Hit the road with this anthology of trucking horror fiction!

    The next book in Black Dog's supernatural series, Demons presents thirty-six terrifying, tantalizing tales in which evil spirits wreak havoc on the world. Neil Gaiman, William Peter Blatty, Kim Harrison and Robert R. McCammon join H.P. Lovecraft, Edgar Allen Poe, Charles Beaumont, Bentley Little, Maggie Stiefvator, Danielle Trussoni, David J. Schow, Karl Edward Wagner, Richard Christian Matheson, Adram-Troy Castro, Amelia Beamer, Cody Goodfellow, Carlton Mellick III, and dozens more, both old and new. Horror legend John Skipp, editor of Zombies and Werewolves and Shapeshifters, provides fascinating insight into the history and details of demon lore, and its role in popular culture. Between the extensive resource materials and the lovingly selected stories - ranging from fantasy, horror, paranormal romance, and magic realism to full-blown Bizarro - Demons is an indispensable text, and the most fun you'll ever have with the forces of evil.

    The child's mother, though, isn't about to take it lying down and, along with a tracker, begins a cross-country chase to get her child back.

    The sudden death of her father has left her alone with her irresponsible, grief-stricken mother-who becomes easy prey for a group of occultists promising to contact her dead husband. While fighting to disentangle her mother from these charlatans, Daphne begins to sense a strange, insidious presence in her own body...an entity with unspeakable appetites. What does “Brother” want? And could she even stop him if she tried?

    The troubling talent has made the Southern California surfer wary of casual contact. But while impulsively saving a stranger from an accident, she experiences her most disturbing vision.   With only a good friend to help her, and mere traces of information to guide her, Makani must track down two mysterious women—one of them innocent, one not.   But Makani is stepping into the path of an adversary more dangerous than she can imagine: a brutal predator behind a pretty face, who won’t go down without drawing blood.   Acclaim for Dean Koontz   “Dean Koontz is a prose stylist whose lyricism heightens malevolence and tension. [He creates] characters of unusual richness and depth . . . with a level of perception and sensitivity that is not merely convincing; it’s astonishing.” —The Seattle Times   “Demanding much of itself, Koontz’s style bleaches out clichés while showing a genius for details. He leaves his competitors buried in the dust.” —Kirkus Reviews   “A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times   “Tumbling, hallucinogenic prose. ‘Serious’ writers . . . might do well to examine his technique.”—The New York Times Book Review   “[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.” —Los Angeles Times   “Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today   “Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune   “A literary juggler.”—The Times (London)

    But Ashbourough has a deep, dark secret . . . and it's living in the woods behind his home. "One of the best and most refreshing horror novels you're likely to read this year."

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    Like a "fast animal," the poet's voice can swiftly change direction and tone as he crisscrosses between present and past.Built like one single sustained song, Fast Animal is alive with music, ardor, and wit that flow in utterances that are uniquely [Seibles'] and his alone."—Laure-Anne Bosselaar, author of The Hour BetweenFrom "Delores Jepps"It seems insane now, butshe’d be standing soakedin schoolday morning light,her loose-leaf notebook,flickering at the bus stop,and we almost trembledat the thought of her mouthfilled for a moment with bothof our short names. I don’t knowwhat we saw when we sawher face, but at fifteen there’sso much left to believe in… Tim Seibles, who teaches at Old Dominion University, is the author of six previous books, including Body Moves and Hurdy-Gurdy. His poetry has been featured in Best American Poetry 2010. Seibles has been the recipient of an NEA grant for poetry and Open Voice award.

    Also here is Scott's manifesto, "Dogme 2011 for Weird Fiction."

    Nearly a century later there are those who still report seeing the children swimming beneath the surface like elusive dolphins. After losing her husband in a violent car crash, Rachel King and her two young sons venture to Arrowhead Lake to heal. When Rachel discovers that Great Woods Timber is planning to clear-cut this beautiful wilderness she enlists the help of Lilly Bowman and her mysterious father, chief and shaman of the Wabanaki nation. But dark events have been set in motion and Arrowhead Lake is under siege by a sinister force of mercenaries. When Chief Neptune vanishes, Rachel and Lilly call on Seth Ferguson, the local deputy sheriff for help. Together they discover an astonishing truth; a shadowy cabal that will stop at nothing to obtain the secret of Arrowhead Lake, a secret that if unearthed could have far-reaching consequences. When one of Rachel’s sons vanishes in the Lake, she and Lilly embark on a harrowing journey to find him. What they discover is a mind boggling truth that will change their lives forever. *

    Those who have lived there only last a month or two as pure evil still permeates about. Virginia and Tom move their family to what they believe is the quiet country house, but it is far from peaceful. Strange events at the house leave them terrified, events which nearly cost them their lives. With its horrific past, Thomas House isn't a welcoming home and resents the people who walk through its doors. Doors open and close on their own, apparitions suddenly appear to threaten, and strange sounds resonate at night. Something dark and sinister lives in the house and wants them out. NOW. When Virginia and her son are almost killed by the evil apparitions, her son takes matters into his own hands.

    But almost nothing of his silent movies has survived, and now Thackeray is little more than a grace note in film history.Disgraced film critic Simon is determined to restore Tubby's reputation and his own. A commercially successful biography of Tubby will convince Simon's girlfriend -- and her parents -- that Simon is worthy of her. Uncovering the truth about Tubby isn't easy. Newspapers of the time contain mysterious, truncated accounts of disturbing events at Tubby's performances and at screenings of his films. The few seconds of film Simon finds of Tubby in action are profoundly disquieting; Tubby seems more demon than comedian. Tubby's leering, laughing clown's face haunts Simon. Everywhere he turns, he sees the clown's sardonic grin; his faintly glowing white costume; or his long, oddly jointed limbs.Tubby Thackeray is dead. But the evil that was Tubby Thackeray lives, and Simon's investigations have roused its hunger.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Hiding out in Pennsylvania, they believe they are safe, and they may be…for a short while.Just when the demon hunters come to believe they have a viable plan for combating the demonic infestation of Oneka Falls, they learn of a new threat. Brigitta's power seems inconsequential by comparison. Confronted by an ancient demigoddess of pain and death, the demon hunter crew knows an open battle will lead to their destruction. The secret to her defeat lies steeped in Akkadian myth, obscured by time and a dead language. Harried by the archdemoness, her powerful servants, and the remaining demons in Oneka Falls, sifting the truth from the legend may prove an impossible task. Nevertheless, the hunters must find a way to save the world.. How can Toby, Benny, Shannon, Mike, and Scott hope to win a war against the demons entrenched in Oneka Falls? How can they even hope to survive?

    Thematic collection of 12 stories based around the theme of urban decay.# From Out of the Angry Ruins • Philip Nutman • introduction# • Godflesh • # • Childhood at the Lost and Found • # • Androgyny • # • In a Roadhouse Far, Past the Edge of Town • # • Naked Lunchmeat •# • Cancer Causes Rats •# • Mostly Cloudy, Chance of Kurt •# • Heartsick • # • Extinctions in Paradise •# • The Meat in the Machine •# • Extract • # • Liturgical Music for Nihilists •# • Endnotes: The Ticking of an Unfriendly Clock