His memoir begins with surprising and often moving stories of his early life—his time at the Spanish & Portuguese Jewish Orphanage in Maida Vale, fighting fascists in London's East End, and fighting in the army of the fledgling state of Israel in the late 1940s. He then discusses his extraordinary career, during which he cut the hair of everyone who was anyone—including Mary Quant, Grace Coddington, Twiggy, Rita Hayworth, and Mia Farrow; launched salons all over the world; founded the hairdressing school that still bears his name; and became a global brand. He also shares the passions that drive him—architecture and beautiful women, Israel and anti-Semitism, family ties and season tickets at Chelsea. The compelling memoir of a genuine fashion icon who reinvented the art of hairdressing.

    It represents both a crisis and an opportunity. Everything depends on the actions that people take into their own hands.'How does politics shape our world, our lives and our perceptions? How much of 'common sense' is actually driven by the ruling classes' needs and interests? And how are we to challenge the capitalist structures that now threaten all life on the planet? Consequences of Capitalism exposes the deep, often unseen connections between neoliberal 'common sense' and structural power. In making these linkages, we see how the current hegemony keeps social justice movements divided and marginalized. And, most importantly, we see how we can fight to overcome these divisions.

    This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age - notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently - among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.Selected and with an introduction by David Norbrook, and edited by H.R. Woudhuysen.

    In the best tradition of sound-bites and pithily entertaining witticism, the authors gather together essential facts and fascinating insights about William Shakespeare--probably the most famous writer of all time--and the world in which he lived and worked.

    Florida's bestselling The Rise of the Creative Class identified these workers as the source of economic revitalization in American cities. In that book, he shows that investment in technology and a civic culture of tolerance (most–often marked by the presence of a large gay community) are the key ingredients to attracting and maintaining a local creative class. In The Flight of the Creative Class, Florida expands his research to cover the global competition to attract the Creative Class. The United States was, up until 2002, the unparalleled leader in creative capital. But several key events––the Bush administrations emphasis on smokestack industries, heightened security concerns after 9/11 and the growing cultural divide between conservatives and liberals––have put the US at a substantial dis–advantage.

    His unique, melodic compositions were released on the Prestige jazz label. In the late 1960s the Viking-garbed Moondog was a pop music sensation on Columbia Records. Moondog is the noted inspiration for the contemporary freak folk movement led by Devendra Banhart.Moondog's compositional style influenced his former roommate, Philip Glass, whose Preface and performances of Moondog works appear in the book. Moondog's work transcends labels and redefines the distinction between popular and high culture. A CD compilation with a variety of Moondog's compositions is bound into the book.The CD tracklisting is as follows:1: Caribea (1:32)Performer/Composer: Moondog2: To a Sea Horse (1:43)Performer/Composer: Moondog3: Trees Against the Sky (.51)Performer/Composer: Moondog4: Oo Debut (1:09)Performer/Composer: Moondog5: Autumn (2:07)Performer/Composer: Moondog6: Moondog Monologue (8:24)Performer/Composer: Moondog7: Moondog’s Theme (1:53)Performer/Composer: Moondog8: Trimbas in Quarters (1:47)Performer/Composer: Moondog9: I Came Into This World Alone (1:19)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog10: Be a Hobo (1:22)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog11: Why Spend the Dark Night With You (1:40)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog12: All is Loneliness (1:38)Performers: Moondog, Steve Reich, Philip Glass, Jon GibsonComposer: Moondog13: Organ Rounds (2:04)Performer/Composer: Moondog14: Canon in F Major, Book I (.43)Performer: Paul JordanComposer: Moondog15: Canon in B Flat Major, Book III (1:36)Performer: Paul JordanComposer: Moondog16: Canon in B Flat Major, Book I (.43)Performer: Paul JordanComposer: Moondog17: Canon in B Flat Major, Book II (.28)Performer: Paul JordanComposer: Moondog18: Canon in G Sharp Minor, Book I (.44)Performer: Paul JordanComposer: Moondog19: Canon in C Sharp Minor, Book II (1:32)Performer: Paul JordanComposer: Moondog20: 5/4 Snakebite Rattle (3:41)Performer: Stefan LakatosComposer: Moondog21: Trimbas and Woodblock in 5/2 (1:26)Performer: Stefan LakatosComposer: Moondog22: When I Am Deep in Sleep (2:17)Performer: Stefan LakatosComposer: Moondog23: Rabbit Hop (2:25)Performer/Composer: Moondog24: Dog Trot (2:25)Performer/Composer: Moondog25: Bird’s Lament (2:00)Performer/Composer: Moondog26: Viking 1 (2:55)Performer/Composer: Moondog27: Heimdall Fanfare (3:06)Performer/Composer: Moondog28: Intro and Overtone Continuum (2:22)Performer/Composer: Moondog

