Stacey Lane feels like a monster. Tommy DeMarco might be one. Since her husband died eight months ago, Stacey’s been a certified mess—a poet who can’t write anymore, a good mother who feels like she’s failing her kids. She’s been trying to redefine herself, to find new boundaries. Tommy has no respect for boundaries. A surprisingly well-read A-list Hollywood star, Tommy’s fallen in love with Stacey’s novel-in-verse, a feminist reimagining of Frankenstein, no less. His passion for the book, and eventually its author, will set their lives on a collision course. They’ll make a movie, make each other crazy, and make love—but only in secret. As Stacey travels between her humdrum life in the suburbs of Omaha and the glamorous but fleeting escape Tommy offers, what begins as a distracting affair starts to pick up weight. It’s a weight that unbalances Stacey’s already unsteady life, but offers new depth to Tommy’s. About desire, love, grief, parenthood, sexual politics, and gender, Monsters: A Love Story is a witty portrait of a relationship gone off the rails, and two people who are made for each other—even if they’re not so sure they see it that way.

    With echoes of Sylvia Plath, and against a cultural backdrop that includes Shakespeare, Woody Allen, and Heathers, Suzanne Scanlon's first novel is both a deeply moving account of a life of crisis and a brilliantly original work of art.

    Instead, they are attending their father's funeral -- and their mother's trial for his murder...With more than three million copies of her novels sold, Eileen Goudge is already renowned for her rich, compelling sagas of women's lives. Now, with One Last Dance, she reaches a new level of drama, suspense, and passion -- and new heights of bestsellerdom!

    A chance meeting with a young American chased away the fear that he would always be alone and brought him the prospect of a new existence.Dustin Earl joined the military and escaped his small town Southern upbringing with the hope that he could give his mentally challenged brother a better life. But Dustin had never known real love, an honest hug, or a simple kiss. He considered his sexuality a weakness; a threat that had been used against those he cared about.For eight months their relationship blossomed until Dustin suddenly returned home. He cherished Stephen, but felt his responsibilities to his brother outweighed his own chance at happiness.Shattered, unable to function and unwilling to accept Dustin’s departure, Stephen flew three thousand miles to get Dustin back and rekindle what they had. But what he would learn when he got there… he could never have imagined.

    Sixteen-year-old Libby Winters lives in Paradise, a seaside town north of Boston that rarely lives up to its name. After the death of her mother, she lives with her father, Bent, in the middle apartment of their triple decker home—Bent’s two sisters, Lucy and Desiree, live on the top floor. A former soldier turned policeman, Bent often works nights, leaving Libby under her aunts’ care. Shuffling back and forth between apartments—and the wildly different natures of her family—has Libby wishing for nothing more than a home of her very own.Quinn Ellis is at a crossroads. When her husband John, who has served two tours in Iraq, goes missing back at home, suffering from PTSD he refuses to address, Quinn finds herself living in the first-floor apartment of the Winters house. Bent had served as her husband’s former platoon leader, a man John refers to as his brother, and despite Bent’s efforts to make her feel welcome, Quinn has yet to unpack a single box.For Libby, the new tenant downstairs is an unwelcome guest, another body filling up her already crowded house. But soon enough, an unlikely friendship begins to blossom, when Libby and Quinn stretch and redefine their definition of family and home.With gorgeous prose and a cast of characters that feel wholly real and lovably flawed, This Is Home is a nuanced and moving novel of finding where we belong.

    The protagonist of Ron Currie, Jr.’s new novel has a problem­—or rather, several of them. He’s a writer whose latest book was destroyed in a fire. He’s mourning the death of his father, and has been in love with the same woman since grade school, a woman whose beauty and allure is matched only by her talent for eluding him. Worst of all, he’s not even his own man, but rather an amalgam of fact and fiction from Ron Currie’s own life. When Currie the character exiles himself to a small Caribbean island to write a new book about the woman he loves, he eventually decides to fake his death, which turns out to be the best career move he’s ever made. But fame and fortune come with a price, and Currie learns that in a time of twenty-four-hour news cycles, reality TV, and celebrity Twitter feeds, the one thing the world will not forgive is having been told a deeply satisfying lie. What kind of distinction could, or should, be drawn between Currie the author and Currie the character?  Or between the book you hold in your hands and the novel embedded in it? Whatever the answers, Currie, an inventive writer always eager to test the boundaries of storytelling in provocative ways, has essential things to impart along the way about heartbreak, reality, grief, deceit, human frailty, and blinding love.

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.

