But he was unprepared for the flood of vitriol in response. The resulting blowback played out in the national media, with critics attacking Yancy in every form possible--including death threats--and supporters rallying to his side. Despite the rhetoric of a "post-race" America, Yancy quickly discovered that racism is still alive, crude, and vicious in its expression. In Backlash, Yancy expands upon the original article and chronicles the ensuing controversy as he seeks to understand what it was about the op-ed that created so much rage among so many white readers. He challenges white Americans to rise above the vitriol and to develop a new empathy for the African American experience.

    Questlove reveals the remarkable story of the captivating program, and his text is paired with more than 350 photographs of the show's most memorable episodes and the larger-than-life characters who defined it: the great host Don Cornelius, the extraordinary musicians, and the people who lived the phenomenon from dance floor. Gladys Knight contributed a foreword to this incredible volume. Nick Cannon contributed the preface.

    Peacock’s wife thinks he did it, the police think he did it, even Frank McAlpine said he did it, moments before he died. But Peacock knows he’s innocent, and he knows he’s going to work out who really killed Frank to clear his name. But commiting crimes are more in Peacock’s line of work, he doesn’t have the first clue about how to solve one. Luckily, though, he knows a man who does, a man who owes him a favour. A second Scottish noir writer, Ian Rankin, has featured Peacock as the main villain in one of his bestselling Rebus novels- A Question of Blood. And Peacock feels he was somewhat misrepresented, made out to be much more of a hardened criminal than he actually is. He’d been planning to seek compensation from Rankin, on a massive scale, but now he sees an opportunity for Ian to make things good. If Rankin can use his detective skills to work out who actually killed Frank McAlpine then Peacock is willing to drop the action for libel. The only questions are, will Rankin agree. And is he up to the job.

    I DON'T UNDERSTAND IT. I DON'T UNDERSTAND THE ROADIES FORM THAT HAS "F--K YOU, RAGHU" WRITTEN ALL OVER IT; I DON'T UNDERSTAND THE POSTER THAT WAS HELP UP THIS YEAR DURING THE CHANDIGARH AUDITIONS THAT READ, "BAAP TOH BAAP HOTA HAI. RAGHU ROX".I SEE EQUAL PARTS RESPECT, EQUAL PARTS LOATHING. EQUAL PARTS RAGHU, EQUAL PARTS THE BULLY.'There is a man - tall, bald, muscular, intimidating - who manages to induce terror and awe in all those who dare walk into his interrogation room. There was once a boy - scrawny, weak, easily intimidated, voice unbroken at fifteen - who was bullied consistently through his childhood. This is the story of how that boy became the man he is today: part-time singer, song-writer and jammer; full-time producer, cameraman and editor; Sherlock Holmes and Batman worshipper; staunch atheist with an innate fear of water and heights. This is the autobiography of the rudest man on Indian television.RAGHU RAM, THE ORIGINAL ROADIE, SPLIT WIDE OPEN

    Kelly? Three-time Grammy winner, who has sold more than 35 million records worldwide. Legendary writer and producer, who collaborated with such music icons as Michael Jackson, Celine Dion, Jay-Z, and Aretha Franklin. Visionary cultural messenger, who created the hip hopera phenomenon Trapped in the Closet. Creative genius. Sex symbol. The man who puts the “R” in R&B. Through the iconic anthem “I Believe I Can Fly” and such sexy R&B mega-hits as “Bump N’ Grind,” “Ignition,” and “When a Woman’s Fed Up,” R. Kelly has proven to be one of the greatest musical talents of his generation. Yet his rollercoaster ride to the top has been as perilous as it has been exhilarating. In Soulacoaster: The Diary of Me, Kelly shares his life story through episodic tales and exclusive color photographs, exploring his meteoric rises and sudden falls. From the crippling learning disorder that rendered him unable to read or write, to the teacher/mentor who prophesized that his destiny was in music, not basketball, we follow his evolution from Chicago street performer to struggling L.A. musician and beyond. Kelly reveals his hard-won ascent to superstardom and his battle to move forward after legal and personal ordeals that threatened to destroy his life. Now back at the top, Kelly recounts the surprising twists and turns that have taken him to new heights of maturity and artistry. Part memoir, part keepsake, Soulacoaster unlocks the door to R. Kelly’s story as only he can tell it, promising his fans an intimate and unforgettable ride.

