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    It is an acquired taste, for those who do not mind profanity and dishevelled emotions.

    

    Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    E. Cummings, along with Pound, Eliot, and Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized as the author of some of the most beautiful lyric poems written in the English language and also as one of the most inventive American poets of his time. Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love. No Thanks was first published in 1935; although Cummings was by then in mid-career, he had still not achieved recognition, and the title refers ironically to publishers' rejections. No Thanks contains some of Cummings's most daring literary experiments, and it represents most fully his view of life—romantic individualism. The poems celebrate an openly felt response to the beauties of the natural world, and they give first place to love, especially sexual love, in all its manifestations. The volume includes such favorites as "sonnet entitled how to run the world)," "may I feel said he," "Jehovah buried. Satan dead," "be of love (a little)," and the now-famous grasshopper poem.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    

    She’s also the wedding dress consultant, inevitable crisis manager, sometimes cake tester, and reluctant therapist to all the brides who come through the doors of Bayside Brides in downtown Oyster Bay. And after years of standing back and watching other women find their happy endings, she makes a promise to herself that this year, she will be one of them. With her brother’s wedding approaching, she sees an opportunity to expand her business and finally shed those last few (okay, more than a few) pounds she put on since chocolate and wine replaced her no-good boyfriend a year ago. But when her ex snags an invitation to the event, Melanie turns to her best friend to pose as her date. Back in town to take over his retiring father’s medical practice, Jason Sawyer is sweet, smart, and reliable. He’s also been in love with Melanie since they were kids—not that she ever noticed. Now, with a second chance within reach, he has to decide if he will admit his feelings or move on for good. All Melanie wants is the same promise she makes to her clients every day, but when professional and personal plans collide, she realizes that happy endings don’t all come in the same form, and that sometimes, the life you thought you wanted isn’t nearly as wonderful as the one you already have.

    The only thing getting her through the guilt of taking the trip against her father's wishes is the beautiful sunset in the hills and the echoes of her heartfelt conversations with Arjun. As she uncovers some secrets of her mother's life from the diary throughout the trip, she struggles against the fate decided for her and dares to hope for something more out of her life and with Arjun.But when her father's constant demands to come back home threaten to cut her trip short, Saanchi must make a choice. Will she go back to her restrictive life or take a chance at living life on her terms?***That Summer - Nivedita KarmaranAfter being forced to spend that summer at Bungalow No. 64, a thirteen-year-old recluse yet free-spirited Rashi Anand, who is bored of her parents’ monotonous lives forms an unexpected friendship with the maintenance man of her guarded society, Lalit. She should have nothing to do with him, yet they find themselves comforting and confiding in each other. But is such friendship considered forbidden? Would Rashi rebel to rescue her friendship and will their friendship stand the test of time?

    Ephemeral, vivid and therapeutic poems infused with mysticism and female sexuality are accompanied by intimate self-portraits and nude photographs of the artist's closest friends. Taken on black and white film, these pictures were created especially for this book of poetry making it both a visual and written account of the author's personal journey through a difficult time in her life. By diving deep into her individual and intimate experiences, Neringa creates a work of art where everyone can find themselves by immersing themselves in her honest storytelling.

    Wildly written in a sleep deprived haze, these pages contain an assortment of subject matter and styles all put together into one- which just feels so incredibly human..

    The collection includes:RUPERT BROOKEPEACESAFETYTHE DEADTHE DEADTHE SOLDIEREDWARD THOMASADLESTROPTEARSTHE OWLRAINTHE CHERRY TREESAS THE TEAM'S HEAD-BRASSSIEGFRIED SASSOON"THEY"THE REAR-GUARDI STOOD WITH THE DEADSUICIDE IN TRENCHESTHE GENERALHOW TO DIEGLORY OF WOMENTHEIR FRAILTYDOES IT MATTER?SURVIVORSEVERYONE SANGTO ANY DEAD OFFICERSICK LEAVEIVOR GURNEYTO HIS LOVETHE SILENT ONEISAAC ROSENBERGBREAK OF DAY IN THE TRENCHESLOUSE HUNTINGON RECEIVING NEWS OF THE WARDEAD MAN'S DUMPRETURNING, WE HEAR THE LARKSWILFRED OWENANTHEM FOR DOOMED YOUTHAPOLOGIA PRO POEMATE MEODULCE ET DECORUM ESTSTRANGE MEETINGFUTILITYDISABLEDMINERSS.I.W.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.