    As they grow older, they meet with the perplexing lives of adults. Susan Minot writes with delicacy and a tremendous gift for the details that decorate domestic life, and when tragedy strikes she beautifully mines the children's tenderness for each other, and their aching guardianship of what they have.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    Thrown together to organize a fundraiser for their failing private school and bonded by loneliness, they begin an affair that at first thrills, then corrupts each of them. Judy sees in Zach the elements of a young man she loved as a child, but what Zach does not realize is that their relationship is, for Judy, only the latest in a lifetime of disturbing secrets.Rebecca Coleman's manuscript forThe Kingdom of Childhood was a semifinalist in the 2010 Amazon Breakthrough Novel Competition. An emotionally tense, increasingly chilling work of fiction set in the controversial Waldorf school community, it is equal parts enchanting and unsettling and is sure to be a much discussed and much-debated novel.

    A worthy first novel.--The Times (London).

    The Kaufmans have always considered themselves a normal, happy family. Curtis is a physics teacher at a local high school. His wife, Kathleen, restores furniture for upscale boutiques. Daniel is away at college on a prestigious music scholarship, and twelve-year-old Olivia is a happy-go-lucky kid whose biggest concern is passing her next math test.And then comes the middle-of-the-night phone call that changes everything.Daniel has been killed in what the police are calling a freak accident, and the remaining Kaufmans are left to flounder in their grief. The anguish of Daniel's death is isolating, and it's not long before this once perfect family find themselves falling apart. As time passes and the wound refuses to heal, Curtis becomes obsessed with the idea of revenge, a growing mania that leads him to pack up his life and his anxious teenage daughter and set out on a collision course to right a wrong.An emotionally charged novel, The Fragile World is a journey through America's heartland and a family's brightest and darkest moments, exploring the devastating pain of losing a child and the beauty of finding healing in unexpected ways."A heart-stopping series of events drives The Fragile World…. The result is a gripping read, but one that delivers, by the book's end, a beautiful reminder of the resilience of love." —Karen Brown, author of The Longings of Wayward Girls

    When doctors can find no trace of drugs in her system, Jill accepts she’ll never know what happened, but at least her child is safe.Except Sophia isn’t. Someone is watching the Lassiter home in an affluent Pennsylvania suburb, infiltrating the family’s personal and professional lives. While Jill struggles to balance building her photography business with parenting high-spirited Sophia, and David is distracted by pressure to make partner at his law firm, both of them are holding on in a marriage that’s already been rocked by loss.Three months after the incident at the park, Sophia disappears again, but this time Jill and David become the focus of police and media scrutiny and suspicion. Facing every parent’s worst nightmare a second time, Jill discovers that someone doesn’t just want Sophia for her own, she wants to destroy the entire family.

    I couldn't put it down." ---Gretchen Rubin, #1 New York Times bestselling author of The Happiness ProjectA hilarious and moving chronicle of a wildly flawed family that comes together--in rehab, of all places--even as each member is on the verge of falling apart Introducing the Kesslers: Marty, a retired LA film producer whose self-worth has been eroded by age and a late-in-life passion for opioids; his daughter Janine, former child star suffering the aftereffects of a life in the public eye; and granddaughter Hailey, the "less-than" twin sister, whose inferiority complex takes a most unexpected turn. Nearly six thousand miles away, in London, celebrated author Bunny Small, Marty's long-forgotten first wife, has her own problems: a "preposterous" case of writer's block, a monstrous drinking habit, and a son who has fled halfway around the world to escape her.When Marty's pill-popping gets out of hand and Bunny's boozing reaches crisis proportions, a perfect storm of dysfunction brings them all together at Directions, Malibu's most exclusive and absurd rehab center.But for all their failings, the members of this estranged--and strange--family love each other. Rich with warmth, humor, and deep insight, There's a Word for That is a comic ode to surviving the people closest to us, navigating the perils of success, and taking one last look in the rearview mirror before mapping out the road ahead.

    Advertising for an assistant, he unwittingly embarks upon the most dangerous adventure of his privileged life.Alma Busch, a sensuous, physically attractive young woman with bizarre tattoos covering much of her body, stirs in Seigl a complex of emotions: pity? desire? responsibility? guilt? Unaware of her painful past and her troubled personality, Seigl hires her as his assistant. As the novel alternates between Seigl's and Alma's points of view, the naïve altruism of the one and the virulent anti-Semitism of the other clash in a tragedy of thwarted erotic desire.With her masterful balance of dark suspense and surprising tenderness, Joyce Carol Oates probes the contemporary tragedy of ethnic hatred and challenges our accepted limits of desire. The Tattooed Girl may be her most controversial novel.