It begins in 2010 and moves backward and forward in time, from the present day to twentieth-century Poland, France, Germany, England, and America, ending in the courtroom of the Palace of Justice at the International Military Tribunal in Nuremberg in 1945. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University, welcomed as the first international law academic to give a lecture there on such subjects in fifty years. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life and of his flight first to Vienna and then to Paris, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each of whom had come to be considered the finest international legal mind of the twentieth century, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

    In a country where the headquarters of the secret police can become a museum literally overnight, and one in 50 East Germans were informing on their countrymen and women, there are a thousand stories just waiting to get out. Anna Funder tells extraordinary tales from the underbelly of the former East Germany - she meets Miriam, who as a 16-year-old might have started World War III, visits the man who painted the line which became the Berlin Wall and gets drunk with the legendary 'Mik Jegger' of the East, once declared by the authorities to his face to 'no longer to exist'. Written with wit and literary flair, Stasiland provides a rivetting insight into life behind the wall.

    Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story of Poland's war in its entirety, a story that captures both the diversity and the depth of the lives of those who endured its horrors.Most histories of the European war focus on the Allies' determination to liberate the continent from the fascist onslaught. Yet the "good war" looks quite different when viewed from Lodz or Krakow than from London or Washington, D.C. Poland emerged from the war trapped behind the Iron Curtain, and it would be nearly a half-century until Poland gained the freedom that its partners had secured with the defeat of Hitler. Rescuing the stories of those who died and those who vanished, those who fought and those who escaped, Kochanski deftly reconstructs the world of wartime Poland in all its complexity-from collaboration to resistance, from expulsion to exile, from Warsaw to Treblinka. The Eagle Unbowed provides in a single volume the first truly comprehensive account of one of the most harrowing periods in modern history.

    Winner of the Sandor Marai prize, and in the tradition of 'A Curious Incident' and 'Boy in the Striped Pyjamas', 'The White King' is the story about a young boy in a totalitarian state in a quest for his disappeared father."

    Fifty years later, Roma, an artist living in Germany, attended a screening of Steven Spielberg’s Schindler’s List, and instantly knew that “the girl in the red coat”—the only splash of color in the film—was her. Thus began a harrowing journey into the past, as Roma Ligocka sought to reclaim her life and put together the pieces of a shattered childhood. The result is this remarkable memoir, a fifty-year chronicle of survival and its aftermath. With brutal honesty, Ligocka recollects a childhood at the heart of evil: the flashing black boots, the sudden executions, her mother weeping, her father vanished…then her own harrowing escape and the strange twists of fate that allowed her to live on into the haunted years after the war. Powerful, lyrical, and unique among Holocaust memoirs, The Girl in the Red Coat eloquently explores the power of evil to twist our lives long after we have survived it. It is a story for anyone who has ever known the darkness of an unbearable past—and searched for the courage to move forward into the light.

    She met and married Etienne Szabo, a Captain in the French Foreign Legion in 1940. Shortly after the birth of her daughter, Tania, her husband died at El Alamein. She became a FANY (First Aid Nursing Yeomanry) and was recruited into the SOE and underwent secret agent training. Her first trip to France was completed successfully even though she was arrested and then released by the French Police.On June 7th, 1944, Szabo was parachuted into Limoges. Her task was to co-ordinate the work of the French Resistance in the area in the first days after D-Day. She was captured by the SS 'Das Reich' Panzer Division and handed over to the Gestapo in Paris for interrogation. From Paris, Violette Szabo was sent to Ravensbruck concentration camp where she was executed in January 1945. She was only 23 and for her courage was posthumously awarded The George Cross and the Croix de Guerre.

    She opens La Maison du Livre, Berlin's first French bookshop, attracting artists and diplomats, celebrities and poets. The shop becomes a haven for intellectual exchange as Nazi ideology begins to poison the culturally rich city. In 1935, the scene continues to darken. First come the new bureaucratic hurdles, followed by frequent police visits and book confiscations.Françoise's dream finally shatters on Kristallnacht in November 1938, as hundreds of Jewish shops and businesses are destroyed. La Maison du Livre is miraculously spared, but fear of persecution eventually forces Françoise on a desperate, lonely flight to Paris. When the city is bombed, she seeks refuge across southern France, witnessing countless horrors: children torn from their parents, mothers throwing themselves under buses. Secreted away from one safe house to the next, Françoise survives at the heroic hands of strangers risking their lives to protect her.Published quietly in 1945, then rediscovered nearly sixty years later in an attic.

