Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting.

    They are here presented as Goethe boldly conceived them together with the long-surpressed narrative poem known as The Diary. Superficially the story of a failed sexual adventure by a man of 60, at another level this is a profound study of the psychology of desire and the nature of fidelity, as well as being one of the most beautiful and good-humoured poems in the German language. Completing the edition is a selection from Goethe's more light-hearted and much censored cycle of erotica, the Venetian Epigrams. David Luke's translations do full justice to Goethe's aim of liberating German poetry and restoring sexual love to its central position in human life. Hans Vaget's fine introduction provides the background to these poems, as well as showing some of the profound and little-known connections between them.

    

    Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards. This volume collects 8 classic stories:WITCH OF THE DEMON SEAS (1951)DUEL ON SYRTIS (1951)SECURITY (1953)SENTIMENT, INC. (1953)THE SENSITIVE MAN (1954)THE CHAPTER ENDS (1954)THE VALOR OF CAPPEN VARRA (1957)INDUSTRIAL REVOLUTION (1963)And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the more than 170 entries in the MEGAPACK™ ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    It was 1st published as a hardcover in 1897 by Archibald Constable & Co. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel & invasion literature. Structurally it's an epistolary novel, told as a series of letters, diary entries, ships' logs, etc. Literary critics have examined many themes in the novel, such as the role of women in Victorian culture, conventional & conservative sexuality, immigration, colonialism, folklore & postcolonialism. Altho Stoker didn't invent the vampire, the novel's influence on the popularity of vampires has been singularly responsible for many theatrical, film & tv interpretations since its publication.FRANKENSTEIN or The Modern Prometheus is a novel about a failed artificial life experiment that's produced a monster, written by Mary Shelley. She started writing the story when she was 18. It was published when she was 21. The 1st edition was published anonymously in London in 1818. Shelley's name appears on the 2nd edition, published in France in 1823. She'd travelled the region in which the story takes place. The topics of galvanism & other similar occult ideas were themes of conversation among her companions, particularly her future husband Percy Bysshe Shelley. The storyline was taken from a dream. She was talking with three writer-colleagues, Percy Bysshe Shelley, Lord Byron & John Polidori. They decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her storyline could be, she dreamt about a scientist who created life & was horrified by what he'd made. Then Frankenstein was written. Frankenstein is infused with some elements of the Gothic novel & the Romantic movement & is also considered to be an early example of sf. Brian Aldiss has argued it should be considered the 1st true sf story, because unlike in previous stories with fantastical elements resembling those of later sf, the central character "makes a deliberate decision" & "turns to modern experiments in the laboratory" to achieve fantastic results. The story is partially based on Giovanni Aldini's electrical experiments on dead & living animals & was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in its subtitle, The Modern Prometheus. It's had a considerable influence across literature & popular culture & spawned a complete genre of horror stories & films.

    Meanwhile in London, anthropologist Kelly Kinnear is forced into violent confrontation with the shareholders of the most powerful conglomerate in the City of London, warning them of the destruction of an African country. Now the time has come to act. Together, Armstrong and Kinnear forge a passionate alliance – and begin the fight against the forces of greed, evil and corruption attacking a land they would both give their lives to save . . .Hungry as the Sea: Nick Berg - robbed of his wife and ousted from his huge shipping empire - is hell-bent on vengeance. It is the sea which gives him his opportunity. When his arch-rival's luxury liner is trapped in the tempestuous Antarctic, Nick stakes all to pit his powerful salvage tug, the Warlock, in a desperate race against time and the elements . . .Wild Justice: The hijacking of a jumbo jet off the Seychelles galvanizes anti-terrorist chief Peter Stride into the action for which he has spent a lifetime training. But in the hail of bullets which follows, he knows that this is only the beginning of a nightmare. Stride is the one man who might find the twisted genius who holds the world hostage – if only his every move were not anticipated by the enemy . . .

    Bawdy, funny, touching, and downright outrageous, there's simply no one else like Roald Dahl.This volume is a diabolical collection of 28 of Dahl's best stories. Shiver to classics like The Man From the South, Taste, Royal Jelly and The Great Switcheroo and hard-to-find gems like Poison, The Wish and Neck. It's the perfect remedy for a sleepless night. From Someone Like YouTasteLamb to the SlaughterMan from the SouthThe SoldierDip in the PoolGalloping FoxleySkinPoisonWishNeckSound MachineNunc DimittisGreat Automatic GrammatizatorClaud's DogRatcatcherRumminsMr HoddyMr FeaseyFrom Kiss KissLandladyWilliam and MaryThe Way Up to HeavenRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigChampion of the WorldFrom Switch BitchGreat SwitcherooLast ActBitch

    Can be read separately. This book is not for the faint at heart.ROCK-A-BYE BABY:Lisa Rasmussen just had a baby and everything in her life seems perfect at this point. Only she wishes that everyone else around her would be as flawless as she is and stop getting in her way. And if they won't listen, then she'll make them.EENIE, MEENIE:Johnny is a criminal. He has been locked up before - but never in a place quite like this. Now he wonders if he will ever make it through to his release date - alive...NIBBLE, NIBBLE, CRUNCH:Warning: After reading this story you'll never be able to look at a snowman the same way again.In the beginning she thought it was sweet, this snowman who emerged as if from nowhere, but soon the six-year old Emma realizes that this snowman is different ... very different.HUMPTY, DUMPTY:They thought it would be easy. Four boys from a nearby boarding school planned on attacking and killing a family - just for the fun of it. But they hadn't prepared themselves for the terror of what they would meet inside of the house in shape of a little girl with a very special gift.As a bonus this ebook also includes an excerpt from Willow Rose's bestselling novel One, Two ... He is coming for you the first book in her popular Rebekka Franck series.

    Embedded in English legend and English association, they were set in the narratve frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true story, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63