Get Fuzzy has become a hit cartoon with its bitingly funny portrait of single life with pets.And why not? The laughs come fast and furious. Get Fuzzy features Rob Wilco, a single, mild-mannered advertising executive who's the so-called guardian of Bucky and Satchel, anthropomorphic scamps that still live by their animal instincts. Bucky, a temperamental cat who carries a boom box and goes on spending sprees, definitely calls the shots in this eclectic household, while Satchel is a kindly canine with a sensitive soul who tries to remain neutral, even though he bears the brunt of his feline companion's mischief.Between the three of them, the Wilco household faces a whole host of trials and tribulations that classify them as family. Satchel wants his boundaries respected. Bucky refuses to eat vegetables but insists on snarfing up Rob's plants. Rob tries to meet women, but his pets continually subvert his efforts. In every frame, Get Fuzzy depicts the hilarious war between the species, giving the animals an equal footing in hilarious one-upmanship.Get Fuzzy is the comic strip for everyone who loves their pets with an attitude. That said, Groovitude is Get Fuzzy at its finest.Contains cartoons from The Dog Is Not a Toy and Fuzzy Logic.

    Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie's earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York's "seventh circle of hell." The drawings from her early twenties—of tattoo artists, dangerous men—reflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art. This slipcased limited edition is signed by S., R., and A. Crumb, including a signed print.

    Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

    Misery Loves Comedy collects the first three issues of the legendary comic book series Schizo in their entirety, as well as a host of miscellaneous flotsam and jetsam from various anthologies, c. 1992-2005. Readers will find the author's unwitting self-caricature as a paranoid, deluded young man intriguingly repugnant and often chuckle-inducing. Besides Brunetti's trademark nihilism, self-loathing, relentless depression, and inchoate, spittle-soaked misanthropy, these earlier comics offer a dollop of scatology and blasphemy for that extra puerile, lowbrow tang. These are comics for those who enjoy witnessing one man's sanity in its final death rattle, swinging its tail from anhedonia to schadenfreude and back again. Also: lots and lots of filthy jokes.

    During its 31 year run, it was enormously popular with the public and with many writers, artists, and intellectuals of the time. An innovative cartoon masterpiece and the first major biographical work on the artist himself.

    In 1989, a prescient Chris Oliveros created D+Q with a simple mandate to publish the worlds best cartoonists. Thanks to his taste-making visual acumen and the support of over fifty cartoonists from the past two decades, D+Q has grown from an annual stapled anthology into one of the world's leading graphic novel publishers. With hundreds of pages of comics by Drawn & Quarterly cartoonists, D+Q: 25 features new work by Kate Beaton, Chester Brown, Michael DeForge, Tom Gauld, Miriam Katin, Rutu Modan, James Sturm, Jillian Tamaki, Yoshihiro Tatsumi alongside rare and never-before-seen work from Guy Delisle, Debbie Drechsler, Julie Doucet, John Porcellino, Art Spiegelman, and Adrian Tomine, and a cover by Tom Gauld. Editor Tom Devlin digs into the company archives for rare photographs, correspondence, and comics; assembles biographies, personal reminiscences, and interviews with key D+Q staff; and curates essays by Margaret Atwood, Sheila Heti, Jonathan Lethem, Deb Olin Unferth, Heather O'Neill, Lemony Snicket, Chris Ware, and noted comics scholars.D+Q: 25 is the rare chance to witness a literary movement in progress; how a group of dedicated artists and their publisher changed the future of a century-old medium.