    In the coming years, Hanna would learn the painful truth: after being stripped of their business, forced from their Zuhause (home), and deported to endure six months of inhumane conditions in the Lodz Ghetto, her parents were gassed in a brutally efficient killing operation in a remote forested area near Chelmno, Poland, on May 3, 1942. Written over a four-year period beginning when Hanna was about seventy-five years old, A Garland for Ashes is both a gripping detective story recounting the heartbreaking process of discovering her family’s fate and a poignant account of her journey from vengeful hatred to forgiveness and release from bitterness.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    A biography of the woman whose marriage to King Henry VIII of England resulted in an irreversible break between the Church of England and the Papacy, the birth of the future Queen Elizabeth I, and in her own beheading.

    This scene opens a novel of extraordinary scope and depth, a masterwork that traces the fate of myriad Europeans―Hungarians, Jews, Germans, Gypsies―across the treacherous years of the mid-twentieth century.Three unusual men are at the heart of Parallel Stories: Hans von Wolkenstein, whose German mother is linked to secrets of fascist-Nazi collaboration during the 1940s; Ágost Lippay Lehr, whose influential father has served Hungary's different political regimes for decades; and András Rott, who has his own dark record of mysterious activities abroad. The web of extended and interconnected dramas reaches from 1989 back to the spring of 1939, when Europe trembled on the edge of war, and extends to the bestial times of 1944–45, when Budapest was besieged, the Final Solution devastated Hungary's Jews, and the war came to an end, and on to the cataclysmic Hungarian Revolution of October 1956. We follow these men from Berlin and Moscow to Switzerland and Holland, from the Mediterranean to the North Sea, and of course, from village to city in Hungary. The social and political circumstances of their lives may vary greatly, their sexual and spiritual longings may seem to each of them entirely unique, yet Péter Nádas's magnificent tapestry unveils uncanny reverberating parallels that link them across time and space. This is Péter Nádas's masterpiece―eighteen years in the writing, a sensation in Hungary even before it was published, and almost four years in the translating. Parallel Stories is the first foreign translation of this daring, demanding, and momentous novel, and it confirms for an even larger audience what Hungary already knows: that it is the author's greatest work.

    In politics there's absolutely nothing new. Again, out of impatience I feel myself beginning to fall into melancholy. There is really no way out of this for us." This is Dawid Sierakowiak's final diary entry. Soon after writing it, the young author died of tuberculosis, exhaustion, and starvation―the Holocaust syndrome known as "ghetto disease." After the liberation of the Lodz Ghetto, his notebooks were found stacked on a cookstove, ready to be burned for heat. Young Sierakowiak was one of more than 60,000 Jews who perished in that notorious urban slave camp, a man-made hell which was the longest surviving concentration of Jews in Nazi Europe. The diary comprises a remarkable legacy left to humanity by its teenage author. It is one of the most fastidiously detailed accounts ever rendered of modern life in human bondage. Off mountain climbing and studying in southern Poland during the summer of 1939, Dawid begins his diary with a heady enthusiasm to experience life, learn languages, and read great literature. He returns home under the quickly gathering clouds of war. Abruptly Lodz is occupied by the Nazis, and the Sierakowiak family is among the city's 200,000 Jews who are soon forced into a sealed ghetto, completely cut off from the outside world. With intimate, undefended prose, the diary's young author begins to describe the relentless horror of their predicament: his daily struggle to obtain food to survive; trying to make reason out of a world gone mad; coping with the plagues of death and deportation. Repeatedly he rallies himself against fear and pessimism, fighting the cold, disease, and exhaustion which finally consume him. Physical pain and emotional woe hold him constantly at the edge of endurance. Hunger tears Dawid's family apart, turning his father into a thief who steals bread from his wife and children. The wonder of the diary is that every bit of hardship yields wisdom from Dawid's remarkable intellect. Reading it, you become a prisoner with him in the ghetto, and with discomfiting intimacy you begin to experience the incredible process by which the vast majority of the Jews of Europe were annihilated in World War II. Significantly, the youth has no doubt about the consequence of deportation out of the ghetto: "Deportation into lard," he calls it. A committed communist and the unit leader of an underground organization, he crusades for more food for the ghetto's school children. But when invited to pledge his life to a suicide resistance squad, he writes that he cannot become a "professional revolutionary." He owes his strength and life to the care of his family.

