It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master—a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom.Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

    My ancestors traveled the East African desert in search of grazing land for their livestock, and the most precious resource of all—water. When they exhausted the land and the clouds disappeared from the horizon, their accumulated ancestral knowledge told them where to move next to find greener pastures. They loaded their huts and belongings onto their most obedient camels and herded their livestock to a new home.” When Shugri Said Salh was six years old, she was sent to live with her nomadic grandmother in the desert, away from the city of Mogadishu. Leaving behind her house, her parents, her father’s multiple wives, and her many siblings, she would become the last of her family to learn a once-common way of life. The desert held many risks, from drought and hunger to the threat of predators, but it also held beauty, innovation, and centuries of tradition. Shugri grew to love the freedom of roaming with her goats and the feeling of community in learning the courtship rituals, cooking songs, and poems of her people. She was even proud to face the rite of passage that all “respectable” girls undergo in Somalia, a brutal female circumcision. In time, Shugri would return to live with her siblings in the city. Ultimately, the family was forced to flee as refugees in the face of a civil war—first to Kenya, then to Canada, and finally to the United States. There, Shugri would again find herself a nomad in a strange land, learning to navigate everything from escalators to homeless shelters to, ultimately, marriage, parenthood, and nursing school. And she would approach each step of her journey with resilience and a liveliness that is all her own. At once dramatic and witty, The Last Nomad tells a story of tradition, change, and hope.

    A. Bradshaw explores the minds, emotions, and lives of elephants. Wars, starvation, mass culls, poaching, and habitat loss have reduced elephant numbers from more than ten million to a few hundred thousand, leaving orphans bereft of the elders who would normally mentor them.As a consequence, traumatized elephants have become aggressive against people, other animals, and even one another; their behavior is comparable to that of humans who have experienced genocide, other types of violence, and social collapse. By exploring the elephant mind and experience in the wild and in captivity, Bradshaw bears witness to the breakdown of ancient elephant cultures.All is not lost. People are working to save elephants by rescuing orphaned infants and rehabilitating adult zoo and circus elephants, using the same principles psychologists apply in treating humans who have survived trauma. Bradshaw urges us to support these and other models of elephant recovery and to solve pressing social and environmental crises affecting all animals, human or not.

    Key, a young husband and father from a conservative background, enlisted in the Army in 2002 to get training as a welder and lift his family out of poverty. A year later, Key was sent to Ramadi where he found himself participating in a war that was not the campaign against terrorists and evildoers he had expected. He saw Iraqi civilians beaten, shot, and killed for little or no provocation. Nearly ever other night, he participated in raids on homes that found only terrified families and no evidence of terrorist activity. On leave, Key knew he could not return so he took his family underground, finally seeking asylum in Canada. The Deserter’s Tale is the story of a patriotic family man who went to war believing unquestioningly in his government’s commitment to integrity and justice, and how what he saw in Iraq transformed him into someone who could no longer serve his country.

    By far the hardest stage of this incredible journey was Africa which she completed in September 1993. This personal account of her achievement tells of her relationship with the women of the villages she passed through, how she learnt their traditions and skills; how she was nearly murdered, almost raped, taken for a cannibal spirit, stoned and mobbed when they suspected she was a slave merchant. And it tells how her anger turned to contentment as she found peace within herself and how each evening her campsite became a home when she fell in love with one of her drivers.

     In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    The youngest of seven children, her mother had died while Ilhan was still a little girl. She was being raised by her father and grandfather when armed gunmen attacked their compound and the family decided to flee Mogadishu. They ended up in a refugee camp in Kenya, where Ilhan says she came to understand the deep meaning of hunger and death. Four years later, after a painstaking vetting process, her family achieved refugee status and arrived in Arlington, Virginia.Aged twelve, penniless, speaking only Somali and having missed out on years of schooling, Ilhan rolled up her sleeves, determined to find her American dream. Faced with the many challenges of being a Muslim refugee, she questioned stereotypes and built bridges with her classmates and in her community. In under two decades she became a grassroots organizer, graduated from college and was elected to congress with a record-breaking turnout by the people of Minnesota—ready to keep pushing boundaries and restore moral clarity as she sees it in Washington D.C.