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    With this strong entry in the autobiographical comic genre, Roberts is unafraid to show herself looking bad, such as when she's frustrated when her daughter, Xia, calls her-only to find out it's to say "I love you." In the comic's best pages, Roberts and Xia struggle with toilet training ("That already happened," Xia beams when she is warned to keep her butt out of the bowl), and Xia abuses her swearing privileges. The linework on the characters is detailed while retaining a sketchiness for backgrounds that makes the figures feel raw, rather than polished. The simple, direct art makes for an intimate, personal journey through Roberts's life as a mother and creator." Alex Hoffman, Sequential State, 5 June, 2015 - "Roberts' comics primarily explore her relationship with her daughter Xia and husband Scott, as well as her interactions with friends and extended family. These are classic slice-of-life comics, and Roberts uses sometimes panels, sometimes full pages to capture the essence of certain moments. Xia is growing up and learning about the world around her, and the strange internal logic of toddlers gives Miseryland much of its charm. Slice-of-life comics can often be cute or endearing, but Miseryland is funny, laugh out loud funny, mostly due to the inanities and bad behaviors of its youngest cast member and Roberts' deadpan reactions. Importantly, Roberts isn't writing a "kids say the darndest things" comic; as panels and pages fall into place throughout Miseryland, these small stories paint a picture of Roberts as a melancholy, anxious mother living with bipolar disorder and trying to find the best way to raise her daughter. Xia is oftentimes the access point to these feelings, pointing out the hidden in ways that make it seem obvious. Miseryland isn't a tell all, either - even when things like Roberts miscarriage come up, the stories told are more a remembering than an exposure. We find Roberts at high and low points throughout the book, and while these moments coalesce into a larger vision, Miseryland has time to explore the way creative processes and personal time are changed after you have children. Some of these comics are certainly a part of the book because Xia wasn't napping when Roberts was drawing, just as some are there to illustrate Roberts fears and frustrations." printed with the assistance of Koyama Press

    The book includes the 80% of comics NOT posted online, interviews, funny fan letters and never before seen illustrations! It chronicles Wertz's first year of making comics, living in San Francisco, going to conventions, moving apartments, finishing college, the demise of a relationship, all that typical crap but nicely wrapped up into tiny little boxes on paper! Includes an introduction by Peter Bagge.

    . . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." - Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten and twenty years before. We see the inevitable as the characters bicker or celebrate, unaware of what's coming. Throughout this dystopic graphic novel, Chippendale uses humor and a frantic drawing style to show how the insidious nature of corporate greed and the commodification of everything have warped society into a killing machine. Sardonic and self-aware, Puke Force asks all the right questions, providing a startling and on-point take on contemporary social issues. Chippendale's artwork makes each panel a masterpiece of thrumming linework and lo-fi magic, as his storytelling wends and winds its way to a fascinating conclusion.

    Lenore: Noogies is a romp into the dark, surreal world of a little dead girl. Featuring stories about limbless cannibals, clock monsters, cursed vampire dolls, taxidermied friends and obssesed would be lover and more fuzzy animal mutilations than should be legal. Lenore is one of the funniest, darkest comic books on the marketplace today.

    Over the course of 15 years and 64 issues of his much-loved, self published 'zine KING-CAT Comics and Stories, John has chronicled his life and the world around him with honesty, grace, and intelligence. "Diary" compiles stories from a decade's worth of KING-CAT on the subject of his years spent as a mosquito exterminator. From early, scratchy punk drawings to later, more refined work (as well as 30 brand-new pages created specifically for this edition...), John examines his time on the job, and how it affected his life, his health, and his view of the world.

    Ruby Elliot, aka Rubyetc, is the talent behind the hit tumblr account, 'Rubyetc', which has over 210k followers and growing. Taking readers on a journey through the ups and downs of life, the book will encompass everything from anxiety, bipolar disorder and body image to depression and identity, shining a light on very real problems - all framed with Ruby's trademark humour and originality.Ruby balances mental health with humour, making serious issues accessible - and very funny. With the superb talent to capture the essence of human emotion (and to make you laugh out loud), this book is as important and necessary as it is entertaining. IT'S ALL ABSOLUTELY FINE will include mostly never-before-seen material, both written and illustrated, and will be an empowering book that will make you laugh, make you think, and make things ok.

    With a bright, positive outlook and a sense of humor, Super Chill tells a story that is both highly relatable and intensely personal.

    1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing-room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine de Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst’s “seven deadly elements.” “Oedipus,” “The Court of the Dragon,” and “Three Visible Poems” are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine de Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.