    L. Mencken's book about the English language as spoken in the United States. Mencken was inspired by "the argot of the colored waiters" in Washington, as well as one of his favorite authors, Mark Twain, and his experiences on the streets of Baltimore. In 1902, Mencken remarked on the "queer words which go into the making of 'United States.'" The book was preceded by several columns in The Evening Sun. Mencken eventually asked "Why doesn't some painstaking pundit attempt a grammar of the American language... English, that is, as spoken by the great masses of the plain people of this fair land?" It would appear that he answered his own question. In the tradition of Noah Webster, who wrote the first American dictionary, Mencken wanted to defend "Americanisms" against a steady stream of English critics, who usually isolated Americanisms as borderline barbarous perversions of the mother tongue. Mencken assaulted the prescriptive grammar of these critics and American "schoolmarms", arguing, like Samuel Johnson in the preface to his dictionary, that language evolves independently of textbooks. The book discusses the beginnings of "American" variations from "English", the spread of these variations, American names and slang over the course of its 374 pages. According to Mencken, American English was more colorful, vivid, and creative than its British counterpart. The book sold exceptionally well by Mencken's standards-1400 copies in the first two months. Reviews of the book praised it lavishly, with the exception of one by Mencken's old nemesis, Stuart Sherman. source: Wikipedia

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.

    Perkins’ insider’s view leads him to crisis of conscience--to the realization that he must devote himself to work which will foster a world-wide awareness of the sanctity of indigenous peoples, their cultures, and their environments. Perkins’ books demonstrate how the age-old shamanic techniques of some of the world’s most primitive peoples have sparked a revolution in modern concepts about healing, the subconscious, and the powers each of us has to alter individual and communal reality.Deep in the rain forests and high in the Andes of Ecuador, native shamans teach the age-old technique of dream change, a tradition that has kept the cultures of the Otavalans, Salasacans, and Shuar alive despite centuries of conquest. Now these shamans are turning their wisdom and power to the problem of curing a new kind of illness--that created by the industrial world’s dream of dominating and exploiting nature. John Perkins tells the story of these remarkable shamans and of the U.S. medical doctors, psychologists, and scientists who have gone with him to learn the techniques of dream change. These shamanic teachings have sparked a revolution in modern concepts about healing, the subconscious, and the powers each of us has to alter individual and communal reality.

    'Death and the Virgin' is the story of a remarkable and frenetic period in Elizabeth's life: a tale of love, death and tragedy, exploring the dramatic early life of England's Virgin Queen.

    The New Testament World: Insights from Cultural Anthropology 3rd edition published in the year 2001 was published by Presbyterian Publishing Corporation. View 1192 more books by Presbyterian Publishing Corporation. The author of this book is Bruce J. Malina . This is the Paperback version of the title "The New Testament World: Insights from Cultural Anthropology 3rd edition ". The New Testament World: Insights from Cultural Anthropology 3rd edition is currently Available with us.

    *** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    George Bull, a distinguished translator of many Italian classics, has brought his skill and experience to bear on translating this new selection of Michelangelo's letters and poetry, as well as the 'Life' the biography written by Michelangelo's pupil Ascanio Condivi.

    He had been very fortunate that the esteemed university professor, Doctor Martin Luther, had taken him into his household as a servant. Luther's promise of tutoring Karl in exchange for his labor was the chance of a lifetime--until a poster on the church door declared his master a heretic!Karl is asked to travel with Doctor Luther to appear before the emperor's Imperial Council in the city of Worms. Will his life be at stake as well as Luther's? And who is the mysterious young lady who shadows their trip? Could she be a spy for Luther's enemy, Doctor Eck?Or might the night riders be secret supporters of Luther?With danger lurking on every side, who can Karl trust?