What if some morning as the old woman stood at the head of the staircase she were suddenly to feel a weight thrusting against the back of her legs? What if she were to lunge forward, grasping at the air, striking her thin skull against the edge of a stair? What would become of me if she were found unmoving at the bottom of the stairway?’Such are the thoughts of Baxter, a sociopathic bull terrier on the hunt for the perfect master, as he contemplates the demise of his first victim. The basis for the acclaimed 1989 film Baxter, Ken Greenhall’s utterly chilling and long-unobtainable Hell Hound (1977) has earned a reputation as a lost classic of horror fiction. This first-ever reissue includes a new introduction by Grady Hendrix.

    Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

    A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with.- --Jerry Smith, Fangoria Magazine and Blumhouse.com The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafes, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing--a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town--and that the serial murders merely scratch the surface of a past burdened by evil secrets.

    First, Nicholas, a would-be Living Artist, seeks to escape his demons in the shadowy underground–but in doing so makes a deal with the devil himself. In her fevered search for him, his twin sister, Nicola, spins her own unusual and hypnotic tale as she discovers the hidden secrets of the city. And finally, haunted by Nicola’s sudden, mysterious disappearance and gripped by despair, Shadrach, Nicola’s lover, embarks on a mythic journey to the nightmarish levels deep beneath the surface of the city to bring his love back to light. There he will find wonders beyond imagining…and horrors greater than the heart can bear. By turns beautiful, horrifying, delicate, and powerful, Veniss Underground explores the limits of love, memory, and obsession in a landscape that defies the boundaries of the imagination. This special edition includes the short stories “The Sea, Mendeho, and Moonlight”; “Detectives and Cadavers”; and “A Heart for Lucretia” and the novella Balzac’s War, offering a complete tour of the fantastic world of Veniss.

    He has let go of old habits, especially the ones that turned him into an addict and helped land him in prison.On a hike along the Lowback Trail, Joe stumbles on one of the town's oldest secrets--buried long ago, if not forgotten.It's an unusual but safe enough treasure--a jar of old pennies. What interests Joe isn't the pennies themselves, but the pieces of paper taped to every coin--a child's handwritten wish on each one.When the first few wishes come true, they are simple things. Fun. Harmless.Except as time goes on, Joe realizes they aren't really wishes at all...they're exchanges, and the bill was racking up.Nothing is free in life. Sooner or later, you always pay.

    . .Yeti. . .Sasquatch.But whatever it is, it's out there in the woods and leaving a trail of blood and severed heads behind it.For John Moon, a half-mad Indian, it is a spirit that holds the key to his inner self. He worships its power and he'll kill to protect it. Desperate, exhausted, half-starved, Moon will follow it wherever it goes.For Raymond Jason, killing it has become an obsession. He was the only survivor of a hunting trip to the Rockies where the hunters became the monster's prey. Now he is determined to track the creature down and destroy it.But when the two men finally corner their quarry they set loose a flood of terror and destruction that me leave no survivors. . .RUNNING TIME ➼ 7hrs. and 41mins.©2019 Thomas Page (P)2019 Valancourt Books LLC

    But when star quarterback Dylan Whitley goes missing, an unremitting fear grips this remote corner of Texas.Joel Whitley was shamed out of conservative Bentley ten years ago, and while he’s finally made a life for himself as a gay man in New York, his younger brother’s disappearance soon brings him back to a place he thought he’d escaped for good. Meanwhile, Sheriff’s Deputy Starsha Clark stayed in Bentley; Joel’s return brings back painful memories—not to mention questions—about her own missing brother. And in the high school hallways, Dylan’s friends begin to suspect that their classmates know far more than they’re telling the police. Together, these unlikely allies will stir up secrets their town has long tried to ignore, drawing the attention of dangerous men who will stop at nothing to see that their crimes stay buried.But no one is quite prepared to face the darkness that’s begun to haunt their nightmares, whispering about a place long thought to be nothing but an urban legend: an empty night, a flicker of light on the horizon—The Bright Lands.

    Higg's' riveting vision of the nightmare underside of the American dream, brilliantly echoes the grand Gothic horror tradition of Edgar Allan Poe and Roald Dahl.

    'The Wanderer' is a weird document. On a dying Earth, in the far-flung future, a man, an immortal, types the tale of his aeon-long life as prey, as a hunted man; he tells of his quitting the Himalayas, his sanctuary for thousands of years, to return to his birthplace, London, to write the memoirs; and writes, also, of the night he learned he was cursed with life without cease, an evening in a pub in that city, early in the twenty-first century, a gathering to tell of eldritch experiences undergone. Is 'The Wanderer' a fiction, perhaps Peterkin's last novel, or something far stranger? Perhaps more 'account' than 'story'?

    Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven.But you’d better hope not.Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . .When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

    who falls in love with her.An incredibly sophisticated computer... who talks with...The Unborn.

    Moving across the country seems like the perfect chance to start over.In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones.Then Deirdre disappears.And when something awful comes scratching at Skye's window in the middle of the night, claiming she's the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    When his father Montrose goes missing, twenty-two year old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned Atticus’s great grandmother—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of one black family, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.