    In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory.This thought-provoking and groundbreaking collection of essays—his first book to be published in English—develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity — violence, wonder, and laughter — to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century.This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

    Biggie Smalls, a.k.a. The Notorious B.I.G.In this riveting account of Biggie's remarkable life, hip hop journalist Cheo Hodari Coker tells the story you've never heard about the dramatic, tension-filled world of Biggie, Tupac, Puff Daddy, and Suge Knight, tracing their friendships and feuds from the beginning to the bitter end. Despite the clash of personalities and styles, all four were key players in a volatile and creative era of hip hop, a time when gangsta rap became popular music.Before he rocketed to fame as Biggie, Christopher Wallace was a young black man growing up in Brooklyn with a loving single mother. An honors student who dropped out of school to sell drugs, Biggie soon discovered that he had a gift for rocking the mike. Coker's narrative is based on exclusive interviews with Biggie's family and friends, some of whom have never spoken publicly about Biggie before.Compellingly written and brilliantly illustrated, with rare color and black-and-white photographs from Vibe's archives and Biggie's family, this is an in-depth look at the life and afterlife of an icon whose music is as powerful and prevalent as ever. A virtuoso of flow as well as a master storyteller, Biggie was arguably the greatest rapper of all time. We've heard a lot of speculation about Biggie's death. Now it's time to remember his life and celebrate his work.

    In the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no definitive history of the genre-until now. Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on "Control." Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella. Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop.

    Clayton Eshleman's translations have won widespread acclaim, including a National Book Award. Now in its second printing.

    Relying entirely on the words of the legal decision Gregson v. Gilbert--the only extant public document related to the massacre of these African slaves--Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten. Check for the online reader's companion at http: //zong.site.wesleyan.edu.

    The Black Panthers are most often remembered for their revolutionary rhetoric and militant action. Here Alondra Nelson deftly recovers an indispensable but lesser-known aspect of the organization’s broader struggle for social justice: health care. The Black Panther Party’s health activism—its network of free health clinics, its campaign to raise awareness about genetic disease, and its challenges to medical discrimination—was an expression of its founding political philosophy and also a recognition that poor blacks were both underserved by mainstream medicine and overexposed to its harms.Drawing on extensive historical research as well as interviews with former members of the Black Panther Party, Nelson argues that the Party’s focus on health care was both practical and ideological. Building on a long tradition of medical self-sufficiency among African Americans, the Panthers’ People’s Free Medical Clinics administered basic preventive care, tested for lead poisoning and hypertension, and helped with housing, employment, and social services. In 1971, the party launched a campaign to address sickle-cell anemia. In addition to establishing screening programs and educational outreach efforts, it exposed the racial biases of the medical system that had largely ignored sickle-cell anemia, a disease that predominantly affected people of African descent.The Black Panther Party’s understanding of health as a basic human right and its engagement with the social implications of genetics anticipated current debates about the politics of health and race. That legacy—and that struggle—continues today in the commitment of health activists and the fight for universal health care.

    Bonilla-Silva documented how beneath the rhetorical maze of contemporary racial discourse lies a full-blown arsenal of arguments, phrases, and stories that whites use to account for and ultimately justify racial inequities.In the new edition Bonilla-Silva has added a chapter dealing with the future of racial stratification in America that goes beyond the white / black dichotomy. He argues that the U.S. is developing a more complex and apparently "plural" racial order that will mimic Latin American patterns of racial stratification. Another new chapter addresses a variety of questions from readers of the first edition. And he has updated the book throughout with new information, data, and references where appropriate. The book ends with a new Postscript, "What is to be Done (For Real?)". As in the highly acclaimed first edition, Bonilla-Silva continues to challenge color-blind thinking.

    Now with a new introduction by the author, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.

    Olio is an effort to understand how they met, resisted, complicated, co-opted, and sometimes defeated attempts to minstrelize them.So, while I lead this choir, I still find thatI'm being led…I'm a missionarymending my faith in the midst of this flock…I toil in their fields of praise. When folks seethese freedmen stand and sing, they hear their Godspeak in tongues. These nine dark mouths sing shelter;they echo a hymn's haven from slavery's weather.Detroit native Tyehimba Jess' first book of poetry, leadbelly, was a winner of the 2004 National Poetry Series. Jess, a Cave Canem and NYU Alumni, has received fellowships from the Whiting Foundation, National Endowment for the Arts, Illinois Arts Council, and the Provincetown Fine Arts Work Center. Jess is also a veteran of the 2000 and 2001 Green Mill Poetry Slam Team. He exhibited his poetry at the 2011 TEDxNashville Conference. Jess is an Associate Professor of English at College of Staten Island.

    Lansdale, Gary Phillips, Charles R. Saunders, Derrick Ferguson, D. Alan Lewis, Christopher Chambers, Mel Odom, Kimberly Richardson, Ron Fortier, Michael A. Gonzales, Gar Anthony Haywood, and Tommy Hancock together to craft adventure tales, mysteries, and more, all with black characters at the forefront! "Literature for the masses kindled the imagination and used our reading skills so that we could regale ourselves in the cold chambers of alienation and poverty. We could become Doc Savage or The Shadow, Conan the Barbarian or the brooding King Kull and make a difference in a world definitely gone wrong."--Walter Mosley from his introduction. Between these covers are 12 tales of action, adventure, and thrills featuring heroes and heroines of darker hues that will appeal to audiences everywhere! BLACK PULP! From Pro Se Productions!