In his second collection of poetry, The Dark Between Stars, he turns his attention to the dualities of our lived experiences—the inescapable connections between our highest highs and lowest lows. He captures the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. While grappling with the question of how to live with purpose and find meaning in the journey, these poems offer both honest explorations of loneliness and our search for connection, as well as light-hearted, humorous observations. As Atticus writes poignantly about dancing, Paris, jazz clubs, sunsets, sharing a bottle of wine on the river, rainy days, creating, and destroying, he illustrates that we need moments of both beauty and pain—the darkness and the stars—to fully appreciate all that life and love have to offer.

    Translated from the Polish by award-winning translators John and Bogdana Carpenter, these sixty-eight verse and prose poems span forty years of Herbert's incredible life and work. The pieces are organized chronologically from 1950 to 1990, with an emphasis on the writer's early and late poems.Here Zbigniew Herbert's poetry turns from the public--what we have come to expect from this poet--to the more personal. The title poem, "Elegy for the Departure of Pen Ink and Lamp , is a three-part farewell ode to the inanimate objects and memories of childhood. Herbert reflects on the relationship between the living and the dead in "What Our Dead Do," the state of his homeland in "Country," and the power of language in "We fall asleep on words . . . " Herbert's short prose poems read like aphorisms, deceptively whimsical but always wise: "Bears are divided into brown and white, also paws, head, and trunk. They have nice snouts, and small eyes.... Children who love Winnie-the-Pooh would give them anything, but a hunter walks in the forest and aims with his rifle between that pair of small eyes."Elegy for the Departure and Other Poems confirms Zbigniew Herbert's place as one of the world's greatest and most influential poets.

    

    In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.

    Rod McKuen's most personal book of poetry.

    But when Grayson Park's bride leaves him at the altar, a solo trip to paradise seems like just the thing to take him far from his troubles. Then he meets the beautiful and enigmatic Hi'iaka, and his troubles just begin--because when she's abducted by the sinister Kamapua'a, a savage creature bent on draining her life by the light of the full moon, she calls on Grayson to rescue her. With his loyal, new-found Hawaiian friend Polunu as his steadfast guide, Grayson sets out on an incredible adventure that pits him against the very gods of Hawaiian mythology and leads him to the heart of Pele's volcano, into the ocean to find the mythical Hook of Maui, and through the strange and brutal upcountry fleeing from demonic mo'o sent to destroy him. But there are only two nights left before the moon becomes full, and Grayson is running out of time to save Hi'iaka...and himself.

    Magazine, which covered the Southern California, and national, poetry scene in the mid-90's. It covers the growth of slam, with interviews and profiles of many poets who are now important figures in American poetry.

    This program of Bukowski's raucous poetry, recorded live in 1980, takes as its theme the poet's intimate relationship with the urban underbelly.

    Joining together with a wizard, a druid, a necromancer, and a crusader, Morbed has arrived at a remote island to track down an elusive vagabond andreclaim valuable items pilfered from the city of Westmarch.But there is something loose on the island, something that has killed and is very close to killing again. In order to leave the island alive, Morbed will be forced to confront not only the terrifying creature that stalks the forests, but the darkest corners of his own spirit as well.

    The poet has faith in economy and trusts in images to transfer knowledge that speech cannot. In Curses and Wishes the short, simple lines add up to a thoughtful book possessed with lyrical melancholy, a harmony of sadness and joy that sings: May happiness be a wheel, a lit throne, spinning / in the vast pinprick of darkness. By the close of this ambitious work the poet has inspired readers to see the multifaceted effects of our human connections.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.