Even as rapidly advancing personal technologies let consumers gratify an ever-broader array of desires, a similar pattern of instant gratification in the worlds of business and politics is splitting our economy and undermining our most important social institutions—family, community, collective action. The result is a massive and ongoing fragmentation. Corporate executives now maximize returns without regard for social consequences. Political leaders score quick points while destroying common ground. Consumers cover their growing economic insecurity by retreating into personalized world that render collective social action all but impossible.The consequences: financial volatility, health epidemics, environmental degradation, and political paralysis, to say nothing of a deep and growing dissatisfaction. All reflect a society whose pursuit of self-interest grows more intense and less enlightened every year.More than thirty years ago, Christopher Lasch published his landmark book, The Culture of Narcissism. Since then, the conditions he described have only gotten worse. And while Lasch’s analysis was largely cultural, the real story has always been an economic one. Paul Roberts digs down to the economic roots of the problem, showing how it has metastasized over the last three decades. In clear, cogent prose that mixes vibrant reporting and illuminating analysis, Roberts tells the fascinating story of how the impulse society came to be—and shows how, perhaps, a healthier society may still be possible.

    Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination.Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

    Ranging from the Knights Templar to the first Protestants, from Joan of Arc to Galileo, The Grand Inquisitor’s Manual is a fascinating and sobering study of the torture and murder of hundreds of thousands of “heretics” in God’s name—the original blueprints for persecution originally drafted in the Middle Ages but followed for centuries afterwards, up to and including the “advanced interrogation methods” recently employed at Guantanamo Bay.

    Now - with the technological advances of modern archaeology and a new perspective on world history - we are finally able to piece together their compelling true stories. In Ancient Civilizations of North America, Professor Edwin Barnhart, Director of the Maya Exploration Center, will open your eyes to a fascinating world you never knew existed - even though you've been living right next to it, or even on top of it, for as long as you've been on the continent.The peoples of ancient North America were exceptionally knowledgeable about their environment, but their intellectual and artistic curiosity went much beyond the immediate need for food and safety. Beginning thousands of years ago, and without benefit of written language, native peoples became mathematicians, construction and soil engineers, astronomers, urban planners, and more. They developed thriving cities, extensive trade routes, canals to bring water to the desert, and earthworks we still marvel over today.In 24 exciting lectures, you'll learn about the vibrant cities of Poverty Point, the first city in North America, built about 3,500 years ago, and Cahokia, the largest city of ancient North America. You'll explore the many ways in which the Chacoan environment provided cultural and religious focus for peoples of the southwest. And you'll learn about the Iroquoian source of some of our most basic "American" values.

    Writing at the height of his career, Rand articulated in his slender volume the pioneering vision that all design should seamlessly integrate form and function. This facsimile edition preserves Rand's original 1947 essay with the adjustments he made to its text and imagery for a revised printing in 1970, and adds only an informative and inspiring new foreword by design luminary Michael Bierut. As relevant today as it was when first published, this classic treatise is an indispensable addition to the library of every designer.

    Charmingly illustrated with author Eric Sloane's own sketches, the text illuminates with rare insight the enormously varied and useful qualities of wood.Covering such topics as the aesthetics of wood, wooden implements, and carpentry, Sloane remarks expansively and with affection on the resourcefulness of early Americans in their use of this precious commodity. From cradle to coffin, the pioneer was surrounded by wood. It was used to make tools, fence the land, and build barns. People sat at wooden tables on wooden chairs and ate from wooden dishes. Charcoal, one of the many by-products of wood, was used to preserve meat, remove offensive odors, and produce ink. The bark of various trees was processed to make medicine. An entertaining, factual, and historically accurate book, A Reverence for Wood will delight woodcrafters and lovers of Americana. It is "one of Eric Sloane's best books." — Library Journal

    When Mary accompanied her husband to diplomatic duty in Turkey, she changed history. She helped bring the smallpox vaccine to the Middle East, struck a seemingly impossible deal with Napoleon, and arranged the removal of famous marbles from the Parthenon. But all of her accomplishments would be overshadowed, however, by her scandalous divorce. Drawing from Mary's own letters, scholar Susan Nagel tells Mary's enthralling, inspiring, and suspenseful story in vibrant detail.

    Noting the similarity between prehistoric rock art and that created by some contemporary traditional societies, archaeologists Jean Clottes and David Lewis-Williams suggest that the ancient images were created by shamans, powerful individuals who were able to contact the spirit world through trance and ritual.

