A vampire who walks in both the light and the darkness, but lately darkness has a stronger pull. Her unfinished business could cost her the ability to live in the light, throwing her permanently back into the black ink of evil. Doctor Francesca Swartz led a boring life filled with test tubes, blood trials, and work. One exploratory night, in a world of leather and torture, she is intrigued by a dark and solitary soul. She surrenders to temptation and the desire to experience something new, only to discover that it might alter her life forever. Will Selene allow the light to win over the darkness threatening the edges of her life? Two women wonder if they can co-exist despite vast differences, as worlds collide and threaten to destroy any hope of happiness. Who will win?

    However, fate is a fickle mistress, and six years after the death of her mother, she's faced with the fact that her father is dying as well. Forced to leave her sheltered little homestead in the woods, Kyri discovers that there is more to life than just hunting and making master quality arrows. During her journey to find a new home and happiness, she struggles with the path that seems to take her away from the quiet life of a fletcher. She learns that sometimes the hardest part of growing up is reconciling who we were, with who we will become.

    But publicly, she’s keeping her doubts to herself—because she’s the voice of Attachments, her brand-new paranormal investigation podcast, and she needs her ghost-loving listeners to tune in. That’s what brings her to Arrington Estate. Thirty years ago, teenager Atheleen Bell drowned in Arrington’s lake, and legend says her spirit haunts the estate. Dare’s more interested in the suspicious circumstances surrounding her death—circumstances that she believes point to a living culprit, not the supernatural. Still, she’s vowed to keep an open mind as she investigates, even if she’s pretty sure what she’ll find. But Arrington is full of surprises. Good ones like Quinn, the cute daughter of the house’s new owner. And baffling ones like the threatening messages left scrawled in paint on Quinn’s walls, the ghastly face that appears behind Dare’s own in the mirror, and the unnatural current that nearly drowns their friend Holly in the lake. As Dare is drawn deeper into the mysteries of Arrington, she’ll have to rethink the boundaries of what is possible. Because if something is lurking in the lake…it might not be willing to let her go.

    Includes erotic novella, "Oh Captain, My Captain".

    In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels. In the spirit of Laura van den Berg, Emily Geminder, Chaya Bhuvaneswar, and other winners of the Dzanc Short Story Collection Prize, Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.

    In "Pyrography" a gay adolescent is torn between his sexual desires and his longing for acceptance as he goes on a camping trip with two straight male friends. An American in Crete finds a new reason for living after the death of his lover in "An Oracle." "Watermarked" is a moving tribute to a beautiful young actor, the subject of an early passion. And, perhaps the funniest story in the collection, "His Biographer" deals with the ludicrous experience of being the living subject of a biography; it brilliantly stages the meeting of Old World sophistication and New World political correctness.

    The most vicious gang in the Homelands, led by the infamous Butcher, is extending its operations to Roadsend. By her oath as a member of the Militia, Ellen is sworn to uphold the rule of law, no matter what the cost to herself. But as the body count starts to rise, Ellen finds her task made all the harder by a wall of silence from ordinary citizens, a commanding officer with her head in the sand, and the attentions of an attractive young farmer who is probably not who she claims to be.Ellen must work out who to trust, because if she gets it wrong she might easily lose her heart, or her life.

    But when Kicker falls in love with a teacher, Madelyn Bristow, it radically alters the course of her tranquil life.Together, the lovers flee the brutality of Madelyn's father and the prejudices of upper crust England in search of freedom to live, and love, as they choose. A journey as much of the heart and soul as of the body, it will find the lovers struggling against the expectations of gender, the oppression of class, and even, at times, each other.What they find at the end of their journey is not a new Eden, but a land of hope and opportunity that offers them the chance to live out their most cherished dream - a life together.

    He lets them in on a secret: The Witches' Carnival is nearby. If they travel fast, they might catch it.It's everyone's glittery fantasy turned real: to follow the Carnival's mystic band of beautiful people as they defy every limit and dance through history — all in search of a good time. Sam wants to go for it, to cut ties with home and reach for the dream. But on the road, it's Gilly who becomes enchanted.The girls leave everything behind. So in pursuit, they'll have nothing left to lose...except each other.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    Nothing would please him more than to share those stolen moments with the man who, literally, held his life in his hands. First, though, he has to find him. Then convince him it’s safe to come out of his self-imposed shadows.Even if it means playing dirty.Court has no regrets about manipulating that one second of fate to save Dane’s life, but having this accursed power to cheat death isn’t the only thing darkening his lonely existence. The last thing he needs is an eternal optimist shining a cheery light on the dark, tortured corners of his past. Except now that Dane has found him, there’s no shaking him...and the longer Court basks in Dane’s relentless warmth, the more he begins to believe that maybe, just maybe, happiness can at last be his.Distracted by the devilish sparkle in Dane’s eyes, Court begins to forget that there are those who would kill to control his stunning power. And that Dane is the perfect bait…Warning: Beware—features a man with absolutely no scruples about resorting to seduction and cheap tricks to get what he wants. Plus a skittish, supernaturally gifted paramedic who’s about to discover that it’s okay to go along for the ride.

    Within its boundaries, birds are outlawed and what was once a crater in Appalachia is now a tropical, glittering metropolis where Anna Armour is waiting. An artist by passion and a factory worker by trade, Anna is a woman of special gifts. She has chosen this beautiful, traumatized city to wait for the woman she's lost, the one she believes can save her from her troubled past and uncertain future. When one night Anna creates life out of thin air and desperation, no one is prepared for what comes next-not Lucine, a smooth talking soothsayer with plans for the city; Lucine's brother Eugenio who has designs of his own; Seife, a star performer in the Leiodaran cosmos; or Rory, a forefather of the city who's lived through outbreak, heartbreak, and scandal. Told through their interlocking stories, Smoketown delves into the invisible connections that rival magic, and the cost of redemption.

    In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions — cheap, easy to find in drugstores, and immediately recognizable by their lurid covers. For women leading straight lives, here was confirmation that they were not alone and that darkly glamorous, "gay" places like Greenwich Village existed. Some — especially those written by lesbians — offered sympathetic and realistic depictions of "life in the shadows," while others (no less fun to read now) were smutty, sensational tales of innocent girls led astray. In the overheated prose typical of the genre, this collection documents the emergence of a lesbian subculture in postwar America.

    A young girl, a slave in the South, is presented with a moment where she can grasp for freedom, for change, for life. She grabs it with both hands, fiercely and intensely, and the spirit world is shaken.A Tor.com Original

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019