This is a new voice made of sunlight, knives, emergencies, heat, honesty, bottles of vodka, and a tanker full of talent. Madievsky has created something we should not go without."- Matthew Dickman"Go ahead, try all you want pulling on Ruth Madievsky’s Emergency Brake—but just remember it won’t do you any good. This will be the most exciting and inventive first book you have read in years, and this poet’s take-no-prisoners attitude makes for an ecstatic joyride. These deeply moving poems reflect the raw darkness paring at the edges of our lives, and they reveal how that dark can sometimes move to the very centers of our being. Sexy, irreverent, sorrowful, thrilling—the poems of Emergency Brake become a young woman’s survival manual for the Twenty-First Century: ignore it at your own peril."- David St. John"...a metaphor-maker par excellence"- ZYZZYVA"The social importance of Emergency Brake doesn’t come at the cost of artful finesse; a cleverly engineered speaker who invites distrust through sly direction guides us through the collection’s gallery of sex and Los Angeles sprawl..."- Columbia Journal"Emergency Brake is filled with boxcar after boxcar of metaphors you’ll wish you wrote, but Madievsky got to them first. You’ll want to hate her if it wasn’t for that sugary child jumping up and down behind your ribs, yelling, 'Do it again! Do it again!'”- Harpur Palate

    Mary Miller's BIG WORLD is the second book and first work of fiction to come out of Short Flight/Long Drive Books, a publishing arm of the independent literary journal Hobart. The characters in Mary Miller's debut short story collection BIG WORLD are at once autonomous and lonesome, possessing both a longing to connect with those around them and a cynicism regarding their ability to do so, whether they're holed up in a motel room in Pigeon Forge with an air gun shooting boyfriend as in "Fast Trains" or navigating the rooms of their house with their dad after their mother's death as in "Leak." Mary Miller's writing is unapologetically honest and efficient and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge, if Gaitskill's and Eldridge's stories were set in the south and reeked of spilt beer and cigarette smoke.

    Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

    Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake.  Excerpt from “Bonfire Opera”   In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.

    Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

    "PINK STEAM is not kitschy, it is a culturally astute document of the real written by a master at the height of her powers"--Jennifer Moxley. The intimate secrets of Dodie Bellamy's life--sex, shoplifting, voyeurism, and writing are illuminated in Bellamy's incredibly tailored latest work where true confession bleeds into high theory into trash cinema. PINK STEAM barges beyond the cliches of gendered experience; unafraid of the personal, unabashed by politics and sex, Bellamy makes confusion her OK Corral. Dodie Bellamy is the author of CUNT-UPS and FEMININE HIJINX, both available at SPD.

    Stories by Andre Norton, Anne McCaffrey, Lois McMaster Bujold, CJ Cherryh and more. — Meet the Women of Futures Past: from Grand Master Andre Norton and the beloved Anne McCaffrey to some of the most popular SF writers today, such as Lois McMaster Bujold and CJ Cherryh. The most influential writers of multiple generations are found in these pages, delivering lost classics and foundational touchstones that shaped the field.Contents: * Acknowledgments * Introduction: Invisible Women by Kristine Kathryn Rusch * The Indelible Kind / by Zenna Henderson (The Magazine of Fantasy & Science Fiction, December 1968) * The Smallest Dragonboy / by Anne McCaffrey (Science Fiction Tales, 1973) * Out of All Them Bright Stars / by Nancy Kress (The Magazine of Fantasy & Science Fiction, March, 1985) * Angel / by Pat Cadigan (Isaac Asimov’s Science Fiction Magazine, June 1987) * Cassandra / by C.J. Cherryh (The Magazine of Fantasy & Science Fiction, October 1978) * Shambleau / by C.L. Moore (Weird Tales, November, 1933) * The Last Days of Shandakor / by Leigh Brackett (Startling Stories, April 1952) * All Cats Are Gray / by Andre Norton (Fantastic Universe, August/September 1953) * Aftermaths / by Lois McMaster Bujold (Far Frontiers: The Paperback Magazine of Science Fiction and Speculative Fact, Volume V, Spring 1986) * The Last Flight of Doctor Ain / by James Tiptree, Jr. (Galaxy, March 1969) * Sur / by Ursula K. Le Guin (The New Yorker, February 1, 1982) * Fire Watch / by Connie Willis (Asimov’s Science Fiction Magazine, February 15, 1982) * About the Editor.

    It is in her home in Great Village, Nova Scotia where she is surrounded by piles of books. It is beside her as she gazes out over the shore with her lifelong friend Mealie. It walks with her into the village, while details of the distant past return to her with startling clarity. With worsening chest pains, exacerbated by the arrival of an unwelcome teenager, she fully expects her life is ebbing away — but before it does, she must finally confront the deceptions and shame of the long-hidden past.

    1921. Yacobo Levi, an intellectual dreamer, works in the family bookshop. Angelo Ghione, a contadino, makes good wine by singing to the grapes. Lifetime best friends, their Jewish and Catholic families live side by side amidst a backdrop of village communal life, Etruscan tales and the growth of Benito Mussolini. Born on the same day, their children grow up and fall in love. When the 1938 racial laws are passed, the love between Bella and Rico thrives amidst and perhaps because of the fear and uncertainty. When Angelo discovers their liaison he suggests they marry but life is complicated and tensions simmer beneath the surface of love and friendship. When war is declared on the day of Bella's wedding to Michele a fellow Jew, the peaceful village they live in is torn apart, and the Levis find themselves displaced and fighting for their lives. Will life ever be the same again?The Tears of Monterini is a story of love and betrayal, loyalty and friendship. Inspired by true events in Tuscany and Emilia-Romagna, this beautifully written debut will appeal to readers interested in history, Italy, romance, family dynamics and conflict.

    Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.”Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques.

    With shocking, unforgettable lyric force, Valzhyna Mort's Music for the Dead and Resurrected confrontsthe legacy of violent death in one family in Belarus. In these letters to the dead, the poet asks: How do we mourn after a century of propaganda? Can private stories challenge the collective power of Soviet and American historical mythology?Mort traces a route of devastation from the Chernobyl fallout and a school system controlled by ideology to the Soviet labor camps and the massacres of World War II. While musical form serves as a safe house for the poet's voice, old trees speak to her as the only remaining witnesses, hosts to both radiation and memory.Valzhyna Mort, born in Belarus and now living in the United States, conjures a searing, hallucinogenic ritual of rhythmic remembrance in a world where appeals to virtue and justice have irrevocably failed.

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    In Little Boat, Valentine continues her exploration of spiritual life, confronting the realities of aging and death in the serene and dreamlike voice so beloved by her many readers. Infusing even the most melancholy subjects with warmth and humanity, Little Boat explores such subjects as grief, ordinary objects, illness, and memory, carrying the reader into disparate worlds, rendering the complexity of our common experience through startling images. The poet's extraordinary juxtapositions blur the boundaries of the material world and the invisible, the given and the assumed, the present and the sometimes recently absent. Readers will find Valentine's quiet epiphanies on rich display here, as this much-heralded poet quietly merges the sorrowful and the sublime.

    Exploring war, plagues, and the search for a new God in exile, these poems create a chorus of wanderers haunted by empire, God, and personal trauma.

    So when she meets Ethan, the awkward boy from the exclusive community of Crystal Waters, she can’t help being intrigued. He’s different, but in a good way.Along with her stand-in little brother Parker, and her best friend Meredith, the four of them form an unlikely friendship. But one morning, their idyllic summer is turned upside down when a dead body washes up on the beach…From the author of the critically acclaimed Hope for Garbage, comes another story of friendship, hope, and the incredible power of the human spirit.