    Cape Breton is one of the oldest points of exploration and settlement in the Americas, with a history dating back to the first days of European discovery, and it is littered with the remnants of old settlements. But the road that Chiasson found that day was unique. Well-made and consistently wide, and at one time clearly bordered with stone walls, the road had been a major undertaking. In the two years of detective work that followed, Chiasson systematically surveyed the history of Europeans in North America, and came to a stunning conclusion: the ruins he stumbled upon did not belong to the Portuguese, the French or the English – in fact, they pre-dated John Cabot’s “discovery” of the island in 1497.Using aerial and site photographs, maps and drawings, and his own expertise as an architect, Chiasson carries the reader along as he pieces together the clues to one of the world’s great mysteries. While tantalizing mentions can be found in early navigators’ journals and maps, The Island of Seven Cities reveals for the first time the existence of a large Chinese colony that thrived on Canadian shores well before the European Age of Discovery.Chiasson addresses how the colony was abandoned and forgotten, in the New World and in China, except in the storytelling and culture of the Mi’kmaq, whose written language, clothing, technical knowledge, religious beliefs and legends, he argues, expose deep cultural roots in China. The Island of Seven Cities unveils the first tangible proof that the Chinese were in the New World before Columbus.

     Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes and sought out the chaos of New York’s White Horse Tavern and West End Bar.  She was unmoored and uncertain, “waiting for a wisp of truth, a feather’s brush of beauty, a moment of insight.” Salvation came in the form of a brilliant playwright whom she married and worked to support, even after he left her alone on their honeymoon and later pawned her family silver, china, and pearls. Her near-religious belief in the power of art induced her to overlook his infidelity and alcoholism, and to dutifully type his manuscripts in place of writing her own.  During an era that idolized its male writers, she became, sometimes with her young child in tow, one of the girls draped across the sofa at parties with George Plimpton, Terry Southern, Doc Humes, Norman Mailer, Peter Matthiessen, and William Styron. In the Hamptons she socialized with Larry Rivers, Jack Gelber and other painters and sculptors. “Moderation for most of us is a most unnatural condition . . . . I preferred to burn out like a brilliant firecracker.” But while she was playing the muse reality beckoned, forcing her to confront the notion that any sacrifice was worth making for art. Art and Madness recounts the fascinating evolution of a time when art and alcohol and rebellion caused collateral damage and sometimes produced extraordinary work. In clear-sighted, perceptive, and unabashed prose, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

    Straight leg bones. Awkwardly contorted arm bones. On a hot summer day in 2005, Dr. Douglas Owsley of the Smithsonian Institution peered into an excavated grave, carefully examining the fragile skeleton that had been buried there for four hundred years. He was about fifteen years old when he died. And he was European, Owsley concluded. But how did he know? Just as forensic scientists use their knowledge of human remains to help solve crimes, they use similar skills to solve the mysteries of the long-ago past. Join author Sally M. Walker as she works alongside the scientists investigating colonial-era graves near Jamestown, Virginia, as well as other sites in Maryland. As you follow their investigations, she'll introduce you to what scientists believe are the lives of a teenage boy, a ship's captain, an indentured servant, a colonial official and his family, and an enslaved African girl. All are reaching beyond the grave to tell us their stories, which are written in bone.

    This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.

    Assuming no knowledge on the part of the reader, it shows how to interpret the information on the inscriptions in a step-by-step journey through the script and language of ancient Egypt.We enter the world of the ancient Egyptians and explore their views on life and death, Egypt and the outside world, humanity and the divine. The book draws on texts found on some thirty artifacts ranging from coffins to stelae to obelisks found in museums in Egypt, America, and Europe, and selected across two thousand years. The texts are then explained clearly, and are supported by full translations, photographs, and line drawings.

    How could there have been such deft and skillful artists in the world over 30,000 years ago? Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity’s artistic endeavors and their impact on our own development. Embarking with the motto, “Everyone is an artist,” Spivey takes us on a quest to find out when and how we humans began to explore the deepest questions of life, using visual artforms. With the help of vivid color illustrations of some of the world’s most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death. Packed with new insights into ancient wonders and fascinating stories from all around the globe, How Art Made the World is a compelling account of how humans made art and how art makes us human.

    Will they overcome with hearts and humor intact? Will they survive at all? Reader Reviews: "I know if you enjoy reading about strong confident and brave women you will love this book as much as I did!" "Recommend this books to all who enjoy Westerns, or even if you have never read one. I think you would perhaps see some of the personalities, philosophies and behavior in yourself and those you know and only read about! A very HUMAN book!" "WOW. Bought this book with the thoughts of perhaps a light read.... I'm telling you, the detail, the writing, the story were all superb." "This book is for everyone. I couldn't wait to see what happened but I didn't want it to end." "If this book doesn't get made into a big-budget movie with an ensemble of major actresses, Hollywood will have missed out on a blockbuster." "I loved this book from beginning to end. And the unique way the author told it. A most fun read. If I had lived in that time period I would have wanted to be one of those women in pants!"