    For the next six years, separately and in concert, they waged a heroic war of resistance against Hitler’s war machine that culminated in the Warsaw Ghetto Uprising. In Isaac’s Army, Matthew Brzezinski delivers the first-ever comprehensive narrative account of that struggle, following a group of dedicated young Jews—some barely out of their teens—whose individual acts of defiance helped rewrite the ending of World War II.  Based on first-person accounts from diaries, interviews, and surviving relatives, Isaac’s Army chronicles the extraordinary triumphs and devastating setbacks that befell the Jewish underground from its earliest acts of defiance in 1939 to the exodus to Palestine in 1946. This is the remarkable true story of the Jewish resistance from the perspective of those who led it: Isaac Zuckerman, the confident and charismatic twenty-four-year-old founder of the Jewish Fighting Organization; Simha Ratheiser, Isaac’s fifteen-year-old bodyguard, whose boyish good looks and seeming immunity to danger made him an ideal courier; and Zivia Lubetkin, the warrior queen of the underground who, upon hearing the first intimations of the Holocaust, declared: “We are going to defend ourselves.” Joined by allies on the left and right, they survived Gestapo torture chambers, smuggled arms, ran covert printing presses, opened illegal schools, robbed banks, executed collaborators, and fought in the two largest rebellions of the war.   Hunted by the Germans and bedeviled by the “Greasers”—roving bands of blackmailers who routinely turned in resistance fighters for profit—the movement was chronically short on firepower but long on ingenuity. Its members hatched plots in dank basements, never more than a door knock away from summary execution, and slogged through fetid sewers to escape the burning Ghetto to the forests surrounding the city. And after the initial uprising was ruthlessly put down by the SS, they gambled everything on a bold plan for a citywide revolt—of both Jews and Gentiles—that could end only in victory or total destruction. The money they raised helped thousands hide when the Ghetto was liquidated. The documents they forged offered lifelines to families desperate to escape the horror of the Holocaust. And when the war was over, they helped found the state of Israel.   A story of secret alliances, internal rivalries, and undying commitment to a cause, Isaac’s Army is history at its most heart-wrenching. Driven by an unforgettable cast of characters, it’s a true-life tale with the pulse of a great novel, and a celebration of the indomitable spirit of resistance.Advance praise for Isaac’s Army   “Told with care and compassion, Matthew Brzezinski’s Isaac’s Army is a riveting account of the Jewish resistance in wartime Poland. This is an intense story that transcends the horror of the time and finds real inspiration in the bravery of those who fought back—some of whom lived to tell their stories. Highly recommended.”—Alan Furst, author of Mission to Paris

    While paying tribute to Slovakia's resilience and struggle for survival, it describes contributions to European civilization in the Middle Ages; the development of Slovak consciousness in response to Magyarization; its struggle for autonomy in Czechoslovakia after the Treaty of Versailles; its resistance, as the first Slovak Republic, to a Nazi-controlled Europe; its reaction to Communism; and the path that led to the creation of the second Slovak Republic. Now fully updated to the present day, the book examines the vagaries of Slovak post-Communist politics that led to Slovakia's membership in NATO and the European Union.

    An unstable mixture of wizards, obsessives, melancholics, bores, musicians and warriors, they saw off—through luck, guile and sheer mulishness—any number of rivals, until finally packing up in 1918. From their principal lairs along the Danube they ruled most of Central Europe and Germany and interfered everywhere—indeed the history of Europe hardly makes sense without the House of Hapsburg.Danubia, Simon Winder's hilarious new book, plunges the reader into a maelstrom of alchemy, royalty, skeletons, jewels, bear-moats, unfortunate marriages and a guinea-pig village. Full of music, piracy, religion and fighting, it is the history of a strange dynasty, and the people they ruled, who spoke many different languages, lived in a vast range of landscapes, believed in rival gods and often showed a marked ingratitude towards their oddball ruler in Vienna. Readers who discovered Simon Winder's storytelling genius and infectious curiosity in Germania will be delighted by the eccentric and fascinating tale of the Habsburgs and their world.