley is a National Poetry Slam finalist and creator of the online writing course "Poems That Don't Suck." Fans of Andrea Gibson's Lord of the Butterflies and Take Me With You, and Megan Falley's Drive Here and Devastate Me will love taking a deeper dive into the inspiring power of poetry. Discover or re-discover the magic that is poetry. • A gorgeous and inspiring gift for any fan of the written word• Will become a go-to volume for poetry writers and readers

    These are funny and poignant pieces, building a book that feels novelistic in sweep, yet true to the precision and direct aim of the short story. A real pleasure." —Antonya NelsonMothers and daughters ride the familial tide of joy, regret, loathing, and love in these stories of resilient and flawed women. In a battle between a teenage daughter and her mother, wheat bread and plain yogurt become weapons. An aimless college student, married to her much older professor, sneaks cigarettes while caring for their newborn son. On the eve of her husband’s fiftieth birthday, a pilfered fifth of rum, an unexpected tattoo, and rogue teenagers leave a woman questioning her place. And in a suite of stories, we follow capricious, ambitious single mother Ruby and her cautious, steadfast daughter Nora through their tumultuous life—stray men, stray cats, and psychedelic drugs—in 1970s California.Gimlet-eyed and emotionally generous, achingly real and beautifully written, these unforgettable stories lay bare the connection and conflict in families. Shout Her Lovely Name heralds the arrival of a powerful new writer.www.natalieserber.com

    Like her extraordinary novel, McCracken's stories are a delightful blend of eccentricity and romanticism. In the title story, a young man and his wife are intrigued and amused when a peculiar unknown aunt announces a surprise visit—only the old woman can't be traced on the family tree. In "What We Know About the Lost Aztec Children," the "normal" middle-class son of a former circus performer (the Armless Woman) must suddenly confront his mother's pain. In "It's Bad Luck to Die," a young woman discovers that her husband's loving creations—he's a tattoo artist—make her feel at home in her skin for the first time. Daring, offbeat, and utterly unforgettable, Here's Your Hat What's Your Hurry is the work of an unparalleled young storyteller who possesses a rare insight and unconventional wisdom far beyond her years. Her stories will steal your heart.It's bad luck to die --Some have entertained angels, unaware --Here's your hat what's your hurry --The bar of our recent unhappiness --Mercedes Kane --What we know about the lost Aztec children --June --Secretary of State --The goings-on of the world

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    Clinton Heylin’s revelatory biography, E Street Shuffle, chronicles the evolution and influence of Springsteen’s E Street Band as they rose from blue-collar New Jersey to the heights of rock stardom. The band’s players—most notably saxophonist Clarence “Big Man” Clemons, guitarist “Little” Stevie Van Zandt, and drummer Max Weinberg—became Springsteen’s comrades in concert, helping him find the elusive sound and sonic punch that highlighted The Boss’s most creative period, including Darkness on the Edge of Town, Born to Run, and Born in the USA. Fans will also learn another side of Springsteen, one punctuated with his clashes with studio executives seeking a commercially viable, radio-friendly album, and  his  temporary disbanding of the E Street Band to pursue projects like the eerie acoustic of Nebraska. Coinciding with the forteith anniversary of Springsteen’s debut album, Greetings from Asbury Park, drawing on interviews and access to new recordings and shows, Heylin paints a bold picture of The Boss.

    “The literary ‘Oscars’ features twenty outstanding examples of the best of the best in American short stories.” — Shelf Awareness for ReadersThe Best American Short Stories 2014 will be selected by national best-selling author Jennifer Egan, who won the 2011 Pulitzer Prize and the National Book Critics Circle Award for fiction for A Visit from the Goon Squad, heralded by Time magazine as “a new classic of American fiction.” Egan “possesses a satirist’s eye and a romance novelist’s heart” (New York Times Book Review).

