When Burke Campbell befriends the Sineater's son, horrible things begin to happen. The Sineater, and his family, are blamed. Can superstition be overcome? Is it superstition, or fact? Will tradition be broken...or will a family, and an Appalachian community be undone?

    But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants... except for Audrey Lucas.No stranger to tragedy at thirty-two—a survivor of a fatherless childhood and a mother's hopeless dementia— Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her... and for the voice that demands that she build a door? A door it would be true madness to open...

    An old-fashioned barbershop is the site of a medieval ritual of bloody terror.... During a post-apocalyptic Christmas celebration, a messenger from the South brings tidings of great horror.... From a ghostly Civil War battlefield to a combat theme park in Vietnam, from the omnipotent brain of an autistic boy to a shocking story of psychic vampires, journey into a world of fear and mystery, a chilling twilight zone of the mind.

    When the opportunity arises, the two jump at the chance to make this dream a reality. They find an old Victorian home that has been vacant for many years and believe this is their chance to fix up and open the Inn at Raven’s Crest. Maggie quickly learns of the ghosts still living in the house. She befriends them; talks to them; helps them find peace, and offers a way to get to the other side. As the first guests arrives, so does an awful storm which puts out the roads, the power and the internet, thus leaving all of the guests captive at the Inn. When one person is found murdered, and then another, everyone is frightened and not sure who to trust and who the murderer is. There are many signs that point to one and then another suspect before the final chapter is revealed. Inn at Raven’s Crest by Salem Marlowe has a plot we may have read before, but the characters and the events are brand new and kept me glued to my Kindle. Each time I thought I had solved the mystery, another twist changed my mind. I couldn’t help but root for Maggie and Lee and for the future success of the Inn. Each character was well portrayed and had all the human characteristics of good and evil in them. I would love to see what happens when the next set of guests arrive at the Inn. It would be an awesome TV series with new guests arriving weekly. I highly recommend reading Inn at Raven’s Crest; mystery fans will not be disappointed. Two friends buy an abandoned Victorian house and turn it into a bed and breakfast. Before renovations are completed they discover their home has come complete with ghosts, and an old, unsolved murder. Can they solve the mystery and get the ghosts to leave? Or will they get caught up in a new set of murders, ones that are decimating their guests?

    

    Whether based in sf or fantasy, Shea's short fiction is not for the squeamish.Contents:Polyphemus (1981)The Angel of Death (1979)Uncle Tuggs (1986)The Pearls of the Vampire Queen (1982)The Horror on the #33 (1982)The Extra (1987)The Autopsy (1980)

    Ellen Datlow, Kelly Link and Gavin Grant continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field—nearly four dozen stories, ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol-style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror and Year's Best sections—on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge and on film and television by Edward Bryant. This is an indispensable reference as well as the best reading available in fantasy and horror.*Terry Bisson *Kevin Brockmeier *Dan Chaon *Peter Crowther *Theodora Goss *Daphne Gottlieb *Glen Hirshberg *Brian Hodge *Nina Kiriki Hoffman *Kij Johnson *Paul LaFarge *Thomas Ligotti *Sara Maitland *Maureen F. McHugh *Steve Rasnic Tem *Benjamin Rosenbaum *Michael Marshall Smith *Michael Swanwick *Karen Traviss *Megan Whalen Turner

    Eight years ago, he lost his wife and child at the hands of a killer known only as Mr. Gray. But now, Mr. Gray is back, and with strange powers that allow him to appear anywhere at will. Scott must protect a new family – a woman and her autistic son – from the madman's attacks. All they can do is run...and try to find the secret behind THE MERIDIANS.

    The smart sister from Baltimore City has looks, brains, a promising job offer, and now, it looks like she's met her dream guy in handsome law student, Devin Patterson. Though their backgrounds couldn't be more different, wealthy, sheltered Devin falls hard for savvy, inner-city Clark. They're more than lovers; they're soul mates, and their storybook romance is the envy of the campus. Caught Up In Love - But out in the real world, their bond will be tested again and again. From the strain of long-distance love and the pull of two high-powered careers to the well-meaning-but-misdirected advice of friends, the prejudices of family, and the strong allure of new passion and players, Clark and Devin are in for a ride that could tear them apart for good. Caught In The Mix Now - for two people caught in the mix of secrets, family drama, lies, career struggles, and the hard truths of growing up and moving on, love is anything but easy- and doing the right thing by yourself is the hardest lesson of all.

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    As one reader put it, Healed reads "as if it were written by both Steven King and M. Night Shyamalan." It is the third short story written by Dean Skinner whose first short story, Broken, climbed as high as #134 in Amazon's "90-Minute Mystery, Thriller & Suspense Short Reads." Dean Skinner is an artist who has his work displayed throughout the US, UK and Australia. Dean is also an author of supernatural thrillers who combines his faith with his love of horror.

     The second tale, "The Candle in the Cloud", is a novella of dark fantasy which follows three children who discover a magical candle that transports them to a world where a plague-cloud is destroying everything in its wake. These two tales, the first ever written by Clive, are offered here for the very first time. Their production has been lovingly supervised by Clive himself to ensure that these are not mere books, but works of art to be cherished. Complete with original illustrations and appendices on select editions, First Tales is sure to delight everyone from longtime fans to new readers. In his own words: "These two stories represent the two essential structures of fantastique literature. ’The Wood on the Hill’ is about an incursion of unearthly elements into an approximation of our world. ’The Candle in the Cloud’ is about a journey taken by people from our world into another reality. Yin and Yang, if you like. Forces pulling in opposing directions but to achieve the same end: Revelation." Clive Barker (2013)

    From the end of a relationship to the meaning behind its title, this anthology continually surprises and subverts, utilizing topics such as alien intelligence, reincarnation, imaginary children, and even conversations with Hitler’s childhood pet. Engaging and diverse, this compendium offers a fascinating perspective on mortality.

    But, like the rest of us, he confronts the same hypocrisies and frustrations of the world and, unable to help himself, or at the mercy of circumstance, he crosses a dangerous threshold--and he kills. In this novel, we meet many of his twenty-one victims: law enforcers, writers, adulterers, auto mechanics, and other liars. And each crime reveals another side of his psyche . . . and his disturbing rationale for murder.

    Josh may have saved her from one attack, but drug smugglers are desperate to get information about one of Andrea's patients—a patient who's disappeared without a trace. Despite the danger, the beautiful counselor refuses to hand over confidential files. Now Josh and Andrea have no choice but to battle on for their lives—and their love—or they'll be the latest casualty to get caught in the crossfire.