    Saunders' book is uncharted territory in the writing on dementia, a diagnosis one in nine Americans will receive. Based on the "field notes" she keeps in her journal, Memory's Last Breath is Saunders' astonishing window into a life distorted by dementia. She writes about shopping trips cut short by unintentional shoplifting, car journeys derailed when she loses her bearings, and the embarrassment of forgetting what she has just said to a room of colleagues. Coping with the complications of losing short-term memory, Saunders nonetheless embarks on a personal investigation of the brain and its mysteries, examining science and literature, and immersing herself in vivid memories of her childhood in South Africa. Written in a distinctive voice without a trace of self-pity, Memory's Last Breath is a remarkable, aphorism-free contribution to the literature of dementia--and an eye-opening personal memoir that will grip all adventurous readers.

    Her razor-sharp wit combines with her acute powers of observation to produce social and political commentary that will have you in stitches even as it informs and provokes you to think seriously about the topics she discusses. In Best White, Davis offers advice on life’s tricky issues; discusses the perils of being a ‘Best White’; laments the fact that society does not have a universally adopted form of greeting, such as the high five; explores the intricacies of social media and internet dating; considers the future of reading and tackles a range of controversial topics in between.

    He kept his cerebral palsy a secret from the record- keepers and medical authorities for 20 years. He had a distinguished and highly decorated career despite the pain he endured to appear normal.He served on board destroyers, a battleship, two aircraft carriers and functioned as an administrator for a Seal unit. The outside world also impacted on him further aggravating his CP when he was challenged by alcoholism and excessive grief caused by the suicide of a brother. With help, John Quinn triumphed over both, as he did the painful cerebral palsy.

    Most were never heard from again. Acclaimed Nigerian novelist Helon Habila, who grew up in northern Nigeria, returned to Chibok and gained intimate access to the families of the kidnapped to offer a devastating account of this tragedy that stunned the world. With compassion and deep understanding of historical context, Habila tells the stories of the girls and the anguish of their parents; chronicles the rise of Boko Haram and the Nigerian government's inept response; and captures the indifference of the media and the international community whose attention has moved on.Employing a fiction writer's sensibility and a journalist's curiosity, THE CHIBOK GIRLS provides poignant portraits of everyday Nigerians whose lives have been transformed by extremist forces. Habila illuminates the long history of colonialism--and unmasks cultural and religious dynamics--that gave rise to the conflicts that have ravaged the region to this day.

    In Unfinished Empire, he marshals his gifts to deliver a monumental one-volume history of Britain's imperium-a work that is sure to stand as the most authoritative, most compelling treatment of the subject for a generation.Darwin unfurls the British Empire's beginnings and decline and its extraordinary range of forms of rule, from settler colonies to island enclaves, from the princely states of India to ramshackle trading posts. His penetrating analysis offers a corrective to those who portray the empire as either naked exploitation or a grand "civilizing mission." Far from ever having a "master plan," the British Empire was controlled by a range of interests often at loggerheads with one another and was as much driven on by others' weaknesses as by its own strength. It shows, too, that the empire was never stable: to govern was a violent process, inevitably creating wars and rebellions.Unfinished Empire is a remarkable, nuanced history of the most complex polity the world has ever known, and a serious attempt to describe the diverse, contradictory ways-from the military to the cultural-in which empires really function. This is essential reading for any lover of sweeping history, or anyone wishing to understand how the modern world came into being.

    The poems mythologize family histories until they break open, using them to explore aspects of Sudan’s history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani—an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant.

    Along with his older brother he finds himself thrown into a truck when the soldiers leave, to be shaped into an agent of horror – a child soldier. Marched through minefields and forced into battle, enduring a brutal daily existence, Obinna slowly works out which parts of himself to save and which to sacrifice in this world turned upside down. Beneath the Darkening Sky is a terrifyingly powerful, brilliantly insightful portrait of how a human being copes when forced to become inhuman. Like all great fiction, it imagines the unimaginable, and announces the arrival of a searing new voice from the heart of Africa.