    She is the author of Coffee House Lies: 100 Cups of Flash Fiction. www.carlyberg.com

    Grace's son Jack is a miracle. At three years old, he's fighting a mysterious, deadly disease that his doctors predicted would kill him as a baby. Even though it was determined to be mitochondrial disease, the little-known illness remains a mystery to medicine. Grace has sat by his bedside every minute he has been in the hospital, questioned every diagnosis, every medicine -- even poring over medical journals and books at home late into the night. To the world, Grace's fierce dedication is the sole reason for her son's survival. But someone suspects that perhaps Jack's disease is not what it seems.When an allegation of Munchausen Syndrome by Proxy is leveled against Grace, she begins to live in constant suspicion of everyone -- from the doctors and nurses surrounding her son in the hospital to her own husband. Who could possibly think that she has been purposely making her son ill to gain attention for herself?Although her husband believes their life is exactly as it seems to the outside world, Grace knows differently. She is harboring a secret -- the adulterous affair she's having with her first love. But perhaps her biggest betrayal of all is her shameful uncertainty about whether she's chosen the right path, the right husband, the right life.In this compelling and heartbreaking novel, critically acclaimed author Maribeth Fischer addresses how the choices we made yesterday can affect everything that lies before us.

    Now Meloy returns with a novel even more dazzling and unexpected than her first. A Family Daughter is a brilliantly entertaining, powerfully moving novel about families, love, and the desire to reimagine one’s own history.It’s 1979, and seven-year-old Abby, the youngest member of the close-knit Santerre family, is trapped indoors with the chicken pox during a heat wave. The events set in motion that summer will span decades and continents, as the Santerres become entangled with an aging French playboy, a young Eastern European prostitute, a spoiled heiress, and her ailing jet-set mother. With elegant precision, Meloy takes us through the world of this changeable family, its values and taboos, its heartbreak and bitterness and fierce devotion.A rich, full novel about passion and desire, fear and betrayal, A Family Daughter illuminates both the joys and complications of contemporary life and the relationship between truth and fiction. For everyone who has yet to meet the Santerres, unmatched pleasure awaits.

    Left in the care of her older sister, Claire, she moves on but never truly heals. Now thirty-five and married, Helen is desperate to start a family of her own. After four unsuccessful years of trying to become pregnant, Helen accepts the idea of adoption.When her baby is finally in her arms, Helen experiences true exaltation. But she is quickly blindsided with the worst possible news: Claire has cancer. Helen's wounds are again torn open as she balances the bliss of a new daughter with the grief of a dying sister.

    Sublime and ridiculous, sentimental and searing, Christmas at The New Yorker is a gift of great writing and drawing by literary legends and laugh-out-loud cartoonists.Here are seasonal stories, poems, memoirs, and more, including such classics as John Cheever’s 1949 story “Christmas Is a Sad Season for the Poor,” about an elevator operator in a Park Avenue apartment building who experiences the fickle power of charity; John Updike’s “The Carol Sing,” in which a group of small-town carolers remember an exceptionally enthusiastic fellow singer (“How he would jubilate, how he would God-rest those merry gentlemen, how he would boom out when the male voices became King Wenceslas”); and Richard Ford’s acerbic and elegiac 1998 story “Crèche,” in which an unmarried Hollywood lawyer spends an unsettling holiday with her sister’s estranged husband and kids.Here, too, are S. J. Perelman’s 1936 “Waiting for Santy,” a playlet in the style of Clifford Odets labor drama (the setting: “The sweatshop of Santa Claus, North Pole”), and Vladimir Nabokov’s heartbreaking 1975 story “Christ-mas,” in which a father grieving for his lost son in a world “ghastly with sadness” sees a tiny miracle on Christmas Eve.And it wouldn’t be Christmas—or The New Yorker—without dozens of covers and cartoons by Addams, Arno, Chast, and others, or the mischievous verse of Roger Angell, Calvin Trillin, and Ogden Nash (“Do you know Mrs. Millard Fillmore Revere?/On her calendar, Christmas comes three hundred and sixty-five times a year”).From Jazz Age to New Age, E. B. White to Garrison Keillor, these works represent eighty years of wonderful keepsakes for Christmas, from The New Yorker to you.From the Hardcover edition.